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<p>Steven Spielberg</p>

Steven Spielberg

Credit: AP Photo/Chris Pizzello

Steven Spielberg named Filmmaker of the Year by ACE

The editors' group also included 'Lincoln' among their nominees

As strongly as "Lincoln" has been performing throughout the season, Steven Spielberg has yet to receive much in the way of individual recognition for the film. That could change on Oscar night, of course. Until then, however, the American Cinema Editors have taken it upon themselves to reward the director, naming him the recipient of their annual Golden Eddie Award for Filmmaker of the Year.

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<p>B.J. Novak and Mindy Kaling in &quot;The Mindy Project.&quot;</p>

B.J. Novak and Mindy Kaling in "The Mindy Project."

Credit: FOX

Review: 'The Mindy Project' - 'Harry & Sally'

B.J. Novak steps in front of the camera as the series revisits romantic comedy territory

A quick review of last night's "The Mindy Project" coming up just as soon as I drive a motorcycle through a flaming hoop...

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<p>Adam Pally and Zachary Knighton in &quot;Happy Endings.&quot;</p>

Adam Pally and Zachary Knighton in "Happy Endings."

Credit: ABC

Review: 'Happy Endings' - 'The Marry Pranksters/Our Best Friend's Wedding'

Max plots revenge, Penny gets big news, and Dave turns bride-zilla

A quick review of last night's "Happy Endings" two-fer coming up just as soon as I do a run/walk for sexual blindness...

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<p>Harvey Weinstein</p>

Harvey Weinstein

Credit: AP Photo/John Carucci

Roundup: Harvey's mea culpa on 'Django' and 'The Master'

Also: Streisand to perform at Oscars, and 'The Sapphires' sweeps Down Under

Harvey Weinstein has had enough success in the Oscar campaigning game -- including twin Best Picture bids this year for "Silver Linings Playbook" and "Django Unchained" -- that it can't pain him too much to admit to the odd miscalculation. Still, it's interesting to see him do so in an interview with Deadline's Mike Fleming. Weinstein blames Quentin Tarantino's absence from the Best Director category (hardly an easy race to crack this year, as Ben Affleck can tell you) on his own tardiness in sending out DVD screeners. He also claims he mismarketed Paul Thomas Anderson's "The Master": "I think the audience had trouble with the movie and needed to be guided and eased into it ... My attachment to 'The Master' was not the Scientology or religion; it was that in WWII, people like my dad and other combat veterans came back and were just lost after the war. Maybe if I’d explained the movie in those terms, that it was more of a spiritual quest for a veteran who had seen action and got lost, people might have responded differently." [Deadline]

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<p>Will &quot;Argo&quot; win best picture without a directing nomination like &quot;Driving Miss Daisy&quot; or will it sweep the guild honors and falter without a directing nod like &quot;Apollo 13&quot;?</p>

Will "Argo" win best picture without a directing nomination like "Driving Miss Daisy" or will it sweep the guild honors and falter without a directing nod like "Apollo 13"?

Contender Countdown: Is 'Argo' 'Driving Miss Daisy' or 'Apollo 13'?

Only three more weeks of voting left

It's strange times in Oscarland. "Argo's" wins at the PGA Awards and SAG Awards have jolted a best picture race that seemed squarely in "Lincoln's" corner.  Now, are all bets off or is it just a mirage we've seen play games with Academy Awards pundits before?

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<p>Merry Clayton and Darlene Love</p>

Merry Clayton and Darlene Love

Credit: HitFix

Darlene Love and Merry Clayton talk taking 'Twenty Feet From Stardom' on tour

Director Morgan Neville hints at making his doc even more musical than it already is

PARK CITY, UTAH -- Not wanting "Twenty Feet From Stardom" to be over when it's over is a perfectly reasonable reaction to seeing the film. If, logistically, a few things fall into place, it doesn't have to be over.

The Sundance-premiered documentary was a hit as soon as it flared up on the screens in Park City this month, with Weinstein label Radius-TWC picking up the title in the first acquisition of the festival. The film featured several in-studio performances from greats like Darlene Love, Merry Clayton and Lisa Fischer, and the filmmakers even had two of those tracks pressed onto promotional 7" records.

And last week, for those who witnessed it, a quintet of those vocalists gave a "one-night-only" performance of "their" greatest hits -- tracks like the Stones' "Gimme Shelter" and the Crystals' "Da Doo Ron Ron" which depended heavily on those backing tracks -- and they took the house to church. For Love, Clayton, Fischer, Tata Vega and Judith Hill, they not earned their way into the spotlight, but they loved the material and seemingly each other.

Speaking with me in Park City, "Twenty Feet" director Morgan Neville intimated that a series of live concerts could be in the works in supporting the film's theatrical release, said to be this summer. "I think they're ready... I think it's dawning on them that this is a special moment."

For Love and Clayton -- who swapped stories and overflowing enthusiasm for the final product during our chat -- they don't want to get their hopes too high, but if it "flows"... then more live music and perhaps even an album together could be in their collective future.

Watch the videos above and below. Do you think Bruce Springsteen, Mick Jagger, Sting and others could back them?

video platformvideo managementvideo solutionsvideo player

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<p>Marilyn Manson in &quot;Wrong Cops&quot;</p>

Marilyn Manson in "Wrong Cops"

How Marilyn Manson ended up in Quentin Dupieux's 'Wrong Cops'

'Rubber' director addresses cast puke

PARK CITY, UTAH -- Casting Marilyn Manson as a teenager takes at least a little imagination, and director Quentin Dupieux never seems to be shy of that. During the Sundance Film Festival, the brain behind "Rubber" and the more recent "Wrong" introduced his freak version of a perfect world, "Wrong Cops."

And in its first "episode" of three shown at the fest, Manson is needled by lead lousy cop Mark Burnham for his music taste and is falsely accused of prostitution.

In this dys-utopia, Manson worked his casting. "He killed it," Dupieux said in the Q&A after premiere.

He also explained how an industrial/hard rock musician found his way into an absurdity like "Wrong Cops." "[Manson] was in love with 'Rubber,'" the French director said. "I wrote the part for him… he just did it."

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<p>At least one of these people will not be celebrating the news about 'Entourage' heading to the big-screen with a big sushi dinner.</p>

At least one of these people will not be celebrating the news about 'Entourage' heading to the big-screen with a big sushi dinner.

Credit: HBO

Warner Bros gives the Chase Bros a greenlight for an 'Entourage' movie

Somewhere right now, Ari is sexually harrassing Lloyd to celebrate

Here's hoping it's at least as big as "Aquaman."

I have a serious question, and it's larger than the notion of whether or not people want to see an "Entourage" movie.  In general, when you are invested in a television show over a long period of time, is a theatrically-released movie the ultimate goal for you as a viewer?  Is that somehow considered the payoff to a good run on TV?  Or is the relationship with a TV show something very different than the relationship we have with movies?

And more importantly, is it a coincidence that the studio that is making "Entourage: The Movie" has the word "Bros" in its name?

Honestly, the thing that I'd be most worried about if I were the person pulling the trigger on this one is whether or not people are going to pony up the $15 to see a long inside joke that they've already seen seven full seasons of on HBO.  "Entourage" was one of those shows that I watched while I had HBO, but as it wore on, it really started to feel like one note playing over and over again.  It's an easy show to beat up on because of the lifestyle it glamorizes, but there were moments where it did a nice job of laying bare the way ego drives the entertainment industry just as much as creativity.  It also helped that Jeremy Piven dug into his ongoing role as Ari in a way that basically gave him the second half of his career.

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<p>Timothy Olyphant as Raylan Givens in &quot;Justified.&quot;</p>

Timothy Olyphant as Raylan Givens in "Justified."

Credit: FX

Review: 'Justified' - 'This Bird Has Flown'

Raylan and Rachel go looking for Lindsey, while Ava has a call to make on Ellen May

A review of tonight's "Justified" coming up just as soon as I download the song about looking for a rainbow in every storm...

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<p>On &quot;Cougar Town,&quot;&nbsp;Jules (Courteney Cox)&nbsp;gets to meet Tom's girlfriend (Alexandra Wentworth).</p>

On "Cougar Town," Jules (Courteney Cox) gets to meet Tom's girlfriend (Alexandra Wentworth).

Credit: TBS

Review: 'Cougar Town' - 'I Should Have Known It'

The Cul-de-Sac Crew steps up for sad-sack Tom

A quick review of tonight's "Cougar Town" coming up just as soon as my shirt is a lie...

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<p>On "New Girl," Nick (Jake Johnson) and Jess (Zooey Deschanel) play another round of True American.</p>

On "New Girl," Nick (Jake Johnson) and Jess (Zooey Deschanel) play another round of True American.

Credit: FOX

Review: 'New Girl' - 'Cooler'

Brooklyn Decker and Brenda Song join the gang for another round of True American

A quick review of tonight's "New Girl" coming up just as soon as I violate the Hawley-Smoot Tariff Act...

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<p>Kelly Clarkson</p>

Kelly Clarkson

Credit: John Shearer/Invision/AP

Grammy Awards 2013: Handicapping Best Pop Vocal Album

Pink and Kelly Clarkson take on Maroon 5 and Florence and the Machine

As the Feb. 10 55th annual Grammy Awards edge closer, we’re analyzing a category a day. Today, we look at Best Pop Vocal Album.

The nominees are:

Kelly Clarkson - “Stronger”
Florence and the Machine - “Ceremonials”
Fun. - “Some Nights”?
Maroon 5 - “Overexposed”
Pink - “The Truth About Love”

Though the slate is very impressive, Justin Bieber’s manager, Scooter Braun, felt the Grammys were definitely in error by not including “Believe” in this grouping, and there’s a case to be made for One Direction’s “Up All Night,” which was also unceremoniously ignored. Also left out this year, Rihanna’s “Talk That Talk.”

THE PLAYERS: The Grammy voters seemingly forgot about female artists when it came to the general album of the year category and it’s easy to see how much of a failing that was when you consider how strong “Ceremonials,” “Stronger” and “The Truth About Love” are. But the strength of the albums here (including the three that are missing and could have easily replaced any of the ones nominated) show how strong pop is after a number of years of laying fallow.

THE ODDS: Conventional wisdom would be to go with fun.’s “Some Nights” since it is the only collection here also up for album of the year, but I’m breaking with that. Kelly Clarkson is really beloved. Plus, she was just in people’s faces singing live at the Inauguration. All five of the albums are strong and deserving.

Kelly Clarkson, “Stronger”

Past predictions:
Grammy Awards 2013: Handicapping the Best New Artist race


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