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<p>&quot;The Boxtrolls&quot;</p>

"The Boxtrolls"

Credit: Focus Features

LAIKA and Focus Features announce start of production on 'The Boxtrolls'

Coming October 2014

Focus Features is very much in he LAIKA business now, and after the success of "Coraline" and "ParaNorman," the two are teaming up again on "The Boxtrolls."

The film, which began production today and is set for an October 17, 2014 release, will be another stop-motion/CG hybrid 3D endeavor directed by Anthony Stacchi and Graham Annable. It's based on Alan Snow's best-selling fantasy adventure novel "Here Be Monsters" and will feature actors Ben Kingsley, Toni Collette, Elle Fanning and Isaac Hempstead-Wright on the voice cast, among others.

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<p>On the set of &quot;The Avengers&quot;</p>

On the set of "The Avengers"

Credit: Marvel Studios

Tech Support: Bringing 'The Avengers' to life through visual effects

Nominee Jeff White and Marvel honcho Victoria Alonso talk the film's nod and success

“The Avengers" was a pet project of Marvel Studios for years. After planting characters in solo films for half-a-decade, the superstar extravaganza hit the big screen last summer. Despite much risk, it was a rapturous success. Last month, the film earned a well-deserved nomination for Best Visual Effects and I recently spoke with Jeff White, visual effects supervisor at Industrial Light and Magic and one of the four artists who shared that nomination, as well as Victoria Alonso, Executive Vice-President of Marvel and executive producer of the film, about crafting the film and the visual effects.

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<p>So this happens.</p>

So this happens.

Credit: Universal Pictures

Review: 'Identity Thief' doesn't do any favors for Jason Bateman or Melissa McCarthy

This comedy vehicle is plastic from start to finish

It almost seems inevitable.

First, you've got that moment when a comic performer breaks through giving a performance in a supporting role in someone else's film, and everyone goes crazy about how good they are and then next thing you know, scripts that have been sitting around in development get hastily rewritten and that supporting part that was created for Jim Carrey is suddenly just right for this person, and this film that was just sort of stalled out is suddenly a priority because that's the reward for that breakthrough moment, even though nine times out of ten, that reward ends up being sort of terrible.

It is a perfect example of how the best intentions, and the most logical business practices, can still result in a flat-out terrible movie.  Right now, we're about to see what happened because of every single review that pointed out how funny Melissa McCarthy was in "Bridesmaids."  When I visited the set for that film, it was obvious immediately that whatever McCarthy was doing, she wasn't doing it halfway.  She was very funny in conversation, but she was also very clear about how much work she'd done to help figure out the character she was playing.  And by the time the work-in-progress screening at SXSW finished, it was obvious that she had pretty much wrestled "Bridesmaids" to the floor and beaten it senseless.

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<p>Joel McHale and Jim Rash in a scene from the &quot;Community&quot;&nbsp;season premiere.</p>

Joel McHale and Jim Rash in a scene from the "Community" season premiere.

Credit: NBC

Review: NBC's 'Community' not the same without Dan Harmon in season 4

Same actors, same characters, many returning crewmembers, but something's clearly missing
The average TV viewer pays vastly less attention to what’s going on behind the scenes at their favorite shows than the average TV critic or reporter does. When there’s a major change in production, we write about it endlessly, but most of the audience neither knows nor cares.
 
There are special cases, though, and NBC’s “Community” — which belatedly returns for its fourth season tonight at 8 — is one of those. Not only is it one of the most self-referential shows in TV history — one of its main characters, Danny Pudi’s Abed, is essentially aware that he’s on a TV show, and comments on all the familiar tropes and archetypes the series plays with — but its creator Dan Harmon created an ongoing online dialogue with the comedy’s small but passionate collection of fans.
 
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<p>&quot;Lincoln&quot;</p>

"Lincoln"

Credit: DreamWorks Studios

Roundup: 'Lincoln' and its team of non-rivals

Also: The season's most tearful hopefuls, and a peek at the BAFTA guest list

"Argo" may have taken a decisive lead in the Best Picture race with its slew of guild wins, but with two weeks of voting left, "Lincoln" isn't going to go away quietly -- indeed, the year's most nominated film seems to be renewing its media presence, most notably with an extensive interview piece in the New York Times, in which Steven Spielberg and many of his below-the-line collaborators, including nominees Janusz Kaminski, John Williams, Michael Kahn, Rick Carter and Joanna Johnston, weigh in on the challenges and rewards of making the film. This emphasis on team effort should cast the film in a positive light to voters, as does Spielberg's explanation of what separates the film from his other work: “I’ve never made a film where this was going to succeed or fail based on the writing and based on the performances ... Maybe this is the quietest directing I’ve done in my life.” [New York Times]   

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"Top Chef: Seattle"

 "Top Chef: Seattle"

Credit: Bravo

'Top Chef: Seattle' recap: 'Kings of Alaska'

It's off to Alaska for a crab challenge followed by salmon and sourdough

The good news is that this week, the chefs get off the cruise ship and get to cook on solid ground. I never love challenges that make working in a crappy or weird kitchen a major obstacle to overcome. Weird ingredients? Fine. But I don't want to see people forced to cook with one hand tied behind their back or no hands, just feet or whatever the heck. Let these people make great food. The good news is that, in Alaska, with its great, fresh fish, they may be able to do just that.

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<p>It sounds like JJ&nbsp;Abrams and Gabe Newell have started thinking about how to bring the world of 'Half-Life' to full life on the bigscreen in the near-future.</p>

It sounds like JJ Abrams and Gabe Newell have started thinking about how to bring the world of 'Half-Life' to full life on the bigscreen in the near-future.

Credit: Valve

Bad Robot and Valve look to team for 'Half-Life' and 'Portal' movies

JJ Abrams continues to spearhead everything happening in science-fiction cinema

At this point, I will only be treating it as news when JJ Abrams is not attached in some way to a new film in development.  It will be easier for all involved, I believe.

One of the first things I did when I got home from dropping the kids off at school this morning was hopped on Kotaku to watch them live-blog an event at the D.I.C.E. Summit where JJ Abrams was onstage with Valve's Gabe Newell, and while it seemed at first like it was an discussion of the ways that games and movies approach narrative differently, it also ended up being an announcement of a partnership that should surprise no one at this point since it is evidently impossible to get a science-fiction project made without Abrams being involved.

Valve has been a very strong company in terms of creating IP that seems like it is ripe for further exploitation.  There are plenty of video game fans, myself included, who would love for Valve to make a "Half-Life 3" sometime this decade, and I'd be as excited for that as I would be for any movie that might get announced.

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<p>On &quot;The Americans,&quot;&nbsp;Phillip (Michael Rhys)&nbsp;makes his intentions plain. </p>

On "The Americans," Phillip (Michael Rhys) makes his intentions plain.

Credit: FX

Review: 'The Americans' - 'The Clock'

Phillip and Elizabeth have to go to extremes to plant a bug

A review of tonight's "The Americans" coming up just as soon as I do something horribly masculine with reindeers and wood chopping...

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<p>Macklemore &amp;&nbsp;Ryan Lewis</p>

Macklemore & Ryan Lewis

Credit: Carlo Allegri/Invision/AP

Mackelmore & Ryan Lewis's 'Thrift Shop' makes it three weeks atop the Billboard Hot 100

Pink and Calvin Harris enter the Top 10

Macklemore & Ryan Lewis continue their stay atop the Billboard Hot 100 as “Thrift Shop,” featuring Wanz, spends its third week at No. 1.

Bruno Mars’ “Locked Out of Heaven” holds at No. 2, while will.i.am and Britney Spears’ “Scream & Shout” reaches a new high, climbing two places to No. 3.

“Scream” pushes the Lumineers’ “Ho Hey” down 3-4, which, in turn, moves Taylor Swift’s “I Knew You Were Trouble” 4-5, according to Billboard.

In a fairly static chart, Swedish House Mafia’s “Don’t You Worry Child” featuring John Martin stays at No. 6, while Justin Bieber’s “Beauty And A Beat” featuring Nicki Minaj remains at No. 7.

A$AP Rocky’s “F**kin Problems” has nothing to complain about as it moves 10-8. There are two new entries into the Top 10: Pink’s “Try”climbs 11-9, making it her 13th Top 10. Scottish DJ Calvin Harris logs his first Hot 100 Top 10 as a lead artist as “Sweet Nothing” featuring Florence Welch rises 14-10.

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<p>Taylor Swift</p>

Taylor Swift

Credit: AP Photo

Grammy Awards 2013: Handicapping Record of the Year

Will it be Taylor Swift, fun., or Gotye?


As the Feb. 10 55th annual Grammy Awards edge closer, we’re analyzing a category a day. Today, we look at one of the top four awards, Record of the Year.

Record of the Year nominees:
“Lonely Boy,” The Black Keys (The Black Keys & Danger Mouse, producers)
“Stronger (What Doesn’t Kill You,” Kelly Clarkson (Greg Kurstin, producer)
“We Are Young,” fun. featuring Janelle Monae (Jeff Bhasker, producer)
“Somebody That I Used to Know,” Gotye featuring Kimbra (Wally de Backer, producer)
“Thinkin’ ‘Bout You,” Frank Ocean (Frank Ocean, producer)
“We Are Never, Ever Getting Back Together,” Taylor Swift (Max Martin, Shellback, Taylor Swift, producers)

WHO’S MISSING: Carly Rae Jepsen’s “Call Me Maybe” is a much better record than song (see the explanation below) and it would have fared better in this category than in Song of the Year. Mumford & Sons’ “I Will Wait” continued what “Little Lion Man” and “The Cave” started, which is strong acoustic guitar and banjo playing brought to the forefront in the mix, which isn’t something you hear every day on pop radio.

THE PLAYERS
: Unlike Song of the Year, which goes to the songwriter, Record of the Year is an award for the artist and the other people involved in the sound of the record, including the producer and engineer. All of the selections here offer interesting productions, but “We Are Young” and “Somebody That I Used To Know” were especially noteworthy for their non-traditional, innovative productions. Clever arrangements made both songs stand out like beacons in the cluttered radio landscape. They sounded like nothing else coming out of the speakers and they both helped usher in a new era of pop music that is smart as it is accessible.

THE ODDS:
Fun. has more nominations than Gotye overall and that can sometimes sway voters. Both “We Are Young” and “Somebody That I Used to Know” were massive hits. In fact, four of the six songs nominated here were Billboard Hot 100 chart toppers.

THE WINNER:
“Somebody That I Used To Know,” Gotye (by a nose)

Previous predictions:

Best Urban Contemporary Album
Song of the Year
Best Country Duo/Group Performance
Best Rock Song
Best R&B Performance
Best Pop Vocal Album
Best New Artist
 

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<p>Hollywood Week on &quot;American Idol&quot;</p>

Hollywood Week on "American Idol"

Credit: FOX

Recap: 'American Idol' Season 12 Live-Blog - Hollywood Round, Part 1

Auditions are over... Let the madness begin!

I'm feeling OK about Season 12 of "American Idol" so far. How about y'all? 

No, I haven't felt like the audition episodes suggested talent unparalleled in the show's history, but it seemed like there was some talent. And, more importantly, it felt like the new judging panel had personality and a particular chemistry, even if that chemistry was vaguely toxic. After two years with Wacky Cypher Steven Tyler and Sexy Cypher Jennifer Lopez, I'll even endorse the cringe-worthy tension between Mariah Carey and Nicki Minaj, plus the "How the heck did I come to be stuck in the middle of this?" benign coolness of Keith Urban. 

How will that chemistry evolve in Hollywood? Let's find out!

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<p>Hey, look, it's Han Solo, here to deliver massive page views thanks to the near-Pavlovian response of every OT&nbsp;'Star Wars' fan out there.</p>

Hey, look, it's Han Solo, here to deliver massive page views thanks to the near-Pavlovian response of every OT 'Star Wars' fan out there.

Credit: 20th Century Fox/Lucasfilm

'Han Solo' and 'Boba Fett' films added to the list of 'Star Wars' standalones being developed

Neither seems terribly surprising, but isn't that the point?

This is going to be a significant test of how much of a character belongs to the writing and how much is about the performance.  If Disney wants to make a young Han Solo movie, I'm willing to watch that.  Sure.  Absolutely.  Part of me hopes someone completely insane decides to spend $100 million on technology to let Harrison Ford give a motion captured performance as young Han Solo because I think that would be "Hellraiser"-level creepy, but accidentally, and I'd have to watch it every day because it would be totally deranged.

Obviously, no one is going to make that movie, and so they're going to end up casting someone to play young Han Solo, and no offense, Hypothetical Young Actor they haven't found yet, but those are some mighty big shoes to fill, and pretty much everything you do is going to get hyperscrutinized.  You are always going to be compared to Harrison Ford in his prime, and even Harrison Ford can't win when that comparison is being made.  It is a losing proposition because of the nature of fandom, and I contend that the moment you give the fans what you think they want, they will turn on you and tell you that they never wanted it after all.

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