In a Super Bowl half-time performance that was as frenetic as it was fierce, Beyonce delivered a sexy segment that was part Victoria’s Secret fashion show, part tutorial on how to dazzle an audience. From the fi...
A quick review of tonight's "Girls" coming up just as soon as we have a look at the bad one...
"Someday, some fucking asshole is going to make a movie out of your life, and it's gonna be call...
A review of last night's "The Office" double-feature coming up just as soon as I redact my resume...
When last week's episode introduced Chris Diamantopoulos as Brian the friendly boom mic operator, I...
Boy, I'm tired of "Tax Shelter Theater."
I know the landscape has changed in the last decade for independent financing, and I know it continues to change. It is a scary time to be making movies, if ...
Jonathan Levine has managed to build an interesting filmography without repeating himself so far, and by hopping from genre to genre, he's proven himself to be a very limber filmmaker whose greatest strength is buildi...
I didn't have time to write a review of NBC's "Do No Harm," though Dan and I discussed it for a while on this week's podcast. The short version: though I like Steven Pasquale, this is a weird s...
Well, "30 Rock" is over. Which is the worst. I paid tribute to the series as a whole last night, and I have a review of the series finale coming up just as soon as I deposit $70 in my bank account...
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Francis Underwood, the politician central character of the new Netflix original drama “House of Cards,” is fond of the colorful metaphor. As House Majority Whip, he explains, “my job is to clear the ...
A quick review of last night's "The Mindy Project" coming up just as soon as I drive a motorcycle through a flaming hoop...
"Harry & Sally" returned to the theme of modeling your life on ...
A quick review of last night's "Happy Endings" two-fer coming up just as soon as I do a run/walk for sexual blindness...
The timing couldn't have been better for the first night of "Happy Endings&q...
