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55 search results for The King Of Limbs

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  • Radiohead--the-king-of-limbs_home_top_story
  • Radiohead--the-king-of-limbs_home_top_story
  • Radiohead--the-king-of-limbs_home_top_story
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    Radiohead - The King of Limbs (CD)

    Type: Event | Date: Tuesday, Mar 29, 2011

    New Radiohead album, finally in physical form!
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    Radiohead - The King of Limbs (Newspaper Album - deluxe edition)

    Type: Event | Date: Monday, May 9, 2011

    Hold the front page! Radiohead release gorgeous artefact (plus album)
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    Radiohead - The King of Limbs

    Type: Event | Date: Friday, Feb 18, 2011

    Download only (so far) of new Radiohead album
  • Zombie Classics

    Type: Event | Date: Tuesday, Sep 22, 2009

    Includes:White Zombie (1932), MPAA Rating: NR Revenge of the Zombies (1943) Night of the Living Dead (1968), MPAA Rating: NR Oasis of the Zombies (1982) White Zombie It is altogether typical of Bela Lugosi's lousy business judgement that he accepted one of his finest film roles for a mere $500 dollars. In the haunting low-budgeter White Zombie, Lugosi stars as Murder Legendre, a shadowy character who exercises supernatural powers over the natives in his Haitian domain. Coveting beautiful Madge Bellamy as his bride, wealthy Robert Frazier is refused her hand in marriage. He enters into an unholy agreement with Lugosi, whereby Madge will fall ill and die, then be resurrected as a zombie-and, implicitly, Frazier's love-slave. This is accomplished, but Lugosi, relishing the hold he has over Frazier, refuses to release Madge's soul. She is ultimately rescued from Living Death by her faithful beau Robert Harron and missionary Joseph Cawthorn (heretofore merely the comedy relief). Few talkie horror films have ever so expertly captured the "feel" of the silent cinema as White Zombie; the film's ethereal, ghostlike ambience enables the audiences to accept even the most ludicrous of plot twists. The producers, Victor and Edward Halperin, use the film's tiny budget to their advantage, evocatively suggesting the horrors that they haven't the financial wherewithal to show on screen. Lugosi is superb throughout, making the most of such seemingly innocuous lines as "Well, well, we understand one another better, now." Long ignored or shunted aside as insignificant, White Zombie can hold its own with any of the like-vintage Universal horror classics. ~ Hal Erickson, All Movie Guide Revenge of the Zombies The second of Monogram's "zombie" thrillers, Revenge of the Zombies is better than the first, if only because of its powerhouse cast. John Carradine does his usual as Von Alltermann, a mad scientist in the employ of the Nazis. Commissioned to create a race of "living dead" warriors for the Third Reich, Von Alltermann takes time out to attempt to revitalize his deceased wife Lila (Veda Ann Borg). Stumbling into the doc's laboratory is heroine Jen (Gale Storm), who is rescued in The Nick by undercover FBI agent Larry (Robert Lowery). As in King of the Zombies, Mantan Moreland provides his patented bug-eyed comedy relief; good taste aside, he's the best thing in the picture. ~ Hal Erickson, All Movie Guide Night of the Living Dead When unexpected radiation raises the dead, a microcosm of Average America has to battle flesh-eating zombies in George A. Romero's landmark cheapie horror film. Siblings Johnny (Russ Streiner) and Barbara (Judith O'Dea) whine and pout their way through a graveside visit in a small Pennsylvania town, but it all takes a turn for the worse when a zombie kills Johnny. Barbara flees to an isolated farmhouse where a group of people are already holed up. Bickering and panic ensue as the group tries to figure out how best to escape, while hoards of undead converge on the house; news reports reveal that fire wards them off, while a local sheriff-led posse discovers that if you "kill the brain, you kill the ghoul." After a night of immolation and parricide, one survivor is left in the house.... Romero's grainy black-and-white cinematography and casting of locals emphasize the terror lurking in ordinary life; as in Alfred Hitchcock's The Birds (1963), Romero's victims are not attacked because they did anything wrong, and the randomness makes the attacks all the more horrifying. Nothing holds the key to salvation, either, whether it's family, love, or law. Topping off the existential dread is Romero's then-extreme use of gore, as zombies nibble on limbs and viscera. Initially distributed by a Manhattan theater chain owner, Night, made for about 100,000 dollars, was dismissed as exploitation, but after a 1969 re-release, it began to attract favorable attention for scarily tapping into Vietnam-era uncertainty and nihilistic a
  • 10.-otto-defeats-the-sinister-six-superior-spider-man-1_home_top_story_1

    10 moments that made Doc Ock a 'Superior' Spider-Man

    Type: Gallery | Date: Tuesday, Jan 14, 2014

    One thing is certain, 'ol Otto didn't take any baby steps into his Spidey ...
  • Kings-of-leon-2013_home_top_story

    Interview: Kings of Leon's Jared Followill on the band's pranks and a new chapter

    Type: Post | Date: Monday, Sep 23, 2013

    How the hiatus helped the group have fun again on 'Mechanical Bull'
  • Radiohead-in-rainbows_home_top_story

    What If Radiohead never released a pay-what-you-want album?

    Type: Post | Date: Tuesday, Aug 20, 2013

    'In Rainbows' was a revolution... for better or for worse?
  • Basic-instinct-2-risk-addiction-2006_home_top_story

    15 of the most unnecessary sequels ever made

    Type: Gallery | Date: Sunday, Jul 14, 2013

    Sequel to: "Basic Instinct" (1992) Did it kill the franchise: Ye...
  • Americanidol_s12_top10_gallery_652_home_top_story

    Recap: 'American Idol' - Top 10: Music of the American Idols Night

    Type: Post | Date: Wednesday, Mar 13, 2013

    It's our first Wednesday Performance Night for the Finalists
  • Atoms-for-peace-ingenue_home_top_story

    Watch: Thom Yorke returns to dancing for 'Ingenue' by Atoms For Peace

    Type: Post | Date: Thursday, Feb 28, 2013

    Partners make for the best paranoid rock dancing
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