Steven Spielberg's "Jurassic Park" is getting the 3D treatment this weekend on the occasion of the film's 20th anniversary. We'll circle back later this week with some thoughts on the film and the conversion, but with it in mind, the HitFix team started pondering what other films we might consider seeing converted to 3D.
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Graham Yost and the team from "Justified" just concluded a season unlike any of the three previous ones. (My finale review is here.) Season 4 was built around a mystery, dealt more than ever before with Raylan's background as a son of Harlan, beefed up the role of several supporting characters and had several notable changes of direction as it was being made.
I talked with Yost about the Drew Thompson mystery, why we never got to see Adam Arkin reprise his role as Detroit mob boss Theo Tonin, why everybody loved "Decoy" so much, and a lot more.
Screenwriters Scott Alexander and Larry Karaszewski have apparently been trying to get their project, "Big Eyes," about feuding artist couple Walter and Margaret Keane for years. They've finally secured a progressive track, reports Deadline, with Tim Burton set to direct and The Weinstein Company closing a deal to fund and distribute. Christoph Waltz and Amy Adams, fresh off awards attention in the Weinstein-distributed "Django Unchained" and "The Master," will star.
Over the weekend, The New York Times broke the news that the Academy of Motion Picture Arts and Sciences has invited its 6,000-strong membership to a May 4 session to be held in Los Angeles, New York and San Francisco to discuss…something. "Please join us for a special event: The future of the Academy," the invite read, somewhat mysteriously.
Breaking news alert: Flaming Lips include nudity in new music video.
Just kidding, that's what they've always done. "Ashes in the Air" features bits, plus a baby, a meat-grinder and all the corners of your imagination you loathe.
Jane Henson may not have been the same sort of household name that her husband, the late Jim Henson, was, but her contributions to the work that Henson did were essential, and without her, who knows if we would have ever enjoyed the genius and the humanity of Henson's various creations?
She met Jim in the early days, when they were both still students, and when he worked on his first major television project, a show called "Sam and Friends," she was one of the Muppet performers, right there alongside her husband. It has been said that she was the one who first proposed the system that allowed them to see monitors as they performed, so they had some sense of how their work was playing.
It wasn't until the late '50s that the two of them began a personal relationship away from work, and they had a total of five children together, including Brian and Lisa, who both followed their parents into the family business. When Jane stopped performing, it was Frank Oz who was hired to take her place, and she's the one who trained him and got him ready to perform. Even once she was not officially a Muppet performer, she would frequently jump in for big scenes where there needed to be a lot of Muppets at the same time.
You want to see what I look like when my brain shuts down for no good reason right in the middle of an interview? Well, today's your lucky day.
I've spoken with Seth Rogen and Evan Goldberg dozens of times over the years, and I always enjoy seeing them and talking about what they're doing. Yet for some reason, as I'm making the introduction in this piece, you'll see me completely blank on Evan's name. It's just a few seconds, but internally, it was a full-system reboot, one of those "what did I just do?!" moments.
Thankfully, Evan and Seth laughed it off and we had a great chat about their first film as co-directors, "This Is The End," which arrives in theaters later this year. On the 16th of this month, I'll be publishing some observations and interviews from my time on the set of the film in Louisiana last year, and we'll have longer interviews with both Craig Robinson and Danny McBride this week that we did at WonderCon. That's the long way of saying, "We've got a lot to share with you."
“The Great Gatsby” is turning into a family affair. Jay-Z, who is producing the soundtrack to the film, has recruited his wife, Beyonce, to record a cover of Amy Winehouse’s “Back to Black” for the film.
Beyonce will collaborate with Outkast’s Andre 3000 on the remake, according to E! News Daily. The pair previously worked together on Beyonce tune, “Party.”
The Baz-Luhrmann-directed “The Great Gatsby” stars Leonardo DiCaprio and Carey Mullligan. It will open the Cannes Film Festival on May 15.
The soundtrack to “The Great Gatsby” will come out on Interscope. Jay-Z is also scoring the film, as we previously reported.
And because the mogul is clearly not busy enough, Jay-Z has now launched Roc Nation Sports with Creative Artists Agency. Their first client is New York Yankee Robinson Cano.
I hope this is the last trailer that Warner Bros. cuts for "The Conjuring," and I hope the TV spots don't reveal anything more than this.
James Wan made his name with the first "Saw," and in many ways, he's spent the rest of his career since then trying to establish that he is more than just that one movie. I am quite fond of "Insidious," his haunted house movie from a few years ago, and that film helped him finally shake the idea that "Saw" was all he had to offer. I think once "The Conjuring" hits theaters this summer, he will finally put that behind him completely, and this will be the film that everyone knows now.
One of the highlights of this past weekend for me was spending some time with Lorraine Warren, who appeared on the Warner Bros. panel that I moderated for "The Conjuring," along with James Wan and Andrea and Cindy Perron, two of the girls who lived through the events that inspired this film. Lorraine is definitely old now, and there's a fragility to her that is a little deceptive. When we spoke, I got the sense that she's still all there, still sharp, and that the events we see in this film remain fresh to her.
Last week, I listed Steve McQueen's much-anticipated third feature "Twelve Years a Slave" among the films I was most hoping would appear in the Cannes Film Festival lineup, which will be announced later this month. But it seems we Croisette-bound journos will have to wait until the fall to see the star-studded slavery drama: according to the Hollywood Reporter's Pamela McClintock, the film simply won't be finished in time for the May fest.