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Watch this beautiful music video for James Blake's haunted 'Overgrown'

Watch this beautiful music video for James Blake's haunted 'Overgrown'

Another gorgeous go from Nabil

Pretty pretty pretty pretty pretty pretty pretty, haunted.

Check out Nabil's breathtaking video for James Blake's "Overgrown," the title track from his latest album, out this week. Reconsider your feelings on lightness and dark. Repeat.

Watch other videos from Nabil Elderkin, including some from Bon Iver ("Holocene"), Kanye West ("Coldest Winter") and Antony & the Johnsons ("Cut the World").

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<p>Amy Poehler as Leslie Knope on &quot;Parks and Recreation.&quot;</p>

Amy Poehler as Leslie Knope on "Parks and Recreation."

Credit: NBC

HitFix First Look: 'Parks and Recreation' pays a visit to Animal Control

Leslie and Chris get a close look at one of Pawnee's worst civil services

Over the years, "Parks and Recreation" has done an outstanding job of filling in the town around the Pawnee parks department where Leslie, Ron and friends work. Pawnee now has a well-established news media (Perd, Joanne, Shauna, etc.), several restaurants and bars we know well (J.J.'s Diner, The Snakehole Lounge), troublemaking citizens (Marcia Langman) and, of course, many other members of the Pawnee city government — none of them remotely as good at their jobs as Leslie Knope is at hers.

Tomorrow night's episode, "Animal Control," puts a spotlight two of those familiar faces, as Leslie and Chris try to improve the sorry state of the eponymous department. In this exclusive clip, they pay a visit to Animal Control and its two most prominent, stoned, employees (played, as usual, by comedian Colton Dunn and veteran "Parks" writer Harris Wittels) to see how, if at all, things can get better.

"Animal Control" airs tomorrow night at 8:30 Eastern on NBC. It's a very funny episode that also features Ron Swanson battling a health crisis and the return of yet another notable Pawnee face: Jason Mantzoukas as noted perfume designer Dennis Feinstein. Enjoy.

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Watch: Nicki Minaj's 'Up In Flames' video defends Nicki Minaj's brand

Watch: Nicki Minaj's 'Up In Flames' video defends Nicki Minaj's brand

Look at all those awards...

Nicki Minaj defends the Nicki Minaj Brand in the new music video for her "Up In Flames," yet another cut off the endlessly long-slash-promotable "Pink Friday: Roman Reloaded - The Re-Up."

The rapper/singer spends some serious screen-time mugging seriously in the dark as stunt bikers remind you that the '90s were real and this was a thing that happened. This very slow beat allows for Minaj's Queens accent bite at her competitors in full-throat, though I've never found the zingers particularly zingy. Instead, she seems defensive, rather than offensive, and the camera is out fishing for proof of her successes.

One particularly funny (and awkward) moment is when it pans to a table of her endorsements and branding opps -- for her perfume, for a liquor endorsement -- and it just looks like a plate full of tchotchkes sitting sad and alone in a room. Then zoom to the shelves of her awards, including some MTV and BET honors. The quick shot barely allows the viewer to remember there's no Grammys glistening in the collection.

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Watch: Justin Timberlake sings for President Barack Obama

Watch: Justin Timberlake sings for President Barack Obama

Alabama Shakes, Ben Harper and others also take part in PBS's Memphis salute

Is there anything Justin Timberlake can’t do? His album, “The 20/20 Experience,” tops the charts for the a third time this week, he’s on a stadium tour this summer with buddy Jay-Z, he generally seems to knock them dead wherever he goes.

[More after the jump...]

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<p>Harrison Ford seemed to be happy to discuss the way he approached his portrayal of real-life figure Branch Rickey in '42'</p>

Harrison Ford seemed to be happy to discuss the way he approached his portrayal of real-life figure Branch Rickey in '42'

Credit: HitFix

Harrison Ford keeps the focus on '42' in a 'Star Wars'-free conversation

A short interview with one of our biggest stars in a very different role

"I'm talking to Harrison Ford."

It is impossible for someone raised when I was as a movie fan to sit across from the man who played Han Solo, Indiana Jones, and Rick Deckard in the span of three years and not spend most of that conversation screaming that one thing inside my head, over and over and over.

"I'm talking to Harrison Ford."

For me, it was the one-two punch of "Witness" and "The Mosquito Coast" that finally made me feel that there was no more essential or interesting American movie star. Those two collaborations with Peter Weir tapped into what it is that makes his earlier iconic hero roles so compelling. There is an anger, an intelligence that regards others with a healthy suspicion, an emotional distance… all of that is layered in there under his comic timing and his exceptional sense of physical comedy. He makes attitude look easy when he plays a big swaggering lead, but when he plays human beings with weaknesses, Ford started to look like a guy who would go raw and real and make choices that no one else made. That's what I look for most in any actor. I want to see them making choices that surprise and illuminate and that make me respond on an involuntary level, and watching him navigate the tricky moral waters of "Witness" or give voice to the cracked paternal logic of "The Mosquito Coast," he felt to me like a guy who dug deep.

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<p>Men not able to conceal the depth of their vision.</p>

Men not able to conceal the depth of their vision.

On Roger Ebert and Terrence Malick

The critic's final review was of 'To the Wonder' and it's somehow fitting

It is somehow fitting that the last word Roger Ebert would ever have on the movies concerned filmmaker Terrence Malick, whose sixth feature, "To the Wonder," opens in theaters this weekend. Ebert has always been in awe of Malick, his reviews of the director's films consistently revealing a tone of appreciation. And it all came to an apex last year when Ebert chalked up Malick's "The Tree of Life" on his list of the 10 greatest films of all time for the decennial Sight & Sound poll of critics and filmmakers.

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"Ready for Love"

 "Ready for Love"

Credit: NBC

I saw 'Ready for Love' and all I got was this lousy headache

The new NBC dating show throws spaghetti at the wall and makes a mess

In this era of crazy mash-ups, I'm sure someone at NBC thought "Ready for Love" was an awesome idea. Or maybe just an idea. NBC has been boasting only slightly better ratings than my microwave lately, so I think the network will try anything at least once. Or, in the case of "Ready for Love," everything at the same time (not that it worked; the ratings showed it pretty much shed all of its "The Voice" lead-in). It's like that Taco Town skit on "Saturday Night Live":  It's a taco wrapped in a corn husk and a Parisian crepe and a deep dish pizza and then a deep-fried blueberry pancake! Yeah, "Ready for Love" is kind of like that. And just as hard to swallow. 

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Watch: Demi Lovato's new video for 'Heart Attack'

Watch: Demi Lovato's new video for 'Heart Attack'

Things take a very dark turn, literally...

In the new video for  “Heart Attack,” Demi Lovato’s current single, there are two Lovatos duking it out. There’s the mankiller Lovato, a full-on rocker Lovato with her kohl-lined eyes, wind-machine blown hair, and the vulnerable Lovato, with minimal make-up, face freshly scrubbed with her hair pulled back,trading verses.

They’re meant to provide a contrast between the Lovato who can love ‘em and leave ‘em when she doesn’t really care about the dude vs. the Lovato who thinks she’ll have the titular “heart attack” if she really has to show what the feels.

[More after the jump...]

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<p>Melissa Leo in &quot;Olympus Has Fallen.&quot;</p>

Melissa Leo in "Olympus Has Fallen."

Credit: FilmDistrict

Melissa Leo goes to Hollywood

The Oscar-winner's getting cast in the big guns, but how about a good role?

In a typically astute essay written for the March edition of GQ, Mark Harris muses on the qualities that make and sustain a movie star in the current Hollywood climate, and hit upon the contrasting fates of Channing Tatum and Taylor Kitsch last year to prove his point. Both actors began 2012 on the brink of stardom, with multiple mainstream releases ahead of them poised to do the job. But only Tatum made good on the promise, with a series of well-chosen leads in overperforming mid-size projects, while Kitsch's vehicles ("Battleship," "John Carter," "Savages") were all high-profile clunkers that did little to advance his big-screen identity.

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<p>A scene from &quot;I'm So Excited!.&quot;</p>

A scene from "I'm So Excited!."

Credit: Sony Classics

Almodóvar's 'I'm So Excited!' to open Los Angeles Film Festival in June

The Spanish's veteran's new comedy is already out in Europe

You have to go back to 2002's "Talk to Her" to find a Pedro Almodóvar film that didn't show up at the Cannes Film Festival -- not that that's a bad precedent, of course -- but his new comedy "I'm So Excited!" is taking the same path.

Instead, the film's big festival appointment looks to be a less pressured one. It's just been announced that "I'm So Excited!" will open the Los Angeles Film Festival on June 13, a little over two weeks ahead of its US release, and it seems like a suitably fun pick for curtain-raising duties.

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<p>Bruno Mars</p>

Bruno Mars

Credit: AP Photo

Bruno Mars takes 'When I Was Your Man' to the top of the Billboard Hot 100

Find out what he is only the second artist to achieve

Bruno Mars finds himself in elite company as he lands his fifth No. 1 tune on the Billboard Hot 100 with “When I Was Your Man.”

He ties with fellow solo male artists  Diddy, Ludacris, Prince and Lionel Richie for taking a quintet of tunes to the top. The only solo males act who have gone to No. 1 more are Elvis Presley, Phil Collins, George Michael, Usher, Paul McCartney Elton John, Stevie Wonder, and Michael Jackson, who tops them all with 13 trips to the top, according to Billboard.

Additionally, his tune, which features only his vocals and  a piano, marks only the second time an artist has hit No. 1 with such a spare track: Adele’s “Someone Like You” was the first in 2011.

“When I Was Your Man” knocks “Thrift Shop” by Macklemore & Ryan Lewis featuring Wanz out of the top spot down to No. 2. It looks unlikely that the hit will return once again following six non-consecutive weeks at the top as it falls in streaming, sales, and airplay.

Pink’s “Just Give Me A Reason,” featuring fun.’s Nate Ruess continues its march to No. 1, as it climbs 5-3. Similarly, Rihanna’s “ Stay,” featuring Mikky Ekko moves up two spaces, 6-4.

Justin Timberlake’s “Suit & Tie,” featuring Jay-Z falls two spots to No. 5, as Timberlake’s album, “The 20/20 Experience,” spends its third week at No. 1 on the Billboard 200.

Former chart topper “Harlem Shake,” from Baauer drops 4-6, while Macklemore & Lewis’s “Thrift Shop” follow-up, “Can’t Hold Us,” featuring Ray Dalton, leaps eight spots to enter the top 10 at No. 7.

Country duo Florida Georgia Line sees its hit “Cruise” re-enter the Billboard Hot 100 at No. 8 following the pair’s win as top vocal duo at Sunday night’s ACM Awards and the release of a remix with Nelly (the song also vaults back to the top of Billboard’s Hot Country Songs chart).

The top 10 rounds out with two tracks each taking one step backward: Drake’s “Started From The Bottom” slips 8-9 and Imagine Dragon’s “Radioactive” slides 9-10.

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<p>Chris Messina and Mindy Kaling in &quot;The Mindy Project.&quot;</p>

Chris Messina and Mindy Kaling in "The Mindy Project."

Credit: FOX

Morning TV Round-Up: 'New Girl' & 'The Mindy Project'

Bachelor and bachelorette parties for Shivrang and Cece, while Mindy and friends hit the road

It's morning round-up time, with quick thoughts on last night's "New Girl" and "The Mindy Project" coming up just as soon as I put a nickel, a big toe or a golf pencil in there for reference...

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