“New Girl” fans knew it had to happen sooner or later, but this week Jess (Zooey Deschanel) and Nick (Jake Johnson) finally kissed. But what happens now that the friend barrier has been crossed? Show creator Liz Meriwether talked to journalists in a conference call yesterday to discuss the future of the new “Ross and Rachel” and why Nick and Jess, despite the kiss, “are definitely not ready to be a couple.”
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In some of the new poster images from “Jack the Giant Slayer,” one sees tiny hairs jutting from the points of the giants’ noses, with schmutz furling out between bone-gnawing gnarls of teeth. These aren’t cartoons, but finely-rendered characters, each different, at least one with two heads, all hovering between 22- and 32-feet high when they’re screen ready. And there are hundreds of them, according to “Giant Slayer” director Bryan Singer.
The retelling of a classic fairytale – one as famous and re-trod as Jack and the Beanstalk – is that it can get an update or a flourish with each redux. Or in the case of “Jack the Giant Slayer,” a stylistic twist. Ewan McGregor is a representative sample of the notion, in part, because: just look at that hair-do.
Miley Cyrus has officially left her Disney days behind. The former “Hannah Montana” star has signed with RCA Records for her fourth studio album, according to Billboard. The album will come out later this year.
The move will reunite her with Dr. Luke, who produced her 2009’s mega hit, “Party In the USA.”
Cyrus, whose last album, 2010’s “Can’t Be Tamed,” came out on Disney’s Hollywood Records imprint,
told Billboard in September that she was collaborating with Pharrell Williams, Hit-Boy, and production duo Da Internz, who have worked with both Rihanna and Big Sean. “I wanna make a sick record,” she told Billboard. “I’ve been in so many sessions and just kind of bunkering down and working really hard and perfecting everything.”
It’s a little heard to imagine, but Cyrus told Huffington Post that the album features her country roots, but “a lot of the beats are produced hip-hop beats.”She has also said she is working with Tyler, The Creator on a track.
To say that comedies find difficulty being nominated for Best Film Editing would be quite the understatement. So the nomination of Jay Cassidy and Crispin Struthers for David O. Russell’s “Silver Linings Playbook” is a testament to the esteem in which their colleagues hold them and their film.
The editing of "Silver Linings Playbook" is not as showy as some of the work from the duo's fellow nominees, such as “Argo" or "Zero Dark Thirty,” but they never felt the need to be excessively flashy with their craft. “The first obligation is to tell the story,” Cassidy says. “We have to just to go with the material and tell the story as [director] David [O. Russell] has conceived it.”
But there were still challenges. In particular, Cassidy notes the difficulty in balancing the comic and serious tones of the film. Even so, they knew what they were getting into. “The bipolar shifting back and forth was in the script," he says. "That part of the road map was very clearly articulated by David before we got involved.”
In what could be a rather smart campaign move in a tight race for Best Animated Short, Disney have decided to make their charming black-and-white romance "Paperman" -- previously shown in theaters ahead of "Wreck-It Ralph" -- available for all to view online for three weeks, starting today. Film critic Tim Robey, however, doesn't believe the film even needs such an advantage, claiming "the race looks pretty much over" -- on merit alone. "Paperman is the best thing Disney have done in years," he writes. "There are only seven minutes of it, but they’re perfect ... It may, in its modest way, point towards a new frontier in animation, where computer-generated visuals are brought face to face with old-style hand-drawing, because it uses both at once." I'm not entirely sure I agree, and I suspect underdog power will prevail in the Oscar race, but it's a popular point of view. [The Telegraph]
Earlier this week, the Academy of Motion Picture Arts and Sciences announced a major gift of 1,088 of posters from the golden age of Hollywood. These pieces of art were donated by Dwight Cleveland, a Chicago real estate developer. According to the Academy, Cleveland has amassed one of the largest and most historically significant collections of movie posters in the world. His gift includes posters of westerns, war films, musicals, biblical tales, and social problem films.
An accidental blessing it may be -- and one that has only come into effect since the Academy moved its calendar forward a few years ago -- but situating the Sundance Film Festival in the middle of Oscar season is a blessing nonetheless. A week of conversation about freshly unveiled, critically malleable films is a necessary tonic at a stage when the same small selection of Academy-approved contenders has been discussed, debated and designated for anything from two months to an entire year.
You know what's not appealing at all when you're sick? Food. Also unappealing? Watching a boat lurch up and down in choppy water. So, I am REALLY excited for this episode of "Top Chef," which follows our last five fine chefs onto… a boat. Where they will cook. Let's just hope they don't hit rough water, because I really don't need to see puking chefs, either.
Anyway, Padma has good news (for now). The chefs must pack their bags for… a cruise to Alaska! Oh, that means very little choppy water, so that's good. The chefs head back to their shared apartment to pack. And drink. Mostly drink, it seems. Those are big wine glasses.
I posted my review of "The Americans" yesterday. Now it's your turn. What did everybody think of the new FX spy drama? Did you find the period touches believable? Were you able to sympathize with the Soviets? Did you find the dynamics of their quasi-marriage interesting or creepy? Do you like Matthew Rhys' perm? Will you ever be able to get Fleetwood Mac's "Tusk" out of your head after the opening and closing sequences? And will you watch again?
My plan going forward is to make this a part of the regular rotation. I just ran out of time today to write something longer, and I covered a lot of my feelings about the pilot (including the sense that Noah Emmerich living across the street maybe wasn't the most elegant way to have him interact with Rhys and Keri Russell) in that advance review.
Have at it, and I'll have a lot more to say about the second episode, which does not feature "Tusk" but does feature the den of Caspar Weinberger.