We're all going to die.
Okay, hopefully not anytime too soon. But if you ask the stars of "Doomsday Preppers" (new season premieres Tues. Nov. 13 at 9:00 p.m. on NatGeo), there's a fair chance it's not only going to happen sooner than we expect, but most of us are either going to starve to death, die of thirst, get hacked up by crazed marauders or turned into oven baked hams when we can't hide from the nuclear blast. And by "we," doomsday preppers really mean everyone but themselves.
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We're all going to die.
Taylor Swift will make it three weeks at No. 1 next week on the Billboard 200 with sales of up to 225,000 for "Red."
That means it will outsell the No. 2 title, “Now That’s What I Call Music 44,” by more than 2-to-1, with that compilation set to top out at 100,000, according to Hits Daily Double.
“Now 44” is joined by three other debuts: “Music From Another Dimension” from Aerosmith, the band’s first album of new material in more than a decade, comes in at No. 3 with sales of 70,000. Ne-Yo’s’s “R.E.D.” sneaks into the top 5 at 60,000 (making two different albums titled "Red" in the top 5). Third Day’s “Miracle” cracks the top 10 with 30,000 units sold.
Filling in the rest of Top 10, Rod Stewart’s holiday album, “Merry Christmas Baby,” is No. 4, while Jason Aldean’s former No. 1, “Night Train,” is No. 6. Kendrick Lamar’s “Good Kid, M.A.A.D. City” falls two spots to No. 7, while Meek Mill’s “Dreams And Nightmares” and Mumford & Sons’ “Babel” are in a dead heat for No. 8 with both projected to sell between 35,000 and 40,000.
Well, that was quick.
My guess at this point is that we'll hear the name of the director making "Episode VII" before the end of November. If Lucasfilm and Disney were willing to announce the hiring of Michael Arndt today, then it's obviously been in the works for a while, and they are most likely further along in the process than anyone guessed.
Star Wars.com posted another video today with George Lucas and Kathleen Kennedy, and they evidently plan to post a new video every week. I think it's interesting to see how different their approach to talking to the audience is this time around than it was when they were gearing up for the prequel trilogy.
Since we now know that Michael Arndt is writing "Episode VII" and that he's already written treatments for the trilogy, the big question is who will direct, and Kathleen Kennedy talks at length about what attributes they're going to be looking for in a director. It should be no surprise that "enthusiasm for the series" is the most important thing. Kennedy is correct, of course, that there is a whole generation of filmmakers working today who were drawn to film in the first place by "Star Wars," and I don't think they'll have any trouble finding people who are interested in playing in this universe.
It's interesting that when people started listing A-list filmmakers they'd want to see tackle the next "Star Wars" film, Brad Bird's name came up more than almost any other. I've had faith in Bird's abilities as a storyteller for years, and as soon as I saw a rough cut of "Iron Giant," I was ready to declare the guy a national treasure. It wasn't until he made the jump to live-action filmmaking with "Mission: Impossible - Ghost Protocol' that he was suddenly at the top of every fanboy's wish list for pretty much every genre film in development.
I'm excited to see him develop original material, though, because I think he's got a strong voice and he's got a deeply-rooted love of genre. He's exactly the sort of guy we should be supporting in the creation of new properties instead of just dumping the familiar on him over and over. Sure, he'd make a great "Star Wars" movie, but I'd rather see whatever "1952" is from him instead.
The Oscars may seem some way off still, but the short film categories are already getting down to business. A couple of weeks ago, we got the official, er, shortlist for Best Documentary Short; now, Best Animated Short is the next category to whittle down the playing field.
Ten titles have advanced to the second voting stage, selected by the Academy's Short Film and Feature Animation Reviewing Committee from a pool of 56 entries. Interestingly, the press release states that three to five of the 10 will be nominated, though there haven't been fewer than five nominees in the category since 2000.
One of the most buzzed films of the Oscar season hits theaters today after having its "official" bow at AFI Fest last night. The film comes into the season with huge expectations and, by most accounts -- including, most definitely, my own -- it rises to them. But I don't expect the film will land so well with everyone, so I'll be curious to hear what others think. When you get around to it, do let us know your take in the comments section below. And as always, feel free to rate it above.
Welcome to Oscar Talk.
In case you're new to the site and/or the podcast, Oscar Talk is a weekly kudocast, your one-stop awards chat shop between yours truly and Anne Thompson of Thompson on Hollywood. The podcast is weekly, every Friday throughout the season, charting the ups and downs of contenders along the way. Plenty of things change en route to Oscar's stage and we're here to address it all as it unfolds.
I'm kind of hoping I can get to the theater while I'm in LA this week to see Sam Mendes' "Skyfall" again, which I quite liked. Guy was mostly positive on it, too. I'd particularly like to take it in on IMAX to soak in those beautiful Roger Deakins images. With much talk after the film opened early overseas (mopping up at the box office), it landed on these shores yesterday. So I'm very curious to know what our readers might think of it. If you get around to seeing it, come on back here and tell us what you thought. And as always, feel free to rate it above.
For Soundgarden fans, the rock band has, indeed, "Been Away Too Long." Thankfully, the group has unleashed an uneasy music video for that track to ease their mind.
The impressive clip is almost entirely in slow-motion, with a mental patient making her way through a ward that's between "Session 9" and "Shutter Island." The wintry setting also hosts German shepherds and gas-masked military guards and she flees through a maze of snow and skulls. It's actually pretty awesome, her attempt to escape and the shattering finale. The creepy director-genius Josh Graham helmed; the art director has also worked with Neurosis, so that makes some sense.