As if the box-office numbers for "Life of Pi" over the weekend weren't enough, Ang Lee has found himself honored with two very different accolades over the past 24 hours. First, the French Ministry of Culture presented the Taiwanese-born director with the Knight of the Order of Arts and Letters for his contribution to the arts -- an honor previously bestowed on such non-French filmmakers as Clint Eastwood and Steven Spielberg. While that was going on, it was also announced yesterday that Lee will receive that 2013 Filmmaker Award at the Motion Picture Sound Editors' Golden Reel ceremony on February 17. MPSE president Bobbi Banks credited him with "continually break[ing] ground through the use of the latest technology both visually and sonically," adding that in "Life of Pi," "his use of Dolby Atmos guides audiences into the emotional intimacy of the sound experience." Is it one to watch in the sound categories?
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I'm kinda glad there's only one more episode of "Sons of Anarchy" left this season because I need a break. Not a break from the show, necessarily, but definitely a break from Jax Teller.
I've had enough of his smug self-serving schemes, spoiled child-like tantrums, and stubborn refusal to do anything about the constant threat that hangs over the head of everyone he supposedly loves as long as he remains in SAMCRO.
Seven would seem to be Rihanna’s lucky number. “Unapologetic,” her seventh studio album in as many years, has become her first effort to reach No. 1 on the Billboard 200.
She scores the feat one week after the album’s first single, “Diamonds,” became her 12th chart topper on the Billboard Hot 100.
“Unapologetic” dropped on Monday, Nov. 19, instead of the usual Tuesday release date, so the title benefitted from an extra day of sales in this week’s Nielsen SoundScan tally (SoundScan measures says from Monday through Sunday). The album sold 238,000 copies, a personal best for the singer, whose previous best week had been with 2010’s “Load,” which sold 207,000 copies in its opening frame to start at No. 3.
All seven of her studio albums had opened on the top 10, including 2007’s “Good Girl Gone Bad,” which peaked at No. 2, according to Billboard.
As Billboard notes, her arrival at No. 1 ends a rather dubious record she’s certainly happy to see end: until today, she was the artist who had scored the most No. 1 songs without having ever achieved a No. 1 album.
NEW YORK -- Fox Searchlight Pictures held its annual east coast holiday party this evening at Andaz 5th Avenue with a nice second-floor spread with principals from the studio's awards season hopefuls -- "Beasts of the Southern Wild," "The Best Exotic Marigold Hotel," "Hitchcock" and "The Sessions" -- on hand. Spirits were particularly high after "Beasts" and "Sessions" combined for six Independent Spirit Award nominations (with one each for "Ruby Sparks" and "Sound of my Voice").
I was glad to finally meet "Hitchcock" director Sacha Gervasi, a charismatic guy who spoke with me about film critics baring their teeth and declaring that he "made up" the events of his film. I would posit that hero-worship may have gotten the better of many -- like, say, Manohla Dargis, whose review basically refuted reporting done by her New York Times colleague John Anderson a week earlier. "It...takes extravagant liberties with the dead," Dargis wrote. "Stephen Rebello, author of 'Alfred Hitchcock and the Making of Psycho,' the book on which 'Hitchcock' is partly based, interviewed many of Hitchcock’s collaborators on 'Psycho' and confirmed the film’s version of events," Anderson wrote.
So, tonight's the night. One couple will get the treasured mirror ball trophy and two couples won't. It's a big deal, but really, what do you do with a mirror ball trophy? Put it on the mantel? Hang it from your ceiling? Decorate your tree with it? Just wondering. Anyway, this is the night Shawn Johnson, Melissa Rycroft and Kelly Monaco will learn who made the final cut. And has to take that big, shiny thing home. I guess that at least if you get two, they could make nice bookends.
First off, we see all of our eliminated celebrities, I think. Maybe not. There are a lot of people on the floor. Hey, there's Sabrina! Well, you knew she'd be available.
Every year, the Independent Spirit Award nominations reveal American independent cinema to be a landscape where, to pinch Orwell's well-worn line, some are more equal than others. The awards may idealistically present themselves as a union of Davids standing tall against the hulking big-studio Goliaths, but the cosy we're-all-in-this-together front doesn't ring true when the nominees show up the gaping class chasms that exist merely within the so-called indie sphere.
No one's pretending a shoestring independent like "Middle of Nowhere" genuinely comes from the same stock as a starry mainstream entertainment like "Silver Linings Playbook"; these awards may ostensibly pitch them as fighting the same good fight, but they're doing so against very different obstacles.
Skylar Grey's collaboration with Eminem, "C'Mon Let Me Ride," contains filthy, unclever and thinly veiled euphemisms for screwing. It's got a playful verse structure and an equally childish lyric video, and a chorus that is as tooth-rotteningly sweet as a Capri Sun jingle. It takes the melodic and lyrical page from Queen's "Bicycle Race" and has it sung by Eminem doing his best Pee-Wee Herman imitation, while the term "banana seat" is beaten (eh? get it?) to it's maxim.
It's a joke.... no, really, it's meant as a joke.
It was written as a satire of “overly sexified music, media and the girls who try and imitate it.” Hence the tossed-off effect of the terms "slut," "bitch" and Em's dragging-d*ck rhymes.
"I've learned from Em I can have more fun," she told Rolling Stone in an interview published in October. "He's very sarcastic and makes me laugh all the time and there are parts of my attitude I have in person but I've never shown in a song. I feel like he showed me I don't have to be afraid to show that side."
Former OutKast member Andre 3000 makes a rare guest spot on the new T.I. track "Sorry," from T.I.'s upcoming "Trouble Man: Heavy Is the Head."
Over a sparse track featuring a number of keys and synths and some subtly funky bass from producer Jazze Pha, T.I. brags about his hustle, his money, his college grades and the fact that it's his time to shine. With a line like "Never mind what the blogs say/do what my mind and my heart say," T.I. doesn't sound like he feels the need to apologize for any of his success.
Then the relatively reclusive Andre 3000 arrives and blows the track wide open. The former OutKast rapper intones "I don't even like rapping fast," before slowing it down. In what is no doubt aimed at his former OutKast partner Big Boi, Dre offers this olive branch: "This the type shit that make you call your rap partner and say I'm sorry I'm awkward, my fault for fucking up the tours/ I hated all the attention so I ran from it."
In a strange twist, Big Boi just released the new track "In the A" which features guest spots from Ludacris....and T.I.
Listen to "Sorry" here:
What do you think of "Sorry"?
When I mention the A&E show "Duck Dynasty" to people, I usually get blank stares and rapid blinking, as if I've suggested a vigorous round of dwarf tossing or a moonshine-and-possum Thanksgiving. Of course, that's still better than the reaction I get to "Here Comes Honey Boo Boo." Lips curl. Eyes roll. "Disgusting," one acquaintance muttered. "I'd never watch that garbage. It's just the lowest of the low."
And as always, feel free to e-mail us questions for the podcast.
It's a bit of a "Revolution"-themed Firewall & Iceberg Podcast, as Dan and I both catch up on the NBC drama — and feel free to use these comments to discuss the midseason finale, as I didn't have a chance to write a separate post on it — as well as plug that book I wrote (which is now finally available for iBooks). We also talked about the return of "The Hour" (I'll have a written review of that tomorrow), the end of that great season of "Tremé," the latest "Homeland," and more.