Round about the time we were all waiting breathlessly for "The Tree of Life" to finally land, the idea of a Terrence Malick film bowing simultaneously in theaters and on VOD and iTunes would have seemed pretty far-fetched. But the journey for his follow-up, "To the Wonder," has been different from the off.
Unveiled at Venice without a US distributor, the esoteric love story garnered enough damning reviews to scare off bigger distributors like Fox Searchlight (who had nurtured "Tree"), and was left waiting for some time before finding a home with niche outfit Magnolia Pictures. They were in no hurry to release it, either, wisely skipping the pressures of the 2012 awards season and waiting until the spring -- allowing the UK to be the first territory to release the film, last month. Meanwhile, critical reception for the film has warmed up somewhat since its chilly festival debut, with further champions joining the early defenders.