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<p>Drake</p>

Drake

Listen: Drake drops new song '5AM in Toronto'

Do you like it better than 'Started from the Bottom?'

Sweaters and suitcases! Drake has new track, and it's legions better than "Started from the Bottom."

"5am in Toronto" appeared on the October's Very Own Soundcloud page at about 1am this morning, but it's got enough biting, raw cuts at the Young Money singer/rapper's rivals to take you through the day. Well, except for "Wildin’, doin’ shit that’s way out of your budget / Owl sweaters and saddle luggage, you gotta love it," that's just funny.

"[I] give these n*ggas the look, the verse and the hook / that's why every song sound like Drake featuring Drake," he raps in these great, looping rhymes, with the backing of producer Boi-1da.

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<p>Rex Lee and Carly Chaikin in &quot;Suburgatory.&quot;</p>

Rex Lee and Carly Chaikin in "Suburgatory."

Credit: ABC

Review: 'Suburgatory' - 'How to Be a Baby'

Noah becomes obsessed with Carmen, Tessa helps Jill and Dahlia gets Mr. Wolf a makeover

A quick review of last night's "Suburgatory" coming up just as soon as I write to your AOL address...

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<p>Mila Kunis isn't quite this drop-dead gorgeous in much of her screen time during 'Oz The Great and Powerful,' but she seems to have enjoyed her transformation.</p>

Mila Kunis isn't quite this drop-dead gorgeous in much of her screen time during 'Oz The Great and Powerful,' but she seems to have enjoyed her transformation.

Credit: HitFix

Mila Kunis talks about heartbreak and going green in 'Oz The Great and Powerful'

She describes the emotional arc of a wicked witch in Sam Raimi's new film

I blew it. I am perfectly willing to admit that I missed a golden opportunity when I recently sat down with Mila Kunis to talk about her work in "Oz The Great And Powerful," but I didn't realize it until after the fact.

Honestly, I thought my interview went pretty well in the room, until I saw her holding that shaky English kid's hand. The thing is, she has always come across as completely unimpressed by press and interviews and the whole dog-and-pony show that comes with filmmaking. I met her originally on the Hawaiian set for "Forgetting Sarah Marshall," and she could not have been less formal about the entire thing. She wasn't even working that night. She just came to the set from where she'd been swimming all day, and she hadn't taken the time to go get made up or to try to play it up as "Mila Kunis, Movie Star." She was charming precisely because she didn't seem to be trying to impress anyone.

When we spoke for different films over the years at junkets and press days, I always enjoyed seeing how close she was with her parents, who were a frequent presence, and how she frequently would poke fun at the process even as she took part in it.  I'm honestly not surprised by that interview that went viral this week. It looks like business as usual for her, and I certainly thought she was both personable and on-message when we spoke.

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<p>Matt smash!</p>

Matt smash!

Credit: CBS

Recap: 'Survivor: Caramoan' - 'Kill or Be Killed'

Medical comes calling, as does Tata the Bushman
Pre-credit sequence. The Fans have lost hope. Wait. Sorry. The Fans have lost Hope. "Where do you think we're going to go from here?" Eddie whines to Sherri. "It's mind-boggling that we got rid of Hope tonight because she was the prettiest one here and she was a threat to everybody because of that," says Eddie. Really, Eddie? Really? Ugh. Reynold tells Laura that she made him look like an idiot. Matt protests that this is part of the game, but Reynold says that he doesn't want to be associated with any of them and he has no respect for them. Eddie's all "Good luck winning after you vote me and Reynold off," to which somebody correctly notes that they haven't been winning with them either. I dislike Eddie a lot. And Reynold tells me Eddie could be next to go. I'm fine with that.
 
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<p>Matthew Rhys as Phillip as &quot;Clark&quot;&nbsp;on &quot;The Americans.&quot;</p>

Matthew Rhys as Phillip as "Clark" on "The Americans."

Credit: FX

Review: 'The Americans' - 'Trust Me'

The KGB's mole hunt creates problems for Phillip, Elizabeth, Nina and even the kids

A review of tonight's "The Americans" coming up just as soon as it's a duck holiday...

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<p>Greta Gerwig in &quot;Frances Ha&quot;</p>

Greta Gerwig in "Frances Ha"

Credit: IFC Films

New 'Frances Ha' trailer features Greta Gerwig set to a David Bowie soundtrack

Noah Baumbach's latest was a Telluride treat last year

I kind of fell for Noah Baumbach's "Frances Ha" at last year's Telluride Film Festival. I'm not a Baumbach acolyte, though I did like "Greenberg," so that also made it a pleasant surprise, I guess. This kind of thing rarely works for me, though. Or at least, it has to hit a very precise target, and when that happens, it always feels pretty special. That's what we're looking for in a darkened theater, right?

So, in my opinion, chalk "Frances Ha" up on arrival as one of the best films of 2013 when it lands in May. It is the result of a top notch writing collaboration between Baumbach and star Greta Gerwig, and speaking of which, Gerwig's performance will deserve awards attention whether it gets it or not. Captured in textured black and white hues by photographer Sam Levy, the film tells a story of a life in progress, and it keeps away from the edge of cliche when it could easily go sailing off of it.

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<p>M83's Anthony Gonzalez</p>

M83's Anthony Gonzalez

Listen: M83 heads to the 'Stars' with new song for Tom Cruise sci-fi 'Oblivion'

Soundtrack cut is epic and a little sad

M83's Anthony Gonzalez has been able to take his star-gazing electronica formula and apply it to a movie that gets where he's coming from. The songwriter is co-composing the music to "Oblivion," and the Tom Cruise-starring film gets a fresh M83 song, "StarWaves" by proxy.

Thus, "Oblivion" gets its own "Clubbed to Death," as it were, epic in scope, a little sad, very intimidating and perfectly crafted. The lead of the film seems to have a lonely and confused role in his life, so he's got a companion in this.

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<p>Five of the &quot;American Idol&quot; Top 10 Men</p>

Five of the "American Idol" Top 10 Men

Credit: FOX

Recap: 'American Idol' - Las Vegas Round: Top 10 Men Perform

Will the Men bounce back from a rocky start in Vegas?

No matter what Randy Jackson, Nicki Minaj, Keith Urban and Mariah Carey try saying, the "American Idol" Top 10 Women weren't spectacular on Tuesday night. Four of them were very good, a couple of them were pretty bad and the rest of them were OK. That's a decent show and there's no reason to engage in hyperbole.

The Top 10 Men will have to step up their games on Wednesday (March 6) night if they're going to be worthy of their five slots in the overall Top 10, which will be unveiled on Thursday. Based on the Sudden Death performances, I don't think most of these guys are especially worthy, but let's find out.

Full recap after the break...

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'Harlem Shake' holds steady atop Billboard Hot 100 for 3rd week
Credit: Mad Decent

'Harlem Shake' holds steady atop Billboard Hot 100 for 3rd week

Demi Lovato gets off to strong start

Years from now when folks look back at what was No. 1 this week, will they even remember “Harlem Shake?” Regardless, Baauer’s viral video sensation makes it three weeks at the top of the Billboard Hot 100.

Its popularity, despite even “The Simpsons” paying homage, seems to be waning as its streaming decreases by 45% this week.  Additionally, digital sales slip by 23%. However, the song,  is building at radio (though it’s hard to imagine it can go very far there given there’s not really a full-length song there). It enters the Pop Songs radio airplay chart at No. 38, according to Billboard.

Similarly, the songs at Nos. 2-4 stay the same this week: Macklemore and Ryan Lewis’s “Thrift Shop,”  Bruno Mars’ “When I Was Your Man” and Taylor Swift’s “I Knew You Were Trouble.”
Rihanna’s “Stay” featuring Mikky Ekko rises 7-5, swapping places with will.i.am and Britney Spears’ “Scream & Shout,” which falls  5-7.  Drake’s “Started From the Bottom” holds at No. 6, Justin Timberlake’s “Suit & Tie” hangs in at No. 8, while Mars’ “Locked Out of Heaven” stays locked at No. 9. Swedish House Mafia’s “Don’t You Worry Child” featuring John Martin climbs 12-10.

Other songs of note: Demi Lovato’s “Heart Attack” storms onto the chart at No. 12, driven primarily by strong sales of 215,000 copies.

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<p>Amanda Peet and Clark Gregg in &quot;Trust Me&quot;</p>

Amanda Peet and Clark Gregg in "Trust Me"

Credit: Tribeca Film Festival

New films from Clark Gregg, Neil LaBute and Whoopi Goldberg lead Tribeca fest selections

Josh Fox revisits fracking with 'Gasland' sequel as well

The Tribeca Film Festival, gearing up for its 12th annual showcase in Lower Manhattan from April 17 - 28, has announced its full feature line-up for the 2013 program.

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"What Not to Wear"

 "What Not to Wear"

Credit: TLC

'What Not to Wear' ending after ten seasons

Final episodes of TLC's longest running primetime series will start airing in July
After ten seasons, "What Not to Wear" will be saying farewell to TLC. The network’s longest running primetime series and one of the longest running makeover shows in television history, it will air its final run this summer. Starting July 2013, the last episodes will air on Friday nights.
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<p>The weird part is that this is pretty much how Tony Vespe always dresses, not just in the new film 'Grow Up, Tony Phillips'</p>

The weird part is that this is pretty much how Tony Vespe always dresses, not just in the new film 'Grow Up, Tony Phillips'

Credit: Arcanum Pictures

Exclusive: SXSW trailer debut for 'Grow Up, Tony Phillips' by Emily Hagins

A new trailer for a coming of age story by a filmmaker who just came of age

It's an oddly personal run to South By Southwest for me this year. There's a documentary playing which uses me as a talking head interview, and there's also a film playing that was made largely by people I've known for many years now.  It's that second film that I'm most excited about, if only because I believe in Emily Hagins as a filmmaker, and I have a feeling she's been building to "Grow Up, Tony Phillips" for a while now.

When I met Emily, she was a little girl.  She attended Alamo Drafthouse events with her mother, Megan, and she was a voracious film fan even at a very early age.  It was apparent early on that she had dreams of being a filmmaker, but unlike many kids, she actually did something about it. She directed her first film, "Pathogen," when she was only 14, and that process was documented in the film "Zombie Girl." That movie has a certain degree of charm, but it's very rough. It really wasn't until her last film, "My Sucky Teen Romance," that I think her voice really started to come into focus, and this new film marks a big jump for her in terms of the type of cast she's directing and maturity.

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