So I guess no one at the Academy got the memo that no one really liked the way the Oscars were put on back in February (I was mostly fine with them, mind you), and so they're bringing Craig Zadan and Neil Meron back for more. This last year featured high profile tributes to Zadan/Meron-produced musicals and specifically two big moments for the (granted, 10 years old at the time) "Chicago." What will we get in 2014? A tribute to television's "Smash?"
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Muse these titles: "No New Friends." "Suffering From Success." It's the Young Money (and MMG) love-in, sponsored by Drake's fixation on success and sadness.
"No New Friends" is a new track from Drizzy, Lil Wayne, Rick Ross and DJ Khaled, off of the latter's forthcoming "Suffering From Success." In it, the rappers extol their "day one" pals for helping them up to their current acclaim. Originally a "Started from the Bottom" remix, it's most prominent feature is Drake reporting on the fact these guys have no capacity for "fake" friends.
Drake quoth his own "Started from the Bottom" in his starting verse, despite the fact that song's still no good (and still makes no sense); but the chorus to this one's much easier to stomach, and Weezy even manages one slick pun ("They throw dirt on my name, well that's why they still dig me." Oh haha, OK dad).
Notably, this is Drake's second song in 24 hours, arriving around the same time his "Girls Love Beyonce," a lonely little number about looking for love... and disrespect of women?
A few months ago, Fall Out Boy, out of blue, announced the band was back together after taking a long hiatus. Not only were they back, they had recorded a new album and were releasing the first single from said album immediately.
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Karen O has a history of the most daring fashions when she takes the stage with the Yeah Yeah Yeahs. It’s hard to say if they’re costumes, or part of a larger persona, or if it’s simply what she wore to the grocery right before sound check. But what she wears she doesn’t merely don, she takes up and owns.
Drake name drops Beyonce in his new song in his new song, “Girls Love Beyonce,” and then basically kicks her to the curb. He drew us in with her and then goes into a song about wishing he had someone to love.
The song’s hook is built around a slowed-down Destiny’s Child’s “Say My Name,” wistfully sung by James Fauntleroy, but Drake didn’t need to include Beyonce in the title for that.
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Robert Downey Jr. sure is in a good way lately, no? Wind the clocks back, oh, seven years -- certainly less than a decade -- and you're talking about an uninsurable has been. Drugs, scandal, fall from grace, the whole thing. Then he married one of Hollywood's youngest and brightest, Susan Downey (née Levin), in 2005. She helped him get his act together and now he's the face of two major franchises. It's storybook, really, and a perfect awards narrative, by the way, should an awards project ever come along for the actor.
Universal is not fooling around.
I understand. They've been looking for their ATM, their cash machine that reliably spits out money every time they release a new film in the series, and it's been a struggle at times. They sort of backed into this one. I guarantee there was no one at the studio at the time that "The Fast and The Furious" was made who had a vision of the franchise that exists now.
Justin Lin deserves a lot of credit for turning this into what can legitimately be called a mega-franchise now. At this point, it's such a big series, and the scale of the mayhem in each film seems to be swelling. Now that Lin is leaving, it would be easy to imagine that the studio would be worried. If you drop the ball even once with a series like this, you risk burning it down, and that's the last thing Universal wants.
Now that James Wan is onboard to direct the seventh film in the series, Universal wants to make it clear that they are moving full speed ahead with a new movie, and today, as part of their CinemaCon presentation, they announced that July 11, 2014 is going belong to them.
Add up the belly laughs in Mexican director Alejandro González Iñárritu’s first four features -- "Amores Perros," "21 Grams," "Babel" and "Biutiful" -- and, well, you'll find you have a lot of fingers going spare. Accomplished and sometimes exhilarating as his films (all of which have found favor with the Academy to some degree) have been, a change of pace wouldn't hurt him at this point.
The moment I was hooked by the trailers for the 2009 "Star Trek" reboot was when Pike (Bruce Greenwood) challenged Jim Kirk (Chris Pine) to try to live up to the legacy of his father. The score, Greenwood's delivery, and the weight of what he was saying… all of that combined hit me dead center, and from that point on, they sort of had me on the hook.
I feel like it's a very smart choice, then, to bring this final trailer in the ad campaign for this summer's "Star Trek Into Darkness" back around to the two of them, Pike and Kirk, once again sitting together, once again discussing Kirk's potential as a leader. Pike is such a particular figure in "Trek" history, and perhaps the most significant refiguring in this new rebooted version of the "Trek" universe is the way he and Kirk deal with one another. You can't do much better in terms of mentor figures than Greenwood's Pike, and Kirk needs that voice in his ear, someone willing to push him and dare him to be a better person.
Steve Buscemi wants to be in a band. Specifically Vampire Weekend only to, y'know, help them reach a broader audience.
The actor/director will be helming Vampire Weekend's Amex Unstaged concert, webcast live on April 28 at 9 p.m. EST. In a promo clip for the show, it is revealed that Buscemi and VW's Chris Baio are distantly related, and it's a riff on that: how would a weird act and behave toward somebody that they're supposedly blood-relative to?
Set Visit: Danny McBride says 'This Is The End' is full of terrible things happening to famous people
NEW ORLEANS - If you're looking for a place to stage the end of the world, it seems to me that New Orleans is a pretty good choice.
Seth Rogen and Evan Goldberg are a formidable creative partnership. Standing on a soundstage for the first film they're co-directing, I was struck by just how laser focused their vision for their career has been and how well they've managed to build a space for them to make the films that genuinely make them laugh. When I first met Seth, it was at the premiere for "Anchorman." If you don't remember his role in the film, I wouldn't blame you. He plays a news cameraman, and in a film that seemed to be a showcase for one incredible character bit after another, Seth was one of the few people who didn't really have a giant moment.
The party after the premiere was at the Roosevelt, and it was a particularly rowdy celebration. That was a film that almost didn't happen several times along the way during development, and it seemed like everyone assembled understood just how much of a miracle it was that it even existed. At one point during the evening, I saw Seth Rogen sitting by himself at a table, and I walked over to say hello.
If I didn't know better, I'd say Tom Cruise is a nerd.
Sure, sure, he's been Captain Awesome since I was a young teenager, and he somehow looks better at his age than I've looked in my single best day ever, and he continues to somehow elude the same sort of career pitfalls that have sidelined even the most talented of his peers. So calling him a "nerd" may not be the traditional application of the word, but it seems to apply when you look at his taste in projects over the last few years.
It's one thing to do a couple of science-fiction movies in a row because Steven Spielberg calls, and "War Of The Worlds" and "Minority Report" are very different approaches to the same genre. With "Oblivion," "All You Need Is Kill," and the just-announced "Yukizake," Cruise seems to be almost single-handedly helping keep original science-fiction alive on the bigscreen. And, yes, I know he's not the filmmaker in each of these cases, but it's incredibly hard to get these films made, and when Cruise signs on, he can be the deciding factor for the financiers behind the films.