When the 2013 Independent Spirit Awards nominations are announced less than 12 hours from now many of the nominations won't surprise you. "Silver Linings Playbook," "Beasts of the Southern Wild" and "Moonrise Kingdom" should all receive multiple nods. The question is where will the Spirit nominating committees pull a fast one? Because, let's face it, they always do. Whether it's deciding "The Artist" qualifies as an American production (don't get me started on this one) or basically ignoring "Midnight in Paris" or giving "The Last Station" a best feature nod, half of the Spirit nominations are almost never what you expect. That being said, they are somewhat predictable in their unpredictableness. Here are five things you should look for when the nominations are revealed at 10 AM PST.
Latest Blog Posts
NEW YORK -- The Gotham Awards at Cipriani Wall Street were a first for me this evening. Matt Damon, John Krasinski, Emily Blunt, Jack Black, Mark Duplass, Melanie Lynskey, David O. Russell, Marion Cotillard, all on hand to ring in the season with the first (real) awards show of the year.
There's very little I could add that Greg didn't already cover in his live-blog of the awards, New York's answer to the Independent Spirit Awards. I sat, I ate, I endured Mike Birbiglia (hey, he tried). "Moonrise Kingdom" was the big winner as "The Master" got nowhere (and looks to be going nowhere fast in the awards race unless a critics group or two speaks up fast).
I was very happy for documentary winner "How to Survive a Plague," which will be discussed at length along with other docs in the race in Friday's podcast. But the rest felt like my screener pile awards, because other winners -- "Middle of Nowhere," "Your Sister's Sister" -- and nominees -- "Safety Not Guaranteed," "Hello, I Must Be Going" -- are sitting over there on the shelf, waiting for me to see them. And I will.
With awards season now unavoidably under way -- the Oscar nominations are just over six weeks away, if you can get your head around that -- I'm facing the possibility of another year where few of my personal favorites are in the hunt. Of course, I have yet to see the likes of "Zero Dark Thirty," "Les Misérables" or even "Lincoln": I could fall in love with any one of them, as so many others have, and thus have something to root for as fervently as I did "The Hurt Locker" a few years ago. For now, however, the projected Best Picture roster and the early drafts of my 2012 Top 10 mostly appear poles apart.
Which is all the more reason to get invested in the finer details of the race: the narrow openings and blind spots that could benefit less expected films in less keenly scrutinized categories. Be it last year's Best Sound Editing nod for "Drive," a Costume Design mention for "Bright Star" or an Original Song bid for "Dancer in the Dark" -- making Lars von Trier an Oscar-nominated songwriter, if nothing else -- I've come to treasure isolated votes of Academy approval for adored outsiders. Such nominations are almost comical in how inadequately they represent the films' qualities, but there's something perversely satisfying about seeing these largely uninvited Cinderellas turning up at the dance after all. And the outlier I'm rooting for most this year? "Holy Motors."
It's starting to look like Warner Bros may hold Christopher Nolan in the highest possible regard, but that in the end, they own their characters and they will decide what they're going to do with them.
After all, we heard much talk this summer about how the Batman franchise was ending, at least as far as the current version is concerned, and I believe that Nolan was serious when he said that was the last story he had to tell about the character. But Nolan is working with Warner Bros. on the "Man Of Steel" relaunch this summer, and as we reported earlier today, director Zack Snyder is starting to hint at the idea that his film is part of a larger continuity.
Certainly, the ending of "The Dark Knight Rises" hints at a possible future for the franchise, and there has been much speculation about whether or not they'll work to connect the end of that film to the larger world of DC properties that Warner is so desperate to create. Over the last couple of weeks, that speculation seems to have turned into conversation, and that conversation seems to be solidifying into a plan.
It may not surprise you that Ke$ha collaborated with at least one half of the Black Keys on her new set "Warrior," particularly after hearing her track "Dirty Love" featuring Iggy Pop.
The "whooooa" of the chorus will ring reminiscent of the blues-rock outfit's "Lonely Boy." But lets just say "Boy" is legions cleaner.
"Dirty Love" starts with a Mickey Mouseketeerian introduction between Ke$ha and the legendary Stooges frontman, and the politeness stops there. They take turns referencing the nasty, and not just your, erm, vanilla variety.
Is it that she wants between your cheeks? Or is it sheets that make it dirty? Pop makes a reference to Santorum, in both its noun and pronoun forms. Both vocals appear to have been completed in a couple takes, and if my fantasy serves me at all, Ke$ha and Iggy Pop then finished their sessions and set fire to a limo full of sex toys. Because that's what this sounds like.
It's terrible, I hate it. I'm also lusty for it, and entertained. These may all be the same thing.
Eight contestants and eight episodes. That’s all that’s left of this cycle of “The Voice”. Without knowing the exact numbers of how the viewing public has voted, it’s impossible to say who is in the driver’s seat at this point. Going off downloads alone, Cassadee Pope and Melanie Martinez seem primed to go deep into the competition. But who knows if people responded to the artists or the simply the songs they performed last week. Guess we’ll have a clearer sense of things after tomorrow night and two more contestants go home.
Here we are in the all-girl finale of our "DWTS" all-star season. It's only an hour and each couple has to power through two dances, so let's just get to it. It's gonna be one speedy episode, so don't blink.
Ah, the Gotham Awards. New York's smaller cousin to the Independent Spirit Awards. Part tribute show, part awards showcase, the Gothams are if nothing but entertaining.
The program is being streamed by IFP here, but feel free to enjoy this live blog of the evening's highlights. The audience may already be buzzed, but we won't be.
8:13 PM EST - Jimmy Kimmel comes out (via tape) and tells everyone to be quiet. "You are there to celebrate the best independent films of 2012 and Matt Damon" and then rips all his commercial hits. "No one embodies the spirit of independent film like Matt Damon."
Today, will.i.am's "Scream & Shout" featuring Britney Spears was finally farmed to radio stations, a week after the single had a slippery debut post-leak. On Wednesday, the music video is set to premiere around Spears' new gig on "The X Factor." A preview to the Ben Mor-directed clip has been posted below.
I'll admit it. The refrain "Scream and shout and let it all out" is super catchy. It's got that. But a catchy phrase does not a great song make. Below I outline my hoarse-voiced disappointments with "Scream & Shout":
If I had to pick one movie in 2013 that I hope works, it would be Zack Snyder's "Man Of Steel."
I think it is beyond comprehension that Warner has taken this long to get Superman back on track. He is not just DC's single most important and iconic superhero character, he is also the single most iconic superhero owned by anyone. Superman is, for many people, the definition of what a superhero is in pop culture, known pretty much everywhere. And while almost everyone has some idea of what Superman is, it seems like it has been insanely difficult for the studio to figure out exactly which version of the character they want to see onscreen.
There has been a ton of speculation about how Warner Bros would start to build their way towards "Justice League," and most of the scrutiny is now focused on whether or not we'll see our first steps towards that with "Man Of Steel" next summer. One of the questions involved has to do with tone. You look at how Marvel handled their build-up to "The Avengers," and the most important thing they did was set a certain tone that meant you would be able to accept it when Tony Stark and Bruce Banner and Thor and Steve Rogers all ended up in a frame together, no matter how different their individual stories.
By making only three stories per season, "Sherlock" producer Steven Moffat has already turned the 21st century Sherlock Holmes series (not to be confused with the one on CBS) into a rare enough treat that we have to wait long intervals to consume. And now it sounds like the wait for the next batch is even longer.
EW is reporting that because of the busy schedules of Moffat (who also runs "Doctor Who") and stars Benedict Cumberbatch (who's the villain in the next "Star Trek" movie) and Martin Freeman (who is appearing in the 57 films that are being adapted from the 300-odd pages of "The Hobbit"), production on the next trio of "Sherlock" episodes has been pushed back from January to March, which will in turn delay when those episodes will air, first on the BBC (likely late 2013 now) and then PBS (possibly early 2014).
NEW YORK -- How do you bring an indie darling back around when the season is filling up with quality work of the "Oscar" sort? Well, you do whatever you can, and for Fox Searchlight and "Beasts of the Southern Wild," it started with an intimate luncheon at Tomate Rouge this afternoon on 60th Street.