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"Doomsday Preppers"

 "Doomsday Preppers"

Credit: NatGeo

Exclusive clip: 'Doomsday Preppers' find romance before the end of the world

Dating isn't easy when you insist on blindfolding your dates

Trying to get into the mood for Valentine's Day? Well, look no further than the latest episode of "Doomsday Preppers" (Tues. Feb. 12, 9:00 p.m. ET). It turns out preppers need love, too, in addition to stockpiles of canned beans and toilet paper. 

In this clip, watch lonely, lovelorn Jeff try to find a woman with whom to share his decommissioned missile silo following the inevitable, world-ruining economic collapse destined to send all of America into chaos. Jeff heads to the Interwebs to find his perfect prepper match, finally choosing a special someone to accompany him to his silo. Of course, he has to scare the crap out of her by asking her to wear a blindfold, but hey, who said love was easy in the 21st century? While they say there's a pot for every lid, I'm not sure if that saying applies when the pot is severely cracked. 

Watch this exclusive clip from the Valentine's Day themed episode of "Doomsday Preppers."



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<p>Justin Timberlake performs at his post-Grammy concert at the Hollywood Palladium.</p>

Justin Timberlake performs at his post-Grammy concert at the Hollywood Palladium.

Credit: Todd Williamson/Invision/AP

Listen: Justin Timberlake's reflective new song, 'Mirrors'

Is it TMI about his romance with now-wife Jessica Biel?

Justin Timberlake’s grown up. On new track “Mirrors,” released today as the follow-up single to “Suit & Tie,” he is completely and utterly in love, but he admits it took him some time to get there.

[More after the jump...]

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'The Real Housewives of Atlanta' recap: 'Prayed Up'
Credit: Bravo

'The Real Housewives of Atlanta' recap: 'Prayed Up'

Porsha plans a birthday party for Kordell, sort of

Watching "The Real Housewives of Atlanta" is starting to feel like someone you don't particularly like forcing you to look at photos from their latest family vacation to someplace very expensive you'd never want to visit yourself. With Kenya too busy with her breast biopsies to stir up drama this week, the job was somehow left to Porsha, which is sort of like leaving the keys to a Porsche to an eight-year-old. As Kenya said, the girl is as dumb as rocks, and for once, Kenya wasn't wrong. 

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<p>&quot;Anna Karenina&quot;</p>

"Anna Karenina"

Credit: Focus Features

Oscar Guide 2013: Best Cinematography

'Anna Karenina,' 'Django Unchained,' 'Life of Pi,' 'Lincoln' and 'Skyfall' square off

(Welcome to the Oscar Guide, your chaperone through the Academy’s 24 categories awarding excellence in film. A new installment will hit every weekday in the run-up to the Oscars on February 24, with the Best Picture finale on Friday, February 22.)

A modern epic on the Pacific Ocean. A historical epic in 19th Century Russia. A historical epic in 19th Century America. A Presidential biopic in 19th Century America. And Roger Deakins. Sure sounds like a group of Academy Award nominees for Best Cinematography!

The ASC and BAFTA cited the same five films this year, and AMPAS followed by nominating four of them. This left Danny Cohen of “Les Misérables” as the most obvious “snub.” But some major critical favorites have every reason to feel shafted after outstanding critical notices for films that earned multiple nominations. History, both recent and more historic, strongly points to what nominee will win, notwithstanding my sincere wish for an upset.

The nominees are…

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<p>Dario Marianelli at the 2007 Academy Awards.</p>

Dario Marianelli at the 2007 Academy Awards.

Credit: AMPAS

Roundup: Marianelli to be celebrated at Dublin film fest

Also: A night at the Sci-Tech Awards, and check out 'Adam and Dog'

As last night's surprise BAFTA win for "Skyfall" demonstrated, this year's Best Original Score Oscar could go just about any way this year -- partly because the Academy's ever-peculiar music branch skipped over some of the year's most acclaimed work when assembling the nominees, and partly because the field that remains is stacked with admired names, only two of whom have won before. One of those is Dario Marianelli, whose score for "Anna Karenina" could benefit from being the most ornate in the category. In a nicely timed showcase, Marianelli will be celebrated next week at the Dublin Film Festival, where the RTE Concert Orchestra will perform a programme of his work selected by Marianelli himself, including "Karenina," "Pride and Prejudice," "V for Vendetta," "The Brothers Grimm," the Oscar-winning "Atonement" and my own favorite of his, "Jane Eyre." Any Irish readers going? [JDIFF

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<p>Jay-Z holds Watch the Throne's three new Grammys</p>

Jay-Z holds Watch the Throne's three new Grammys

Credit: AP Photo

'N****s' in Grammys: Watch The Throne and the 2013 Awards 'race'

Kanye West and Jay-Z's popular song may have struck a (wrong) chord for voters

LOS ANGELES -- Nothing elicited more self-conscious laughter from a live audience at the 2013 Grammy Awards than during the pre-telecast ceremony, when Jay-Z and Kanye West's Watch the Throne won two honors for the song "Niggas in Paris." As is his custom at the Grammys, West was absent. But so was another element to this winner's circle: the full name of the song itself.

As it was announced, the term "Niggas" was bleeped out, as the censors would "f*ck" or "sh*t," and it sounded awkwardly funny, especially considering the accolade.

On Watch the Throne's release materials, like the tracklist, the title uses "Niggas." On the VEVO and YouTube video pages, "Ni**as." On the and to the night's attendees, "N*****."

To the Grammy voter, there may be more than just that term that remains unspoken.

As I mentioned in HitFix's Best and Worst tally, there's still residual racial underpinnings to the Grammys' top prizes. Song, Record and Album of the Year went to white artists (though Janelle Monae was the guest artist on fun.'s "We Are Young"); Best New Artist went to a white artist. Acts like Miguel and Frank Ocean were nominated for their turns at R&B crossover tracks and albums, but hip-hop went unrecognized in these lauded categories in 2013.

And despite earning nominations for these most-prestigious categories before, West has never won one, though he's collected 18 Grammys outside of Song/Record/Album Of The Year, mostly in the rap categories. To the producer, songwriter and rhymer, it's a matter of black and white (music), which is why in part he chose not to attend the ceremony this year.

"Eighteen Grammys, all in the black categories, though," West said during a solo concert in December. "I love Maroon 5, but when I lost Best New Artist to Maroon 5 … y'know what I mean? Or when 'Watch the Throne' and '[My Beautiful Dark Twisted Fantasy],' neither of them got nominated for Album of the Year, y'know what I mean? Or when 'Niggas in Paris' didn't get nominated for Record of the Year, y'know what I mean? So don't expect to see me at the Grammys this year, you know what I mean?"

Kanye West doesn't bleep out the name of his own song when he says it aloud. And it's worth discussing that this is the first time in Grammys history that the term "n***a" has shown up for a nomination.

Of course, there were mountains of other hip-hop songs and albums worthy of top prizes, many of which don't use the term "n***a" in their title or otherwise. But the word is still popular and frequent in hip-hop vernacular with an implied "restricted usage." It's been adopted or "reclaimed" by some African-Americans, refused by others, and problematic overall within other races, classes and even between genders.

"Despite the false idea that we now live in a color blind society, racism still exists. And when Black rappers use the word they are like Beyoncé at the last Inauguration, lip syncing what many white folks in this country wish they could say out loud," wrote AllHipHop's TRUTH Minista Paul Scott last week on the term's Grammy appearance. "Perhaps most disturbing is that by rewarding such ignorance, it helps to legitimize the usage of the work in the eyes of White Americans."

Maya Angelou was publicly at-odds with Common a couple years ago over his use of the word "n***a" for the track "The Dreamer," on which the famed poet was featured. The rapper said the two agreed to disagree, that not only was the term “a part of me,” but that the song's accomplishment was generational. “I wanted young people to hear this and feel like they could really accomplish their dreams.”

The "acceptable usage" of "black" terminology and the hip-hop artform was the center of discussions this winter, as year-end lists were released and "violent rap" albums like Chief Keef's "Finally Rich" impressed "white" outlets like Pitchfork and Spin. Rap Radar's Brian "B.Dot" Miller shot back through Tweets like “please stop writing about MY culture,” and compared white critics' high marks of black music as promoting minstrelsy. He expounded further on his position during a recent New York Times popcast, which you should enjoy here.

The "otherness" of the term "n***a" and rap as a "black" artform is absolutely deserving of a similar conversation, as hip-hop's predominant influence on popular music for the last two decades obviously hasn't relieved the creative tensions in the ranks of informed voters at the Recording Academy.  The conflict of colorization is the reason why this website and others can't (and, to some, absolutely shouldn't) spell the complete term "Niggas" in a headline, nor allow the word spoken at the Grammy Awards by a professional announcer, or give greater pause to white journalists and music lovers like myself as I urge voters to reconsider any bias that puts a higher value on "white" music than black music.

The control and fear of a single word can sometimes overpower the clout of great artists like Jay-Z and West, and not just because of any over-intellectual hand-wringing. The subtle and (literally) unspoken lines of inclusion/exclusion are how the art from people of color is quietly, frequently and wrongly shuffled into the "safe" racial categories to stay. If the Grammys neuters power -- positive or negative -- from terms like "n****", then it's more than just a laughing matter.

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<p>Mumford and Sons celebrate their best album win backstage at the 55th Grammy Awards.</p>

Mumford and Sons celebrate their best album win backstage at the 55th Grammy Awards.

Credit: AP Photo/Matt Sayles

Why Mumford & Sons didn't expect to win the album of the year Grammy

How it feels to have fans like Eddie Vedder and Johnny Depp

LOS ANGELES - By the time the presentation for album of the year came around at the end of the Grammy Awards, Mumford & Sons had long given up any notion that they might win, despite the fact that most critics had predicted “Babel” would take home the prize.

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<p>Kelly Clarkson accepts the Grammy for best pop vocal album.</p>

Kelly Clarkson accepts the Grammy for best pop vocal album.

Credit: AP Photo/John Schearer

Five awards the Grammy voters got wrong

From best new artist to best solo pop, who deserved to win

LOS ANGELES - Unlike last year when it was clear that Adele would sweep the Grammys, deservedly so, this year's race was much harder to call. Even so, as the night unfurled, it seems clear that some calls were a little off base. Here are five categories where the Grammy voters picked a worthy candidate, but not the best one. There were no major gaffes this year, but there was certainly room for improvement.

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<p>Behind the scenes of &quot;Skyfall&quot;</p>

Behind the scenes of "Skyfall"

Credit: Sony Pictures

'Skyfall,' 'Game of Thrones' win ASC Awards

Roger Deakins inches a step closer to his first Oscar

This was probably Roger Deakins's last opportunity to make some noise with "Skyfall," my personal pick for the year's best cinematography. Well, he won the American Society of Cinematographers (ASC) Award for his work on the film, staving off his winless streak at the Oscars just a bit.

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"Downton Abbey"

 "Downton Abbey"

Credit: PBS

'Downton Abbey' recap: Season 3, Episode 6

Thomas Barrow makes a mistake that he soon regrets

We're closing in on the end of "Downton Abbey" (the Christmas episode airs next week!), so it's no surprise that many story lines are getting wrapped up in tonight's two-hour episode before the show leaps forward in time by a full year. The result? Some are grand, some are jarring, and some really don't make a lot of sense. More than any other episode, I think this one is a mixed bag and sometimes seems slapdash (and soapy) in its execution. But for the lows (and there are quite a few), some of the big moments give our stars moments to truly shine. It's always great when someone other than Maggie Smith (not that we don't love her, by the way) gets a pithy line or an unexpected character flaw, and that's definitely in evidence this week. I can't overlook the stinkers, but there's enough good stuff here that I might soon forget them. 

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Kaskade on Grammys: Dance awards ready for primetime, Al Walser's 'forced' nom

Veteran EDM artist and Academy voter urges his colleagues to listen harder

LOS ANGELES -- Longtime dance artist and voting Recording Academy member Kaskade had some strong words for his colleagues at the Grammy Awards tonight. He was among the nominees (and presenters), but appealed to the show organizers: bring the Best Dance Recording and Dance/Electronica Album honors to the primetime telecast, and not continue to sequester it to the pre-telecast ceremony.

"We're selling more tickets than any other artists out there. And I feel like it's our time to move into the primetime now. It's a slow evolution," he told reporters backstage at the Grammys. The Academy "has really embraced us... There's a lot of us out there."

So it's time to for EDM artists to "move from Nokia to the big room."

And while he feels that the 2013 awards have represented dance artists and dance music "better than ever," Kaskade did address the disruptive inclusion of Al Walser among the Dance Recording nominees. Walser -- little-known to U.S. listeners outside of Grammy365 social network users -- nabbed a spot next to names like Skrillex and Calvin Harris due to his lobbying efforts directly to voters through the online program.

"The Grammys are putting in the necessary means that nothing like that ever happens again, that it really truly does reflect what's happening, that it's not somebody's friend that squeaked by," he said. "It felt very forced. No one was really aware of who [Walser] was and what was going on. It wasn't a representation of what was actually happening with the music and our world. It was kind of out of left field."

A representative from Walser's camp was present in the press area and tried defending Walser as deserving of the nod.

"No one's refuting that [Walser] works hard," Kaskade countered, adding a little dig: "The space suit was a good touch."

Kaskade, instead, encourages the listening habits of voters to influence their opinions. "They need to listen to the music. I'm a voting member myself. People who take it seriously should take the time out to listen to the music."

The producer and DJ has the credentials to back up his thoughts, and will be adding to his catalog with a new album this year. He is in the "final stages" with the set and will release it in late spring or early summer, with a new tour starting next month.

This year marked his first nomination for a Grammy Award, even with seven albums behind him. He said now, at least, there's a few EDM songs on the radio, even though dance music has been "picking up steam for 20 years."

"We're all in amazement that we're here. Dance music was big a decade ago and didn't have any [Grammy] categories."

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Florence Welch, Adele, and Jennifer Lopez

Florence Welch, Adele, and Jennifer Lopez bring their own distinct fashion attitudes to the 2013 Grammy Awards red carpet. 

Credit: AP Photo

Red Carpet Rewind: The weird and wonderful of the 2013 Grammy Awards

Find out if anyone dared to flaunt 'puffy bare skin'

After the Grammys laid down the law about what could and could not be worn to the show ("no thong type costumes" or  "bare fleshy under curves of the buttocks and buttock crack" and the mysterious edict, "be sure that the genital region is adequately covered so that there is no visible 'puffy' bare skin exposure"), it was anyone's guess how the red carpet would look this year. The good news? There was still plenty of skin to be seen, and none of it should upset the Grammys at all. Whether or not the clothing provided more than coverage is up to debate. Here's a look at what Jennifer Lopez, Adele, Faith Hill, Rihanna, Beyonce, and more wore to music's big event. 

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