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It may just be Brad Goreski's world, but that may be okay with me. I may not always love the clothes or his poindexter chic personal look, but in many ways Goreski seems perfect for reality TV. While Rachel Zoe may have made him, she could stand to turn the tables and take a few pointers from her former assistant stylist. In the second season of his show, Goreski is funny and personable where Zoe is cold and focused. I may want to hire the ever-precise Zoe as my stylist, but I'd prefer to hang out with Goreski. In the realm of reality TV, that seems like the bigger win.
It seems fitting that we start looking forward to what might be next for Shane Black now that his "Iron Man 3" has started to screen for delighted critics. Black has just given himself a huge boost in trying to get pretty much anything made, because he nailed what had to be a fairly intimidating gig. Stepping into a franchise after two films by the director who kickstarted the whole things and a team-up movie that was one of the biggest films of all time can't be easy, and Black had never directed anything like this.
I've had a chance to read at least one draft of the live-action "Death Note" that Black wants to make, based on a property that's already been a manga, an anime, and a Japanese live-action film, and it's a pretty solid piece of writing. It didn't knock me out, but I'm willing to bet he'd milk it for all it's worth.
A review of tonight's "The Americans" coming up just as soon as I like the maze part and the eating without eating part...
Even after five seasons of "The Rachel Zoe Project," I'm still not sure what to make of Rachel Zoe.
On the one hand, I admire the fact that she's a self-made woman, someone who has built a legitimate brand for herself as a stylist (quick, name another stylist. Well, except Brad Goreski, I guess). She's carved out a reality TV niche without a sex tape (cough, Kardashians, cough) or by screaming hysterically on another reality TV show. She clearly has a passion for what she does, and an exceptional eye for detail. In creating her own fashion line, she's been able to immediately assess what's wrong (or right) with an outfit, although sometimes she changes her mind again. And again. And then, back again. Still, every decision she makes is in the pursuit of perfection, or at least perfection in how she defines it.
That being said, I would never want to be stuck in an elevator with this woman.
On the same day where Zach Braff launches a Kickstarter to raise $2 million for his film project, $10,000 sounds like a modest sum. That's the number actor/director Jeff Newburg's set for his short film "Home Burial," and with it comes a new score from Arcade Fire's Will Butler.
According to Newburg, the AF multi-instrumentalist will contribute "synth, keyboard-heavy" compositions to the Indiegogo crowd-funded "Home Burial," which is based on the Robert Frost poem of the same name.
"We both have a poetry background," Newburg told me of working with Butler, who performs in Arcade Fire alongside his brother Win. "Both in the band collectively and Will as an individual have been doing more film world stuff... [Will's] a huge film fan, so it's pretty natural for him and Win to want to bring in musical elements into film. Arcade Fire's already a pretty orchestral band. Will, with poetry, wanted to make some very personal music."
The full text of "Home Burial" can be read here.
In the Indiegogo description, Newburg describes his initial fascination with the story from his high school and college years, leading up to his adult life today. "As a husband, and now, a father (I swear that second part came after I had written this; I’m not so morose as to write such material when I’ve just had my first child), I’m looking forward to this particular exploration of marriage, life and grief."
Butler writes that, "The music for the short film will hopefully evoke Robert Frost--formal but conversational; embedded in the early 20th century but still relevant. Darker than you might expect. Bartok meets John Carpenter."
(Sample a demo of Butler's music for the film above.)
During our interview, Newburg called his friend Butler's own work apart from his band as "very much an exploration," as well.
"I would be surprised if suddenly there were a solo record. Mostly, it's up to this point very much an exploration for him, I think. It's like training. I've watched the influence of the stuff he does on his own on what the band's done over the last few years." (Arcade Fire is currently working on their fourth studio album.)
Should the film complete its funding to satisfaction, the shoot with co-director Matt Litwiller ("Telescope") begins early this summer. Butler will arrange the music around the shoot. The funds raised through Indiegogo won't go to the filmmakers, composer and actors; rather, to fees, insurance, period props and costumes, rentals and other logistics. They play on submitting the film to festivals.
"Short film and poetry," Newburg laughed. "Synergistically, I couldn't have found a more commercially viable product, right?"
You can contribute to the project on the "Home Burial" Indiegogo page.
(Welcome to Cannes Check, your annual guide through the 19 films in Competition at next month's Cannes Film Festival, which kicks off on May 15. Taking on a different selection every day, we'll be examining what they're about, who's involved and what their chances are of snagging an award from Steven Spielberg's jury. We're going through the list by director and in alphabetical order -- next up, Joel and Ethan Coen with "Inside Llewyn Davis.")
We're down to four on "American Idol" - Amber Holcomb, Angie Miller, Candice Glover and Kree Harrison.
I don't have a clue what that means in terms of the upcoming elimination schedule. It confuses me. It's the sort of thing that would keep me up nights, were insomnia not already doing the job.
Wednesday (April 24) night's show will apparently feature a pair of themes -- One Hit Wonders and Personal Choice -- as well as a pair of duets.
Click through and follow along as the magic happens.
P!nk’s “Just Give Me A Reason” featuring Nate Ruess remains atop the Billboard hot 100 for its second week, as it gains in radio play and streaming, but drops in downloads.
Macklemore & Ryan Lewis hold down the No. 2 and 3 slots with current single, “Can’t Hold Us” featuring Ray Dalton moving 5-2 and “Thrift Shop” featuring Wanz falling 2-3. It’s the first time a group has landed two songs in the top 3 since the Black Eyed Peas in 2009. Rihanna was the last solo act to do so in 2010, according to Billboard.
Bruno Mars’ former No. 1, “When I Was Your Man,” slips 3-4.
Bolstered by the Billboard Hot 100’s new chart methodology that includes YouTube streaming, Psy’s “Gentleman” soars 12-5, largely fueled by its more than 216 million YouTube views and 8.6 million streams in the U.S. Rihanna’s “Stay” slides 4-6.
Joining Macklemore & Ryan Lewis with two tunes in the top 10, Justin Timberlake is at No. 7 with “Mirrors” and No. 8 with “Suit & Tie,” which falls two places.
Pitbull’s “Feel This Moment” featuring Christina Aguilera moves 8-9 and Drake’s “Started From The Bottom” falls 9-19.
Next week, look for P!nk to fend off a charge from “Can’t Hold Us” and for Daft Punk’s “Get Lucky” to move into the Top 10 as it bursts onto the chart at No. 20.
In a Tumblr post titled "I don’t want to have to compromise my morals in order to make a living," Grimes is letting sexist music "industry" members, press, fans and others know that she knows when you're being sexist, rockist or biased, and to cut it the hell out.
The 4AD-signed singer saw great critical acclaim last year for her album "Visions" (and is an Immaculate Noise 2012 fave, and is fresh off of being one of HitFix's favorite performers at Coachella this month). But it appears that the "Visions" album cycle is "over," as she wrote last night, and misogynistic comments to and at her are intolerable.
"I’m tired of men who aren’t professional or even accomplished musicians continually offering to ‘help me out’ (without being asked), as if i did this by accident and i’m gonna flounder without them. or as if the fact that I’m a woman makes me incapable of using technology," she wrote in the post. "i dont want to be infantilized because i refuse to be sexualized," she said in another line.
The list is fairly specific, on the types of comments or afflictions she's had in the past year, and perhaps refers to a point this winter when she erased her Tumblr altogether. "i dont want my words to be taken out of context," she said early on. In January February, she wrote about her fondnesses of Beyonce and Mariah Carey, as a successful female and performers. She also posted her favorite songs from 2012, for which she's got apparent grief.
"I'm sorry, but I think it's f*cking incredible that a Korean language song is the most popular thing on the planet. That's so good for humanity. PSY wrote and produced "Gangnam Style" himself and directed the video HIMSELF... I dont think it's so terrible that he's been recognized for this. It also doesn't make him evil. His art is creating a generation of kids that will grow up seeing Asian culture as being as valid as Western culture which they currently don't," she wrote then. "Racism isn't over. Sexism isn't over. The only way things actually effect social change is by hitting the audience that perpetuates these ideas. Therefore, when a deserving artist blows up its good for everybody."
In a Tumblr post directly after the initial post last night, Grimes assured listeners:
a) meeting fans is actually incredibly rewarding for me so im gonna keep doing that and if u see me on the street its like, totally fine to say hi :)
b) i am still making music - but im gonna start working on a new album instead continuing to tour off visions...
c) ALSO - i wrote what i wrote below not to complain or make anyone sad, but because i feel like if its possible to not accept stuff i hate and live a comfortable life then i want to do it :) in a broader sense, ideally stereotyping of any kind is something that can eventually be overcome or at least minimized. the fact that the response to this has been almost entirely positive is amazing and really nice and yeah.
I think that anybody who has spent time and/or their livelihood and/or their own money in creative industries will see the bias Grimes is referring to. "Popular" as inferior status... women having success by "mistake"... looks trumping opinion on output... the need to box the activism of artists as "irrelevant"... Grimes, as a young recording and touring pop artist has seen this first hand since she released "Visions" last January, and even before. You don't even need to like "Visions" to understand the validity of this venting/letter/condemnation.
May she keep this post alive and well and undeleted. She is done touring for the moment and has started work on a new album.
"I am Iron Man."
That was Tony Stark's big announcement at the end of 2008's first film in what has become one of the biggest franchises in the world, the cornerstone of an even larger franchise called The Marvel Universe, a creative gamble that has paid off in a huge way. In that moment, Stark, personified rather than played by Robert Downey Jr., not only flipped the superhero formula on its head by revealing his identity to the world but also announced himself as the owner of the character. He's now played Stark five times on film, and there is no one who would argue that in terms of the pop consciousness, Downey is Stark and vice-versa.
In "Iron Man Three," as it's written during the closing credits, Stark finds himself genuinely tested by the Mandarin, a media-savvy terrorist, and a rival businessman who is angling to take away Pepper Potts. From that simple logline, Shane Black has spun my favorite of the standalone films about the character, including the first film. I think Jon Favreau deserves all the credit in the world for getting the entire thing off the ground, finding the right tone to play everything at, creating a credible world that has now expanded in ways that would have been unthinkable a mere five years ago.
Alicia Keys travels back in time to what looks like the ‘50s for her steamy video, “Fire We Make” featuring Maxwell.
[More after the jump...]