Tom Hooper's musical adaptation "Les Misérables" picked up its first industry award win of the season (save the SAG prize to Anne Hathaway) tonight. It won the prize for Outstanding Achievement in Sound Mixing for live action motion pictures at the 49th annual Cinema Audio Society Awards. Production mixer Simon Hayes, re-recording mixers Andy Nelson and Mark Peterson, scoring mixer Jonathan Allen, ADR mixer Robert Edwards and foley mixer Pete Smith all shared in the prize, though it's just Hayes, Nelson and Paterson who are included in the film's Oscar nomination for Best Sound Mixing.
Which, speaking of the golden guy, this Best Picture-nominated musical would appear to have the prize all but sewn up now. After winning Best Sound at last weekend's BAFTA Awards and now this, the writing is just on the wall. I had a really good feeling about "Skyfall" at the Oscars, and it could still surprise in both sound categories there, honestly, but the fact is the Academy at large springs for a musical when there's one available: "Chicago," "Ray," "Dreamgirls," etc. And a Best Picture-nominated musical is all the more tempting.