I was willing to cut Kim Kardashian a lot of slack while she was pregnant. No matter what anyone says, walking around looking like a misshapen lollipop can make one feel like a pretty miserable fashion don't. But when Kim decided to wear matching gloves with her sofa print dress at the MET Museum Costume Institute Benefit, all bets were off. Luckily, she was just one of the stars who looked truly off at the punk-themed event -- and the rest of them didn't have crazy hormones and another human being living inside them as an excuse. Here's a look at the 10 worst looks on the red carpet.
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I don't know who had the brilliant idea of holding a fundraiser for the MET Museum Costume Institute with a punk theme, but it was either a stroke of brilliance (so many stars dressed so, so badly!) or just bad PR (if there is such a thing). The A-listers who got it right either embraced the theme whole-heartedly or just wore whatever the heck they wanted to wear, which is really more of a punk rock attitude, if you ask me. Here's a look at what some of the best dressed at the benefit wore, including Jennifer Lawrence, Madonna, Miley Cyrus (yes, that isn't a typo) and Gwyneth Paltrow.
Were the soundtrack to Baz Luhrmann’s “The Great Gatsby” made in a vacuum, it would seem its supervisory was given a loose guideline to tip its hat to the trademarks and to put a subtle spin on the opulence of the “Gatsby” era. Operationally, it sounds like what a 1920s-themed sorority party looks like.
I have a feeling every day is a big day for Tom Cruise.
Still, announcing a fifth film in any star-driven franchise is an uncommon thing, and especially coming off of what was, both commercially and critically, one of the strongest entries in the entire series. Tom Cruise has managed to reinvent the franchise film after film, and each time, it's been something different and something fresh. That's almost impossible to pull off, so I guess the title is appropriate.
Skydance, the financing partner headed up by David Ellison, has become Paramount's version of Legendary Pictures, and they're attached to co-produce this with Cruise, who is ultimately calling the shots on the series. Word so far has been that Christopher McQuarrie will be writing and directing, especially since his collaboration with Cruise on "Valkyrie" and "Jack Reacher" went so well, and that makes sense. Deadline repeated the rumor in today's reporting about the deal.
A review of tonight's "How I Met Your Mother" coming up just as soon as we keep the gorilla suit and the wig...
Her recent run-ins with the law may be mildly tarnishing her name at the moment, but the question of what's up with Reese Witherspoon has been on my mind for several years now -- and it has nothing to do with any offscreen activities. Rather, the decline of Witherspoon as a vital screen actress -- all while she's held onto her stardom with impressive ease -- has been far more troubling to witness than any standard-issue TMZ fodder.
As I'm on the self-assigned Tom Waits beat in perpetuity, here is Waits singing "Little Red Rooster" with the Rolling Stones last night (May 5) during the classic rockers' show in L.A.
"Highway Don't Care" by Tim McGraw and featuring Taylor Swift and Keith Urban features all three country stars in its music video, which also brings home the message: don't futz with your cell phone in your car, folks. Otherwise, Vanderbilt Medical is going to have to scrape you up from the highway, and the highway don't care.
This marks yet another addition to the Car Crash Music Video genre: "Highway Don't Care" hops in next to others like Coldplay's "The Scientist," Trey Songz' "Heart Attack," Metallica's "Frantic," Nickelback's "Someday," Katy Perry's "One That Got Away" and Adele's "Chasing Pavements," some with better storytelling and "twists" (an apparent feature of Car Crash Videos) than others.
(Welcome to Cannes Check, your annual guide through the 20 films in Competition at next month's Cannes Film Festival, which kicks off on May 15. Taking on a different selection every day, we'll be examining what they're about, who's involved and what their chances are of snagging an award from Steven Spielberg's jury. We're going through the list by director and in alphabetical order -- next up, Jim Jarmusch's late entry, "Only Lovers Left Alive.")
Man, there is nothing like an artist who reluctantly releases new music.
As previously reported, the Grammy Award-winning MC and singer Hill signed a new record deal with Sony in order to get an advance of cash that helped to get her out of her tax debt to the government. The punishment for tax evasion could have equaled out to jail time. The punishment for failing to deliver goods to her new record label? Who knows, maybe even harsher, like a purposely ill-fated collaboration with Ke$ha?
Regardless, Hill has completed step one of her deal with the major music company by dropping a new song "Neurotic Society (Compulsory Mix)." Compulsory, as in required by law, or coersion. That's what's giving you that warm feeling in your belly, right next to that bitter pill.
The song appeared on Hill's Tumblr this weekend (nothing says "fanfare" like posting on a weekend), making it her first new release in more than a decade. She noted that the song was "rushed" out the door, though she stands by its message:
Here is a link to a piece that I was ‘required’ to release immediately, by virtue of the impending legal deadline. I love being able to reach people directly, but in an ideal scenario, I would not have to rush the release of new music… but the message is still there. In light of Wednesday’s tragic loss (of former label mate Chris Kelly), I am even more pressed to YELL this to a multitude that may not understand the cost of allowing today’s unhealthy paradigms to remain unchecked!
The resulting song is about "unhealthy paradigms." More simply: Hill is pissed about everything, and guns are blazing in every direction, including the hypocrites, the greedy, the ignorant, the oppressors, the patriarchy, the "neurotic toxic society."
The 7 year-old everyone loves to hate (or love, or a little of both) is back with all new episodes of TLC’s series "Here Comes Honey Boo Boo" on Wed. July 17 at 9:00 p.m. Averaging 2.3 million viewers last fall, the controversial show returns with the latest from the proudly farting, burping and mud diving family.
For the last two summers, "Wilfred" has been one half of a fascinating, dark comedy pairing on Thursday nights on FX, leading in to "Louie." But with Louis CK deciding to keep his series off the air for all of 2013, "Wilfred" will have to go it alone this summer.
FX announced today that "Wilfred" will return for its third season on Thursday, June 20 at 10. For the first two weeks of the season, we'll get back-to-back original episodes at 10 and 10:30, followed by a week off for the Fourth of July, followed by the show shifting to a once a week schedule Thursdays at 10.
When I spoke with FX executives in January, they suggested they might have a new comedy ready in time to pair with "Wilfred," but FX says it's not likely at this point that anything new will be airing at 10:30 later in the summer. (It may be that the launching of the comedy-centric FXX spin-off channel made this a lower priority than it was at the start of the year.)
The new season will bring back the full cast, plus recurring guests Chris Klein, Mary Steenburgen and Dwight Yoakam, along with some new guest stars like Gina Gershon, Angela Kinsey and Lance Reddick. This will be the show's first season without David Zuckerman as showrunner, as he took a step back to let writer/producers Reed Agnew and Eli Jorne take the job.