As we wait for the BFCA news to drop, the St. Louis Gateway Film Critics Association has tossed its hat into the ring with a list of nominations as well. It's nice to see that Quentin Tarantino's "Django Unchained" registered so well, landing eight nominations. Wes Anderson's "Moonrise Kingdom" was also a favorite from the group, as well as fellow indie "Beasts of the Southern Wild." Check out the full list below and, well, you know -- The Circuit.
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I'm the first to admit that I don't tend to take great interest in press releases announcing the umpteenth honorary award winner of the season -- while frequently deserved and hard-earned, such honors can seem like unspecific garnish beside their tangier competitive counterparts.
Still, having now served for two years on the awards committee of the London Film Critics' Circle, I'm well aware of the extensive consultation and organization that goes into such seemingly simple awards. As we tried to decide on a recipient for next year's Dilys Powell Award -- recognizing outstanding contribution to British cinema -- a lengthy list of candidates was considered and debated over several meetings and countless emails, until one outstanding name was roundly agreed upon: Helena Bonham Carter.
The Detroit Film Critics Society has announced its list of nominees, and they refreshingly go their own way in a number of areas. "Silver Linings Playbook" led the way with seven nominations and Sarah Polley's "Take This Waltz" was a favorite, too. Other unique picks include Bill Murray in the Best Actor line-up for "Hyde Park on Hudson" and Greta Gerwig in Best Actress for "Damsels in Distress." Check out the full list below and remember to keep track of the season via The Circuit.
I somehow missed this when it appeared a few day ago, but A.O. Scott's essay on the year in movie heroines is essential reading. While noting the commercial and/or critical success of female-powered narratives ranging from "The Hunger Games" to "Brave" to "Beasts of the Southern Wild" to "Pitch Perfect" -- while noting the potential for "Zero Dark Thirty" to rule an otherwise male-dominated Oscar slate -- he's not so naive or patronising as to label 2012 any kind of Year of the Woman. Still, he does sense a recent uptick in studios' consideration of the intelligent female audience. "It should not, after all, be a big deal that movies like 'Bridesmaids' or 'The Hunger Games' exist," he writes, "perhaps because it should have been a bigger deal when such movies didn’t." [New York Times]
A quick review of last night's "How I Met Your Mother" coming up just as soon as I dress like a Duluth streetwalker...
A few things happen in this episode on "The Real Housewives of Beverly Hills," many of them painfully mundane. Kyle gives her terror-behind-the-wheel Alexia a new Mercedes. Ken gets his hip replaced. Lisa reprimands one of her employees. Paul tries to barbecue and shows off his unfortunate back hair. None of this matters, because the focus of this episode is THE FIGHT. Yes, on a show that spews out verbal smackdowns the way Duggars pop out babies, this battle royale might actually be memorable past next week. In fact, I think it continues into next week, as that's the impression we get from the promo, and (thanks to the long, spidery reach of the Internet) it might have been the basis for a cease-and-desist letter against Brandi Glanville filed by Adrienne Maloof. So, whatever kickstarted this feud must have been horrible, right? There's no way of knowing, simply because Bravo didn't air it.
The Bad Robot offices occupy a large building in Santa Monica that you would never notice just driving by. I missed it the first time around the block, and had to circle back before I was able to hand off my car to the waiting valet. I was afraid I'd missed the start of today's "Star Trek Into Darkness" event, but ended up making it in just enough time to get my green wristband, join my group, and start the tour of the building, designed to give us a look inside one of next year's most anticipated sequels.
To be clear, there was one point in the day where we saw something we had to promise not to disclose. I wouldn't say it radically changed anything I'm going to share with you, but instead simply served to amp up my own enthusiasm because it was really, really, yes, I'm going to say it three whole times, REALLY cool.
If you're curious about the identity of the character played by Benedict Cumberbatch, Paramount took care of that earlier today, and they're not lying to you. They released an image of Zachary Quinto as Spock, Cumberbatch in the cell that held Loki and Silva, and Chris Pine as Captain James T. Motherscratchin' Kirk, and in the caption, they named him as "John Harrison."
HOLLYWOOD - Sony Pictures and Annapurna Productions brought their celebrated thriller "Zero Dark Thirty" to the Dolby Theater Monday night for what turned out to be a star studded premiere.
Maroon 5 becomes the latest band to get cheap labor for their new music video. Seriously, for “Daylight,” the latest track from “Overexposed,” the band asked their fans to turn in videos revealing some of their deepest thoughts and then a very patient editor tied them all together.
Some of the clips tie loosely into the song’s theme about desperately not wanting to leave someone at morning’s first light, but the tune is really only a jumping off point for a much deeper look at the human condition... and how hard it is to be a teenager.
Some of the responses to what people hate, what they love and what they regret are by turns funny, silly, and heartbreaking as people confess to a camera truths they have never told even their closest friends or talk about tremendous losses in their lives.
[More after the jump...]
The first thing Emmanuelle Riva wants me to know – before any mention of movies, careers or awards, before the word “Amour” even enters our conversation – is that she's feeling fine.
Admittedly, it's not an entirely unprompted statement. She's merely responding to my opening greeting, in which I mention how sorry I was to hear of her recent ill health – words which immediately draw a good-natured but puzzled laugh. “I'm sorry, illness?” she asks over the phone, via a translator, from her home in Paris. “I don't know what you mean.”
Nervous that I've kicked off an eagerly-awaited interview with an immediate faux pas, I sheepishly explain that her absence at the previous weekend's European Film Awards in Malta – where she was a popular winner of the Best Actress prize – had been explained by the presenter as the result of flu season. Happily, Riva cheerfully confirms, there must have been a misunderstanding. “I'm perfectly fine,” she says. “I was just tired. I've been doing interviews since Cannes!”