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Pink is an ever bigger star in Australia than she is here, so she’s made a video of “Walk of Shame” for her Australian fans, but you can see it here too.
It’s a live performance clip, seemingly taken from her record-breaking run of 18 sold-out shows at Melbourne's Rod Laver Arena.The song, taken from Pink's "The Truth About Love" album, is a hilarious tune about taking the proverbial walk of shame the morning after so we hope that if the song becomes a single in the U.S., Pink does an appropriately goofy, funny video to accompany it, but in the meantime, enjoy this clip from Australia (h/t directlyrics.com).
Pink will be honored by Billboard as the magazine's Woman Of The Year on Dec. 10 in New York.
I think we can rule out any chance of Miley Cyrus and Sinead O’Connor making nice.
Early this morning, O’Connor issued her third open letter to Cyrus in response to Cyrus’s slight stab that she couldn’t respond to the second open letter because she was too busy preparing to host “Saturday Night Live,” a show from which O’Connor is banned, but she would be happy to meet with O’Connor.
O’Connor wants nothing less than an apology from Cyrus as she states in the scorched-earth letter and she once again threatens to sue if Cyrus does not do so: “What you did yesterday was designed to damage me and my career and has caused me enormous distress and harassment and has potential to damage my career,” O’Connor writes.
To catch you up, in response to O’Connor’s first, very nice letter to Cyrus, Cyrus re-posted tweets from O’Connor when she was having a nervous breakdown in January 2012, and then posted a photo of O’Connor ripping up a picture of the Pope from her “SNL” appearance in 1992. She also compared her to Amanda Bynes, who is receiving treatment for her mental condition.
Here’s O’Connor’s third letter in full:
Third letter to Miley
I have no interest whatsoever in meeting you. You had plenty of time yesterday to abuse Amanda Bynes .. an entirely innocent party.. and myself.. who also did nothing to deserve your abuse.. along with every other sufferer of mental health problems and every person who suffered abuse at the hands of priests.
You can take five minutes today between g- string fuckin' changes to publicly apologise and remove your abusive tweets. If you do not then you don't give a shit who you mock and what damage you do by being so ignorant.
When you publicly apologise to Amanda and myself and all mental health sufferers as well as all who were abused by priests that will end the matter as far as I am concerned.
what you did yesterday was designed to damage me and my career and has caused me enormous distress and harassment and has potential to damage my career, since you deliberately gave the impression those tweets of mine were not two years old but reflect my current condition. If you cannot apologize I will have no choice but to bring legal proceedings against you since it is extremely hard to be given work when people think one is suffering from mental illness.
I have no interest in or desire to cause you trouble but if you do not apologise for having deliberately tried to cause me hurt and trouble personally and professionally I will have to bring pressure upon you.
When you end up in the psych ward or rehab I'll be happy to visit you.. and would not lower myself to mock you.
Be a proper woman and make the public apologies I have listed above. Your hosting SNL is a bullshit reason for not taking five minutes to do the right thing and your behaviour yesterday will rebound upon you very badly.
You have no business abusing Amanda Bynes or anyone else. How do you think you made her feel yesterday? How do you feel when your friend Britney Spears is mocked and humiliated for having had mental health problems? I know I personally want to bash those who treat her that way. If she is your friend and more importantly if you are a true friend to her.. you ought apologise for joining those who mock and humiliate women who have been too nice frankly, to manage the music business without sensibly losing their minds.?
Cease behaving in an anti-female capacity. You will become the victim of it shortly. Soon it will be you the media 'crazy' .. and you will not enjoy it.. and you will appreciate people (like myself) standing up for you. Which I will be happy to do.. if you earn my respect today by apologising publicly.
No reply yet from Cyrus, whose lawyers have undoubtedly told her to lay off.
Are you Team Sinead or Team Miley or Team Over It?
Sofia Vergara's life story is set to become an ABC comedy
"Raising Mom" would revolve around a young single mom trying to raise her son. In real life, the 41-year-old Vergara has a 21-year-old son.
Fox orders additional "Brooklyn Nine-Nine" scripts
The script order could lead to a full-season pickup.
NBC gives "The Blacklist" a full-season order
The James Spader drama has averaged 12 million viewers.
FOX has renewed "The Simpsons" — again.
CBS snags Halle Berry -- she'll play an astronaut in Steven Spielberg's "Extent"
The Oscar winner will star in the CBS summer series about an astronaut trying to reconnect with her family after one year in space.
Obviously the author of the source material is going to have some very strongly held opinions about their own work, but even so, Mark Millar appears to have popped a vein when it comes to what Joe and Matthew Carnahan are up to with the film adaptation of "Nemesis."
Millar is not shy about serving as his own hype man, and while it has certainly earned him more than a bit of animosity over time, I think it's one of the skill sets that authors in the 21st century need to get better at, and Millar's ahead of the game. It seems like every year, there is exponentially more media competing for your attention, and if you want to cut through all that, you can't be shy about singing your own praises or talking about what you're working on.
In Millar's case, he has so many things in development that he seems almost like a non-stop cheerleader for the various filmmakers who are adapting his work these days. But in the case of "Nemesis," he's gone above and beyond. He seems to be positively swooning over the script they've adapted, and he is setting a very high bar for them when they actually do make the film.
A&E's "Duck Dynasty" has built an enormous fan following on gentle, homespun humor and stories that are downright family friendly. But, a reality show is still a reality show, which means it's long past due for one of the Robertson clan to poop out a tell-all novel.
That honor goes to Vietnam vet Si Robertson, whose unfortunately titled book, "Si-cology: Tales and Wisdom from 'Duck Dynasty's' Favorite Uncle," is now available (for the record, Phil Robertson's book, "Happy, Happy, Happy" was not as revealing). For those who don't like words and reading, or just find it difficult to hold a book while drinking beer, holding a gun, and blowing a duck whistle, an audio version is available. Just kidding!
Miley Cyrus has a brand problem ahead of her. This is nothing new to female solo artists who have had a run in their youth only to be painted into a corner in their later years, and no doubt, she and her label are looking at longevity even as the "nowness" of some songs from "Bangerz" fade within a near-instant.
"Bangerz" is all over the map. It's expensively made and tailored song-for-song to showcase Cyrus' affinities and still-growing sense of style and delivery. There's raw material there in the 20-year-old, and any inch of good tape is blown to such max proportions, it's hard to hear what a Miley Cyrus even is. The former "Hannah Montana" has caught flack lately for her boisterous fashions and photos, sexual explicit performances and the pre-occupation (and co-option) of black culture to lend legitimacy to her "grown-up" recording phase. But make no mistake: controversy often parades as substance, with which fun-loving "Bangerz" struggles. There are too many imitations and unearned affectations to know what kind of performed Cyrus is at her core.
Still, when it's on, it's so on, like with her single "We Can't Stop." "Bangerz" also has its fair share of starters.
Below are thoughts on the album, track by track:
1. “Adore You” – It’s always a risk to start an album with a "baby baby baby" ballad, but here, the the point seems to attract the crowd who prefers their Rihanna simmering rather than boiling.
2. "We Can't Stop" -- Still one of the more tasty, hearty dark pop jams of 2013, "Stop" should have kicked this thing off. The unfussy tempo mixed with an insistent melody and casual drug use makes this a winner. Also features one of the four hundred million Mike WiLL Made It shout-outs on this album.
3. "SMS (Bangerz)" -- You know you're in trouble when the thing that makes the most sense on your track is a codeine-controlled Britney Spears verse bubbling nonsense over more nonsense. This hot pop mess irrationally rips off Ke$ha's "Animal" a couple years too late.
4. "4x4" -- Did you know: Miley Cyrus is the daughter of singer Billy Ray Cyrus, and that she is also a very unruly? According to this experiment, she's a "female rebel," though fails to differentiate a female rebel from any other kind of rebel. She's too busy explaining her behaviors by banging on the dash as she drives "round and round" a spiral of accordion and shame. This genre hybrid represents "country" and "the South" in much the same way drag queens represent women. They're a different thing altogether.
5. "My Darlin'" -- The final song in this nasty block of blunders. Classic "Stand By Me" becomes reinterpreted into Cyrus and Future's auto-tuned grievances, a filler tune at best.
6. "Wrecking Ball" -- Without the mostly-nude music video, the ballad stands up as striking -- if somewhat generic - single for Cyrus, whose growl handles the tearful melodrama well.
7. "Love Money Party" -- While the best parts of this song are copy and pasted with little wiggle room for a varied performance, Cyrus seems to thrive in the rap-singing and the hot dance pace. The former child-star makes a comment here about the interchangeability of making money, partying and loving, something she may know a lot about. Her public persona and that slight drawl over an ominous beat is truly something to be beheld. Big Sean shows up for his bars, and while he could have just sneezed into a mic and collected a paycheck, he puts out primo effort. I want more songs like this.
8. "#GetItRight" -- The world will be better off when songs with hashtags in their title become a thing of the past, but I hope this tune gets trotted out as a single around April next year, becoming a contender for Song of the Summer 2014. Simple and catchy, Cyrus sounds like she's having fun for once.
9. "Drive" -- Another Mike WiLL joint, a laser-pointed EDM sound meets "Bleeding Love" with a middling vocal performance. No valentines awarded.
10. "FU" -- Christina Aguilera or Amy Winehouse would have doubtless blown this torchy, fabulous burlesque outta the bedroom. Here, I'm just pleased Cyrus doesn't blow it, period. "FU" showcases a carefully comped vocal line with French Montana, who might as well be just some guy from somewhere. It brims with attitude, but surgically tight to a fault.
11. "Do My Thang" -- Cyrus sings the big hook and lopes through raps in this trap-dripping hip-hop song. Any producer can plop lyrics to a click track, but Cyrus' fails hard as a rapper because of the patent falseness of her flow and thang-doing. This is like rote academia, with its senseless Mad Libs of "bitch" and "f*ck" and eye-rolling, fantastically fake-ass swagger. This is probably where she fought to keep a song on the 13-track set, and where she should have lost.
12. "Maybe You're Right" -- Proportionally, this would have fit right next to "FU," and thematically, it's like the regret that follows a bad blow-up like "FU." Her range struggles with the improved climaxes, though it's refreshingly emotive.
13. "Someone Else" -- This ooncha-ooncha closer might as well be about Cyrus' relationship to her fans and the press that's followed her in recent days. There's hints of instability and neediness in her high-pitched pleas and she reports "I've turned into someone else." We noticed. "Hold me close... tell me now is not the end." It's big and convincing, so maybe we'll stay after all?