Blake Shelton will have help hosting the Academy of Country Music Awards on April 7.
Shelton has co-hosted the ACMs with Reba McEntire for the past two years after joining the long-time solo host in 2011. McEntire announced that she will no longer be co-hosting in the fall, leaving speculation that Shelton would go it alone until a few days ago when it was announced he would have a co-host and the guessing games began.
Now it turns out that Luke Bryan will join him to emcee the awards ceremony, which airs live from the MGM Grand Garden Arena in Las Vegas. We doubt he’ll look as lovely as McEntire in an evening gown. Bryan definitely brings a younger, boys-club vibe to the proceedings.
In other ACM news, Brad Paisley will host the Fan Jam, which runs concurrently with the ACM telecast and features acts performing live in a free show. Remote footage from the Fan Jam is cut into the television portion.
Additionally, as has been the case for the past four years, the night after the ACMs, the Academy and Dick Clark Productions will tape a themed night featuring many of country’s biggest names for a special that will air later in the Spring. Last year’s special was basically an infomercial for Lionel Richie’s “Tuskegee” album. Years past have included salutes to George Strait and Brooks & Dunn.
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Blake Shelton will have help hosting the Academy of Country Music Awards on April 7.
Devendra Banhart has released a groovy, small-sized track in anticipation of his forthcoming new album "Mala."
You can hear "Für Hildegard von Bingen" via Pitchfork. Gone are Banhart's front-mixed vocals, intense with his idiosyncratic trill; instead, it's an easy, funky low-lying song about a Catholic saint from the 12th century.
"In my head there was this little movie, an alternative universe, I guess - Hildegard is sequestered in her cloister, and one day she gets a VHS cassette and it's the prime era of the MTV VJ, and she just goes wild. 'That’s it for me,' she says. 'That's how I'm going to get my message across.' So she escapes the cloister… and becomes a VJ," Banhart says of the song in a release.
"Mala" -- which is an Eastern European term for "dear one" or its approximate pet name -- will drop on March 12, through Banhart's new label home at Nonesuch. It was recorded at Banhart's house in L.A. and is the follow-up to 2009's "What Will We Be."
The aesthetic of this lovely, looping track may be influenced by another recent project from Banhart. The songwriter and artist was the narrator on animated short documentary "The Existential Adventures of Tim Maia," which is a fun chronicle of the Brazilian soul legend. The vid arrived around the same time Luaka Bop was promoting the first worldwide release of Maia's music, "World Psychedelic Classics 4: Nobody Can Live Forever: The Existential Sound of Tim Maia." I've listened to this set no less than 20 times and it is an awesome reissue.
Here is the tracklist for "Mala":
- Golden Girls
- Für Hildegard von Bingen
- Never Seen Such Good Things
- Mi Negrita
- Your Fine Petting Duck
- The Ballad of Keenan Milton
- A Gain
- Won’t You Come Over
- Cristobal Risquez
- Hatchet Wound
- Won’t You Come Home
Back and forth between "Argo" and "Zero Dark Thirty" as the former has claimed another Best Picture prize, this time from the Denver Film Critics Society. Ben Affleck also took Best Director, while the acting categories followed the template: Daniel Day-Lewis, Jennifer Lawrence, Philip Seymour Hoffman and Anne Hathaway. Check out the full list of winners below and keep track of it all via The Circuit.
After two busy panels for "The Following" and "American Idol," it's time for the TCA press tour to meet with FOX Entertainment Chairman Kevin Reilly. FOX is down steeply year-to-year, so we'll see how heated things get about failures like "The Mob Doctor" and the relative disappointment of the rebooted "The X Factor."
Click through for the full live-blog...
11:59 a.m. Reilly begins by admitted that FOX limped at the end of last year. And he hopes for better this year.
12:00 p.m. The first question is about "Bones" and whether it will be renewed. There's a renewal notice sitting in front of each of us. So this is awkward.
12:00 p.m. "There is more choice, more quality more breadth of quality," Reilly says of the TV landscape after saying that he wants us to continue to ask questions about the ratings system. There are so many opportunities and ways to watch and marathon TV. He's particularly bitter about people who chose to marathon "Breaking Bad" during FOX premiere week. He notes that there are a lot of shows that can attract niche viewership, but FOX is in "a hit driven business" and he notes that FOX is suffering from not developing a hit this past year.
12:03 p.m. Kevin Reilly thinks the Britney Spears experiment went "very, very well" and that "people remain fascinated with her and always will be." He notes that "maybe some people were waiting for more drastic" behavior, but he calls "The X Factor" "a better show" in its second season. "She tucked in really nicely on that bench," Reilly says, but he refuses to say whether or not Britney is going to return. He says that FOX is on board with Britney returning, but Simon Cowell has been on vacation.
12:05 p.m. "You have to absorb everything. We're in the culture business," Reilly says of how FOX has been impacted by tragedies in Connecticut and Colorado. "We both reflect society and at times we try to drive it." He says that "I think you can't be reactionary and I think you can't make a direct linkage," but admits that it's on his mind. Regarding people who say that the level of violence has grown excessive, Reilly says that he's just a part of a large media landscape. "It's a more complex conversation. I think it trivializes to link it to television or broadcast television specifically," he says, but he says, again, that these things are on his mind. "The conversation is a complex one and a broad one," he deflects.
12:07 p.m. The reporter who asked about "Bones" apologizes for the goof early. Reilly is very accommodating "Look at my fall," Reilly says amiably.
12:08 p.m. "I think there have been more violent shows on television," Reilly says of "The Following," saying that we may care more about this one because of its quality. He says they haven't had to fight over anything with the Standards department. "Before there was cable, FOX was cable," Reilly says, recalling the days when FOX was "the edge of what was bold." He reminds us that they aren't just competing with network shows anymore, since "The Walking Dead" is TV's most watched show anywhere among young viewers. "We must match the intensity, otherwise we're going to be a pale comparison," Reilly says.
12:10 p.m. Reilly says, however, that competing with cable isn't just about violence and intensity, though when you're doing a thriller, you have to compete on that level. He notes that FOX has lots of different things, including upbeat comedies, popular family shows and broader shows. However, when putting on a thriller... Yeah. Reilly flashes back to 1993 when he was on the road doing focus groups. At that time, "NYPD Blue" was being marketed around its pushing of content barriers. He remembers being in Kansas City and meeting a little old lady, who says she loved "NYPD Blue." He found this notable and I'm not sure why. "Part of what we do on television is provide escapism. Escapism comes in many forms," Reilly says, claiming that escapism, fantasy and witnessing our biggest fears all count as "escapism." "When we are doing a thriller and we're doing a cop story, you have to compete on that level of intensity," he closes.
12:13 p.m. Are the standards for television different for "intensity"? "Intensity is a vague thing to measure. That's a subjective measurement. We do take it into account," Reilly says, claiming that they're marketing this particular show to a particular audience and "at a certain point the audience selects and they know what they're getting and what they're not getting." He says that comedies self-select similarly.
12:15 p.m. FOX is not going to air the episodes of "In Living Color" that they shot. "It just didn't seem like it was going to reinvent the next chapter," he says. Boo. I did a set visit and interviewed the whole new cast. Regarding "Goodwin Games," Reilly admits to disappointment with how the Tuesday comedies do in the fall. He thinks audiences worry about "too much churn." Traditionally, FOX has programmed with 'a lot of churn." He notes that audiences are waiting to see what sticks before committing. "I'm creatively very happy with what's happening in that block," he says of Tuesday. "'Goodwin Games' is a nice show. I'm not sure if it's going to improve our lot ratings-wise," he says. So the plan is to maintain consistency and "Goodwin Games" will pop up in the summer.
12:17 p.m. A question about "Stars in Danger" and whether they want ratings or just to damage ABC's similar diving show. "You get no points for damaging someone else," Reilly says, claiming they expect ratings. "It's all fair. Ours was ready earlier. We put it on the air. It's a one-time special. If it works, it'll be back," he says. Reilly says FOX had an airdate. So that's where it went.
12:19 p.m. "I liked it. You didn't like it?" Reilly asks a reporter who didn't like "So You Think You Can Dance" as a once-a-week show. Mike Darnell, from the back of the room, says that once a week worked. "We liked the momentum of having the payoff within the body of the show itself," Reilly says.
12:20 p.m. "The metrics are something we're spending a lot of time on, measurement," Reilly says. Lots of people are watching FOX outside of their monetizable window. He mentions streaming, VoD and over-the-top services. He expects that "The Following" will get "a resounding vote early on." Reilly calls "The Following" fantastic. But comedy is a different issue. He recalls that back in the day, comedies weren't star-driven, they were shows that made stars. He says that comedies often start low and grow. Because of DVRs, it's harder to create flow and to get viewers to settle in for comedy blocks. "Our shows weren't rejected. They weren't even really sampled," Reilly laments. "That means they're either rolling over it on the DVR, or they haven't gotten it on their radar," Reilly says. He feels that viewers have more urgency to view dramas than comedies.
12:24 p.m. Back to Reilly saying that there's a "broader discussion" about violence on television and society. Does he think this discussion will happen? Not... really. Exactly. Why not? People love violence. "Clearly there's an appetite. Let's say this for a fact," Reilly wants to note. "That's the business we're in of providing things that people like," he adds. He welcomes any study that will further "a constructive dialogue." "In complex matters, we all like a scapegoat," he says.
12:26 p.m. Is FOX looking for a new genre-type program with "Fringe" departing? Reilly says FOX has always been in that business. "We've had some bad false starts and broken some hearts," he says, but they still want to be there.
12:27 p.m. Reilly cites our country's Puritan roots for why we have a greater tolerance for violent content than sexual content.
12:29 p.m. "I really like the consistency of the work," Reilly says of "Glee," calling the dual-setting world "high risk." FOX saw interruption on 18 of the first 38 days of the fall, which is an excuse for some of FOX's struggles.
12:30 p.m. Back to "The Following"... What is FOX's strategy with the time slot. "We have two hours of programming. We put it in the latest time slot we had," he says, also referencing a history of success for "propulsive" hits on Monday, which he dubs "Macho Monday."
12:31 p.m. What was his reaction to NBC scheduling an episode of "The Voice" against the "X Factor" premiere? "It went in the file for later reference. The score will be settled at some point. I don't know when," Reilly says, calling it "slightly on the cheesy side."
That's all, folks...
You can't have a sea chantey without the term "swarthy," can you? To acquiesce to the aural demands of a pirate ballad collection is Tom Waits and Rolling Stones' Keith Richards, gently and collectively covering "Shenandoah."
The folk classic is included on "Son Of Rogues Gallery," the sequel, as it were, to 2006's "Rogues Gallery: Pirate Ballads, Sea Songs, and Chanteys"; it's out Feb. 19 via Waits' label ANTI-.
The first double-CD set featured songs from Richard Thompson and Nick Cave. This newest double-album edition contains "Shenandoah," plus covers from Iggy Pop, Nick Cave, Patti Smith, Sean Lennon, Shane McGowan (see below) and more.
Richards and Waits were featured together on another recent set: on Waits' 2011 album "Bad As Me," the two combined on four much more rockin' originals, including epic "Hell Broke Luce" and Rolling Stones-nodding "Satisfied."
Poor Sister Mary Eunice. The unluckiest nun (and that's saying something) of "American Horror Story" met an unhappy plot twist last week, which could be said of almost any plot twist on this FX show. Spoiler alert -- if you haven't caught up on the episodes in your DVR, stop reading now.
Kevin Williamson knows more than a little about pop culture analysis. His "Scream" movies were loving deconstructions of the tropes of slasher movies, and other Williamson works like "Dawson's Creek" and the first "I Know What You Did Last Summer" movie featured plenty of meta commentary about the nature of the stories being told.
His new FOX serial killer drama "The Following," though, is played entirely straight. And when Williamson joined star Kevin Bacon and the rest of the show's cast at press tour, he was only a bit reflective of where the show fits into the long tradition of serial killers in pop culture, and not at all about what the show has to say about the many violent acts its characters commit (other than that they're horrific), and what place violent entertainment has in a post-Columbine, post-Aurora, post-Newtown world.
One of the biggest questions of FOX's January TCA Press Day is sure to be whether Nicki Minaj and Mariah Carey will pretend to be friendly at their first "American Idol" panel or if they'll pretend to fight.
Will they sit next to each other?
Will they make out?
Oh, the excitement... Click through for the full live-blog...
Justin Bieber will host and perform on “Saturday Night Live” on Feb. 9, according to Billboard.
The pop star tweeted Monday night, “maybe I’m hosting and performing on SNL...maybe.: ).” Billboard later independently confirmed the news and a date through a source.
Bieber appeared as the musical guest on the long-running show in April 2010. He showed up again in February 2011 in a “Church Chat” sketch and a pre-taped segment. This will be his first time pulling double duty.
His “SNL” appearance comes the week after he releases “Believe Acoustic” on Jan. 29. Originally slated as an 8-song EP featuring acoustic versions of the songs from 2012’s “Believe,” Bieber tweeted last month that the album has expanded to 10 songs, including some new material. “Every song has a new guitar arrangement...1 w/ piano. Everything feels new,” he tweeted.
Bieber is the second music artist to host and perform this season following Bruno Mars. A number of artists, ranging from Katy Perry, Mick Jagger, and Garth Brooks, have served as both artist and host. Maroon 5’s Adam Levine will host Jan. 26, but Kendrick Lamar will be the musical guest. Season 39 resumes Jan. 19 with Jennifer Lawrence as the host and The Lumineers as the musical guest.
So the only question is when will a skit about Bieber smoking pot will come in....before or after “Weekend Update.”
With 10 nominations to date, Steven Spielberg came into today's Directors Guild of America (DGA) announcement as the most honored director in the guild's history. Well, make it 11, as the "Lincoln" director predictably made it one more with a notice for his $144 million-grossing (and climbing) epic.
Tonight's two-hour extravaganza can be seen one of two ways -- one hour of "RHoBH" pasted onto an hour of the new show about Lisa's restaurant Sur, "Vanderpump Rules," or… well, there is no other way to see this, really. Whether or not you watched the whole thing has a lot to do with your tolerance for bitchy waitresses. Seriously, the only
Ah, remember Faye Resnick tearing into Brandi like a delicious rump roast last week? Well, there's still a little blood left in the body, so we return to the scene of the crime to lick up the last drops. As Brandi's eyes well up, Faye Resnick viciously attacks her for viciously attacking Adrienne. When Brandi flees the party weeping, Faye doesn't blink, possibly because she can't from all the bad plastic surgery. "I don't feel bad about what I said. But I might send her flowers," Faye snipes as she nervously rearranges the silverware.
So here we go. After several months of previewing the contenders, it’s time to predict the nominees for the 85th Annual Academy Awards in the crafts categories.
Today, I'll analyze Best Makeup and Hairstyling, Best Original Score, Best Original Song, Best Production Design and Best Visual Effects. Tomorrow, I'll turn to Best Cinematography, Best Costume Design, Best Film Editing, Best Sound Editing and Best Sound Mixing.
Let's dig in...