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Have you heard of the 800 lb. gorilla? Next week, Justin Timberlake will be the 800,000 lb. gorilla as it looks like “The 20/20 Experience” will sell up to 800,000 copies, making it the fifth biggest debut of the decade.
Sales projections for “20/20” keep increasing. At the beginning of the week, it appeared that his first album in seven years would sell at least 500,000; then the number soared to 750,000 and with two days left until the chart close, it’s at 800,000, according to Hits Daily Double.
At that rate, the title will handily sell more than the rest of the nine titles in Billboard 200 top 10 combined. In fact, no one else looks to even top 50,000 copies.
In addition to Timberlake, the other debuts will be Kacey Musgraves’ excellent “Same Trailer, Different Park” (read our interview with the up-and-comer here) at No. 4, with sales of around 40,000, and an expanded edition of the soundtrack to “Les Miserables” at No. 7.
Otherwise, it looks like Bruno Mars’ “Unorthodox Jukebox” will be at No. 2, Luke Bryan’s “Spring Break...Here To Party” at No. 3 and this week’s No. 1, Bon Jovi’s “What About Now” at No. 5.
Pink’s “The Truth About Love” climbs several notches to No. 6 on the strength of her well-received concert tour and her new single with fun.s’ Nate Ruess, “///. Rihanna’s “Unapologetic” is at No. 8, Mumford & Sons’ “Babel” at No. 9, and Imagine Dragons’ “Night Visions” at No. 10, according to Hits Daily Double.
David Bowie’s “The Next Day” which bowed at No. 2 this week, likely drops to No. 11 with sales of 21,000-24,000.
In case you’re wondering, the top two biggest debuts of the decade so far belong to Taylor Swift, followed by Lady Gaga and Lil Wayne.
When translating a hit stage production to the screen, it seems only right to retain at least some of the talent that made it a success in the first place – and not merely as a good-luck token. That’s a logic that frequently escapes Hollywood, as any number of Broadway ensembles replaced wholesale by bigger names can tell you.
When it came to Tony Briggs’s popular 2005 production “The Sapphires,” however, two cast members remained on board when the Australian musical comedy was translated to the big screen, though neither one in quite the same capacity. But while actress Deborah Mailman simply switched to a different role, Wayne Blair’s reassignment was rather more dramatic: he was selected to direct the film as his debut feature. In contrast to yesterday’s interviewee Chris O’Dowd, who read the script and hopped on board one month before shooting, Blair and Mailman each brought seven years of physical and emotional investment to this heartwarming, fact-based story of a female Aborginal soul quartet chasing the big time against the turmoil of the Vietnam war.
Sigur Ros' last album was a little more abstract than most of their output, so maybe the Icelandic band has decided to re-incorporate some rock structure to their dream-like forms. Enter "Brennisteinn," a new song and music video from the band's forthcoming album "Kveikur." The thing is a monster. It's a very weird, exciting, morphing jam, but it's also louder than what fans may be used to -- of course, until it segues into Jonsi's floating bridge.
"Floating bridge" may be one of the topographical features on the planet the video's set on; the splashes of yellow and dripping silvers are strewn throughout the black-and-white landscape. Far out. The video was helmed by Andrew Huang, who -- and this may not surprise you -- recently directed videos for Bjork, for her "Biophilia" project.
I had fun with "G.I. Joe: The Rise Of Cobra," and I don't remotely feel bad about it. Stephen Sommers isn't a great overall storyteller, but when it comes to ridiculous action movies that seem giddy on their own invention, Sommers has done it right more often than wrong. I think "Van Helsing" is so bad and such a frustrating botch of a decent high concept that is almost erased any goodwill he'd ever built up as a director, but "G.I. Joe" felt like a nice rebound.
When I praised the film, I made the very clear distinction that I liked the energy with which he told the story and the reality that the movie created. I thought Channing Tatum was miscast in the lead, and when I recently rewatched the film, I feel like it's pretty clear that Tatum hadn't really relaxed into his own talents as a performer yet. I felt like the film had a pretty clear shot at kickstarting a series, and while I enjoyed it, I think Sommers didn't care about doing "G.I. Joe" the way the fans would want to see, but instead used "G.I. Joe" as an excuse to make a Stephen Sommers movie that just happened to use a sort of sci-fi military premise that fit the title.
"Southland" is one of the best dramas on television. It's also, unfortunately, a show where I tend to get to each episode very late, for one reason or another, which is why I haven't weighed in on any episodes from this fifth (and, unfortunately, possibly final) season. But I managed to see this week's episode only a day late, and I wanted to offer some thoughts on the season in general, coming up just as soon as I tell you I've read about the Marquis de Sade...
It seems further, as we're still shaking off the fatigue of the 2012 awards season, but the Cannes Film Festival is less than two months away. Slowly, this year's edition of the world's most prestigious film fest is starting to take shape: we have Steven Spielberg installed as the Competition jury president, and we know that Baz Luhrmann's "The Great Gatsby" will kick off proceedings on the Croisette -- though not before it opens Stateside.
The full festival lineup usual only drops around mid-April: look out for my Top 10 gallery on Monday of the film's we're most eagerly hoping will be there. In the meantime, however, the festival unveiled this year's official festival poster -- and it's the most gorgeous one in many a year.
At least someone still knows how to make "Die Hard" movies.
There is very little about "Olympus Has Fallen" that I would consider fresh or surprising, but Antoine Fuqua does a nice job of creating a certain degree of tension that he manages to sustain for most of the film's running time, and as an action movie, it is satisfying. I am startled by a few major technical issues with the film, but for the most part, I enjoyed it as I watched.
On the other hand, if I take a step back and view it through any sort of political filter, it's kind of horrifying. And considering where we are right now in our relationship with North Korea, the film feels ill-timed at best, downright inflammatory at worst. Last year's terrible "Red Dawn" remake was too chuckleheaded to be taken seriously by anyone. "Olympus" follows a pretty familiar shape, and the extended opening sequence serves to set up Mike Banning (Gerard Butler), a Secret Service agent who is basically a surrogate member of the First Family. When we meet him, he's in the boxing ring, sparring with President Benjamin Asher (Aaron Eckhart), who is wrapping up a family trip to Camp David so he can head out to a major fundraising event, his wife Margaret (Ashley Judd) and his son Connor (Finley Jacobsen) in tow. On the icy road as they head into town, there is a terrible car accident, and Banning makes a choice that ends with him being transferred permanently off the President's detail.
I wish Olivia Pope wasn't just a TV character just so I could get some time management pointers from her. She somehow runs a hefty chunk of Washington D.C., manages a staff of gladiators, squeezes in an on-again-off-again affair with the President, takes all of her phone calls while walking quickly from one place to another (that must be her cardio) and always looks fabulous. I feel tired just looking at her, don't you?
Anyone else worried about Silas? Anyone? Just checking. It seems as if everyone on the show has gotten distracted with other stuff, so I'm guessing he'll be on the front burner this week. Unless, say, Elena eats the wrong person or Caroline finds a working cell phone number for Tyler. Of course, these are valid distractions, but, ahem, Silas? You know, the one who wants to bring back all the dead supernatural beings? It would be sort of like "Torchwood" times 200. I'd totally watch that, mind you, but that would not be a good thing for our beloved vampires.
A review of tonight's "Community" coming up just as soon as I go to Dubai with that sheik I meet at Trader Joe's...
Welcome to "American Idol" Thursday, also known as "That thing you can watch the last five minutes of after surfing through the four NCAA Tournament Games currently on TV."
After Wednesday night's show, I'm curious who America will have rejected, but I'm also curious about what's happening in the NCAA Tournament games, so click through and witness the glories of my split attention span!