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<p>&quot;The Goldbergs&quot;</p>

"The Goldbergs"

Credit: ABC

Take Me To The Pilots '13: ABC's 'The Goldbergs'

If you like watching Jeff Garlin yell, ABC has a comedy for you

[In case you've Forgotten, and as I will continue to mention each and every one of these posts that I do: This is *not* a review. Pilots change. Sometimes a lot. Often for the better. Sometimes for the worse. But they change. Actual reviews will be coming in September and perhaps October (and maybe midseason in some cases). This is, however, a brief gut reaction to not-for-air pilots. I know some people will be all "These are reviews." If you've read me, you've read my reviews and you know this isn't what they look like.]

Show:"The Goldbergs" (ABC)
Airs:Tuesdays at 9 p.m.
The Pitch: It's "The Wonder Years" for Generation Y, if the point of "The Wonder Years" was that 1968 was an incredibly important year for humanity as seen through a prism of a young boy's coming of age, while the point of "The Goldbergs" is that 1985 was a completely irrelevant year other than pop culture references.
Quick Response: My favorite part of "The Goldbergs" was the closing credits. That sounds mean. It's not intended to be. Creator Adam Goldberg puts home-video footage of his actual family over the closing credits perhaps to fend off concerns that the characters comes across as too cartoonish. Nope. Turns out Adam Goldberg came from a somewhat cartoonish family. Again, that's not intended as an insult. Generationally, "The Goldbergs" is somewhere in my wheelhouse, so I'm perfectly happy to chuckle at a good GoBots, Alf or Brooke Shields joke. I just wish this pilot weren't predominantly a carousel rotating between pop culture references, Jeff Garlin bellowing, George Segal mugging, Jeff Garlin bellowing, Wendi McLendon-Covey being broadly brassy and Jeff Garlin bellowing again. There's a lot of Jeff Garlin working at a very high volume in this pilot and, ultimately, what it really needs is some sort of grounding, which could come from almost anywhere, but is initially lacking. Juvenile leading man Sean Giambrone is inoffensively sitcom-y, but sitcom-y none-the-less. Hayley Orranti is under-utilized. And Troy Gentile is hitting his punchlines way harder than the single-cam format would seem to demand. There's just a limit to how much wackiness can ensue without compensating moments of flawlessly effective heart. I'd point to "Malcolm in the Middle" and its pilot for an example of how you can sell a full slate of larger-than-life characters if the genuine emotion lands as well. Ultimately, it's the difference between the rather expert work of "Malcolm" pilot director Todd Holland, a frequent master of pilot tone, and the disjointed work of "Goldbergs" director Seth Gordon, who just cranks up the volume and hopes that the viewers will understand when things are supposed to be cartoonish and when they're supposed to be real. With this, "Meet the Fishers" and "Surviving Jack," it's a big year for "Wonder Years"-style inside glimpses at childhood and it's possible that because I just rewatched the "Wonder Years" pilot, I'm holding all of them to a higher standard, a standard none of them even come within hailing distance of. It's also possible that because I watched all of the ABC comedies in a short window, I was able to catch all of the recurring jokes that seem to be trickling from their development pipeline and they're too familiar to me. Or maybe this is just an all-too-familiar comedy with a couple interesting aesthetic tics. [I'll leave the big question -- "Is it good for the Jews?" -- for an eventual review or podcast, because it's a bit of a concern.]
Desire To Watch Again: I'll be watching "S.H.I.E.L.D." and "Trophy Wife" is one of my favorite fall comedy pilots, so wedged in between then, I'll be somewhat patient to see if "The Goldbergs," and particularly the near-deafening performances in "The Goldbergs," settle in a bit. It'll be all about smoothing things out with this one. The pilot is rough, but I don't hate it.

 

Take Me To The Pilots '13: NBC's 'Ironside'
Take Me To The Pilots '13: ABC's Agents of S.H.I.E.L.D. 
Take Me To The Pilots '13: CBS' 'We Are Men' 
Take Me To The Pilots '13: FOX's 'Almost Human' 
Take Me To The Pilots '13: ABC's 'Back in the Game' 
Take Me To The Pilots '13: NBC's 'Sean Saves the World' 
Take Me To The Pilots '13: The CW's 'Reign' 
Take Me To The Pilots '13: CBS' 'The Crazy Ones' 
Take Me To The Pilots '13: FOX's 'Enlisted' 
Take Me To The Pilots '13: ABC's 'Betrayal' 
Take Me To The Pilots '13: NBC's 'The Blacklist' 
Take Me To The Pilots '13: The CW's 'The Tomorrow People' 
Take Me To The Pilots '13: CBS' 'Hostages' 
Take Me To The Pilots '13: FOX's 'Sleepy Hollow' 
Take Me To The Pilots '13: ABC's 'Trophy Wife' 
Take Me To The Pilots '13: NBC's 'The Michael J. Fox Show' 
All of my 2012 Take Me To The Pilots Entries
All of my 2011 Take Me To The Pilots Entries
All of my 2010 Take Me To The Pilots Entries

 

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<p>You see that smile?&nbsp;That's because it's Greg asking the questions and not me.</p>

You see that smile? That's because it's Greg asking the questions and not me.

Credit: HitFix

'Tomorrowland' co-writer Damon Lindelof discusses keeping secrets in the media age at D23 Expo

And he's not especially happy with me

You know, I thought we had gotten past this, but evidently not.

It is a very delicate dance that we all try to engage in when we write about films in production, particularly films where there is a very high desire for information from the fan community. Today, Disney is no doubt debating whether or not they handled all things "Star Wars" correctly at the D23 Expo. I don't think they could have brought anything more than they did, but it is obvious just from looking at Twitter or websites or Facebook that people who attended the event today absolutely expected more than they got.

When I published a piece about "Tomorrowland" earlier this year, I went too far. I said that in the days right afterwards, both on the site and in private communications to the people making the film. It was a case of being surprised to have so much information fall into my lap in the way it did and being aware that because I had it, others would have it as well, and making the judgment call to publish so that I could at least try to set it in a context of sorts.

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Listen: Katy Perry's new single 'Roar' in full, is a fierce, fun anthem

Listen: Katy Perry's new single 'Roar' in full, is a fierce, fun anthem

Will it take her back to the top of the charts?

Katy Perry is a lion, hear her roar. “Roar,” the first single from her new album, “Prism,” debuted on Perezhilton.com Saturday morning and it’s a great change of pace for her. You can hear the full track at the bottom of the post.

The good news is that, musically, it sounds like no previous Perry single before (though thematically, it has the same uplifting spirit at "Firework"). It’s a statement song, and a smart one since it’s the first tune we’ve really heard from her since her split from Russell Brand. She’s letting us know in the mid-tempo pulser that she’s not just fine, she’s gone “from zero to my own hero.”  Like Survivor, she even has “the eye of the tiger,”  at her disposal. Heck, she has a whole menagerie, from a bee to butterfly. Dr. Luke produced the track, written by Perry, Dr. Luke and Bonnie McKee.

The steady stomp keeps the song grounded, while much of the rest of hand clap and mid-tempo piano production sound straight out of the late ‘80s and early ‘90s. In fact, if you’re old enough it may remind you a little bit of the chorus of  Martika’s “Toy Soldiers” crossed with M.I.A.’s “Paper Planes,” with some Avril Lavigne thrown in for good measure.

It’s a very good, not great, opening track, that announces she’s back and there’s even more to come. She shows progression but not so much that any of her fans will be alienated.

"Prism" comes out Oct. 22. As you know, Perry announced news of the release a few weeks ago by sending an gold-plated 18-wheeler with "Prism" and the release date painted on it around the country. Yesterday, a drunk driver hit the truck in Pennsylvania, according to TMZ. Luckily, no one was hurt.

What do you think? 

Here's the cover art for the single:

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<p>It seems only fitting that one of the big films at this year's D23 Expo actually stars Tom Hanks as Walt Disney.</p>

It seems only fitting that one of the big films at this year's D23 Expo actually stars Tom Hanks as Walt Disney.

Credit: Walt Disney Studios

Hanks as Disney, 'Muppets Most Wanted,' Jolie's 'Maleficent,' and Marvel all shine at D23

Plus Lindelof and Bird tease 'Tomorrowland' and 'Star Wars' sits it out

ANAHEIM - Being in my seat inside the D23 Arena at the Anaheim Convention Center in time for this morning's live-action presentation meant I was out of bed by 6:00 this morning. That was the hard part, though, and now that we're actually here and seated, it seems like Disney's gone out of their way to make sure everything is smooth sailing once you're actually on-site.

Dave Lewis is going to be posting breaking news stories out of the live-action panel this morning, which Disney is calling "LET THE ADVENTURES BEGIN." We know they'll be featuring "Saving Mr. Banks," the film about Walt Disney wooing P.L. Travers so she'll let him make a "Mary Poppins" film, as well as "Thor: The Dark World," Brad Bird's mysterious "Tomorrowland," and beyond that, it's all pretty much a secret. I've heard there will not be a major "Star Wars" announcement, but of course, that could just be smoke and mirrors. We'll see.

I'm not normally a live-blogger, and when I see how good some of our guys are at it during Comic-Con, I know the bar is set high. I'll do my best today to give you some ongoing sense of what it's like to be here, though, and of the highlights as the various presentations unfold.

Just waiting for things to get underway now. Hopefully it will be very close to the 10:30 start time that was stated.

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<p>Sophie N&eacute;lisse, Emily&nbsp;Watson and Geoffrey&nbsp;Rush in &quot;The&nbsp;Book Thief&quot;</p>

Sophie Nélisse, Emily Watson and Geoffrey Rush in "The Book Thief"

Credit: 20th Century Fox

Fox quietly positions 'The Book Thief' from 'Downton Abbey' director in the middle of awards season

Could the young adult adaptation be another Oscar play for the studio this year?

Fox has made a big splash recently with materials for Ben Stiller's "The Secret Life of Walter Mitty," positioning it well with a New York Film Festival debut and pretty much following the "Life of Pi" playbook for what could be the filmmaker's first big awards player to date. But meanwhile, a Holocaust drama from a "Downton Abbey" director with Geoffrey Rush, Emily Watson and 12-year-old lead actress has been quietly positioned in the midst of the Oscar fray and could be another player for the studio.

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<p>Walter White</p>

Walter White

Credit: AMC

Why did it take so long for 'Breaking Bad' to have its 'Sopranos' moment?


Why did it take so long for "Breaking Bad" to have its "Sopranos" moment?
The AMC series took years to become a pop-culture sensation, says Hank Stuever, because "it was set in a place no one really cares about" and because it wasn't set New York or L.A. But Albuquerque, he says, plays a crucial role in "Breaking Bad's" success. Stuever, who got his first journalism job in Albuquerque, explains: "Set anywhere else, I don't think 'Breaking Bad' would have achieved its eerie sense of remoteness and moral unease. Walter's story simply lives better in the greatest, beige-est stretch of the flyover. Much of what made the show work was its backdrop; for New Mexicans, it occasionally verged on the documentary genre."
Why "Breaking Bad" is designed to have a perfect ending
How often has Bryan Cranston disagreed with Vince Gilligan?
How "Breaking Bad" broke free of the clockwork-universe problem
Walter White is the antidote to TV's antiheroes
"Breaking Bad's" composer isn't holding anything back
Los Pollos Hermanos is a burrito and burger chain called Twisters
Dean Norris spoils everything for Funny or Die
Vince Gilligan recalls meeting the creator of "Gilligan's Island"
Bob Odenkirk's contribution to Saul Goodman: His hair
Lydia's ending is "pristinely perfect" // The best "Breaking Bad"-inspired food
Anna Gunn talks about Skyler becoming "Breaking Bad's" antagonist
How Vince Gilligan looks at Albuquerque
Betsy Brandt's favorite scene was the talking pillow
"Badger" and "Skinny Pete" recall their auditions // "Badger" can't reveal Badger's fate
Inside the writers' room // "Breaking Bad" takes over 8 car washes
Meet "Breaking Bad's" science advisor // Walt Whitman vs. Walter White
14 creepy "Breaking Bad" tattoos // "Breaking Bad" comic lets you catch up
Who might die?: A breakdown // Meet "Breaking Bad's" cinematographer
Bryan Cranston & Aaron Paul: Looking back at their red carpet fashion
Why Jesse Pinkman has to die
 

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<p>Blair Underwood of &quot;Ironside&quot;</p>

Blair Underwood of "Ironside"

Credit: NBC

Take Me To The Pilots '13: NBC's 'Ironside'

Blair Underwood shines, but is that enough?

[In case you've Forgotten, and as I will continue to mention each and every one of these posts that I do: This is *not* a review. Pilots change. Sometimes a lot. Often for the better. Sometimes for the worse. But they change. Actual reviews will be coming in September and perhaps October (and maybe midseason in some cases). This is, however, a brief gut reaction to not-for-air pilots. I know some people will be all "These are reviews." If you've read me, you've read my reviews and you know this isn't what they look like.]

Show:"Ironside" (NBC)
Airs:Wednesdays at 10 p.m.
The Pitch: You know that show "Ironside"? Do we think the brand has ANY equity for today's audience? Excellent. Now how about if it stars Blair Underwood? He's a TV star, right? I mean, even if he hasn't anchored a hit show in... decades.
Quick Response: I don't want to say that Blair Underwood has been complacent in recent years, but I wouldn't say that "Dirty Sexy Money," "The Event" and "New Adventures of Old Christine" asked much of him other than being handsome, suave and determined. In contrast, "Ironside" actually asks a lot of Underwood and he delivers a performance that is fierce, physically challenging and intellectually interesting, without ever ceasing to be handsome, suave and determined. There's an anger and frustration to Underwood's Ironside that makes the character seem nuanced and sometimes dangerous, and turns the character into more than just a wheelchair-bound, crime-solving version of House. This is Underwood's best work in years and, at the very least, that gives "Ironside" a key central piece to work with. And with Brent Sexton, Pablo Schreiber and "Greek" veteran Spencer Grammer, there are the elements here for what could be a reasonably good ensemble around Underwood. Unfortunately, the procedural aspects of "Ironside" are utterly generic and the integration of flashbacks, so that Underwood isn't wheelchair-bound 100 percent of the time, add more to the amelioration of Underwood's work schedule (and to the answering of "Why didn't you hire a differently able actor to play this role?" questions) than to the narrative. The pilot underuses Schreiber and Grammer, barely gives Neal Bledsoe a character, leaves Kenneth Choi with uninteresting authority figure blather and poorly integrates Sexton. So what should be an ensemble is Underwood carrying the whole whole load and as good as he is, he can't make you ignore the fact that you're ignoring whatever the case-of-the-week happens to be. I think there's a version of "Ironside" that evolves down its own path and capitalizes heavily on its New York City location shooting that probably takes after NBC's underrated "Prime Suspect," another remake that had too many issues and ties to the original that it had to work out in its pilot and had lost nearly all of its audience by the time it became really good. With a background on "The Sopranos" and "Rescue Me," creator Michael Caleo has some potential, but any and all enthusiasm stemming from the pilot is generated by Underwood's searing performance and not by the show around him.
Desire To Watch Again: Even a perfect version of "Ironside" is an entry in a genre that I only have tepid interest in, though I'm likely to give this an episode or two because it's in a slot in which my DVR isn't overtaxed -- "Nashville" and likely some cable stuff. What I need is for the ensemble to get a swift blending, without sacrificing the uncompromising nature of Underwood's performance. Adding even a tiny bit of inspiration to the procedural aspects wouldn't hurt.

 

Take Me To The Pilots '13: ABC's Agents of S.H.I.E.L.D.
Take Me To The Pilots '13: CBS' 'We Are Men' 
Take Me To The Pilots '13: FOX's 'Almost Human' 
Take Me To The Pilots '13: ABC's 'Back in the Game' 
Take Me To The Pilots '13: NBC's 'Sean Saves the World' 
Take Me To The Pilots '13: The CW's 'Reign' 
Take Me To The Pilots '13: CBS' 'The Crazy Ones' 
Take Me To The Pilots '13: FOX's 'Enlisted' 
Take Me To The Pilots '13: ABC's 'Betrayal' 
Take Me To The Pilots '13: NBC's 'The Blacklist' 
Take Me To The Pilots '13: The CW's 'The Tomorrow People' 
Take Me To The Pilots '13: CBS' 'Hostages' 
Take Me To The Pilots '13: FOX's 'Sleepy Hollow' 
Take Me To The Pilots '13: ABC's 'Trophy Wife' 
Take Me To The Pilots '13: NBC's 'The Michael J. Fox Show' 
All of my 2012 Take Me To The Pilots Entries
All of my 2011 Take Me To The Pilots Entries
All of my 2010 Take Me To The Pilots Entries

 

 

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<p>The cover of The Civil Wars' eponymous album</p>

The cover of The Civil Wars' eponymous album

The Civil Wars land atop the Billboard 200 next week

Do Robin Thicke and Jay Z stay in the top 5?

The Civil Wars are going out with a bang as the now-defunct duo lands its first No. 1 on the Billboard 200 next week with its self-titled sophomore set.

“The Civil Wars,” which will sell up to 110,000 copies, is one of four debuts in the top 10: “Now That’s What I Call Music 47” likely lands at No. 2 (90,000), heavy metal band Asking Alexandria comes in at No. 8 with “From Death To Destiny” (32,000), and gospel singer Tye Tribbett at No. 9 with “Greater Than” (28,000).

Robin Thicke’s “Blurred Lines,” this week’s chart topper, drops to No. 3 next week. Jay-Z’s “Magna Carta Holy Grail” is at No. 4. There’s a logjam for spots 5-7 with Disney’s soundtrack to “Teen Beach,” Imagine Dragons’ “Night Visions” and Five Finger Death Punch’s ?“Wrong Side Of Heaven, Vol. 1” all slated to sell between 35,000-45,000. Rounding out the Top 10 will be Florida Georgia Line’s “Here’s To The Good Times,” according to Hits Daily Double.


 

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Alex Trebek responds to 'Jeopardy!' Kids Week controversy: 'It wasn't my decision'


Alex Trebek responds to "Jeopardy!" Kids Week controversy: "It wasn't my decision"
"It was the judges'" decision, says Trebek, who has gotten much of the flak. "I don't mind being accountable if it's something I have done, but it kind of bothers me to take a lot of flak for something I haven’t done. I must be getting thin-skinned in my old age."


CBS: Time Warner blackout barely affected ratings

The network says it's only down .2% in viewers.


"The Love Boat" cruise ship is going to its final resting place, a junkyard in Turkey

The Pacific Princess will be stripped for parts.


Indy 500 winner Tony Kanaan may go "Dancing"
The Brazilian driver said he met with "Dancing with the Stars" producers last month.


The Fox Sports Robot has been brought to life
A 6' 9" version of Cleatus is helping promote the new FS1 network.


AMC boss recounts "Breaking Bad's" journey -- it premiered vs. Giants-Packers OT playoff game
How did AMC decide to follow "Mad Men" with "Breaking Bad"? AMC president and GM Charlie Collier talks about that and how AMC felt validated as a network when, after one year, "Mad Men" won the best drama Emmy and Bryan Cranston won best dramatic actor.


Watch David Letterman and Michael Keaton on Mary Tyler Moore's failed variety show
Both were stars of "Mary," which ran in 1978, one year after "Mary Tyler Moore" ended.


"Today" will unveil a new set on Sept. 9
"It is much more 'current' than what we have," says exec producer Don Nash. "I think it is much more exciting. We will have a lot more bells and whistles to play with, but it is classy, just like the show itself."


"Top Chef" gets a web "prequel" starring Padma Lakshmi

In "Padma's Picks," chefs will compete to appear on the Bravo reality show.


What is up with cable TV's after-show trend?
Andy Cohen's "Watch What Happens Live" has spawned "Talking Bad" and "Shark After Dark."


Jeffrey Dean Morgan calls "Magic City" cancelation "a big open wound"
"It's a little bit depressing," he says. "But that being said, to be part of such a great show is pretty great, and I met some really fantastic people."


"The O.C.": The definitive show about the economy in the 2000s
Did Ryan Atwood foreshadow the Occupy movement? PLUS: Seth Cohen: An appreciation.


FX pushing hard to get "Louie" an Emmy

The Emmy campaign includes pricey billboards and a special screening held last night.


What did Carrie write in her "Homeland" notebook?

The Season 3 trailer offers a detailed look at Carrie's notes.


Jennifer Aniston had a "Friends" reunion nightmare

She dreamt that there was a reunion, and she wasn't invited.


Guy Fieri to host "Grocery Games"
The Food Network show will pit chefs in a supermarket challenge.


"Mad Men" opening credits lawsuit settled

Former '60s model Gita Hall May had sued because she was featured in a Revlon ad in the opening credits without her permission.


The "Pardon the Interruption" guys visited the Oval Office
Check out Tony, Tony and Mike with President Obama.


Alton Brown launches "Cutthroat Kitchen"
The new Food Network competition will use sabotage and tricks in pitting four chefs against each other.


Check out Heidi Klum on "Parks and Rec" set
Hanging with Leslie Knope and April Ludgate.


"Scandal" elevators, explained
Go behind the scenes of the Pope & Associate Entry and front hall.


TV's top showrunners talk making shows in the "Twitter Age"
Says Carlton Cuse: "I resorted to live-tweeting 'Bates Motel' with my mother to get viewers to show up live. I have no shame."


Andy Samberg explains the evolution of his hair
His hair has been on a journey, especially when he started on "SNL" with what looked like a "hippie mullet."


"Amish Mafia" going to prison

Alan Beiler, 35, was sentenced to three to 23 months for injuring a state trooper during a car chase.


Watch another "Girls" Season 2 deleted scene

Shoshanna and Marnie talk about Ray.


"Community" reruns begin on Comedy Central on Sept. 15

The syndication run will kick off with a 10-episode block of "fan-favorite episodes."


Cinemax returns with "Strikeback" Season 3

It's one of those shows that knows what it wants to do, and does it well.


Larry David's "Clear History" is like a "Curb Your Enthusiasm" all-star jam
Even though David isn't playing himself, the HBO film feels at times like a movie-length version of "Curb." PLUS: David's movie isn't great but has its moments, and there are consequences for being a jerk, unlike "Curb," and watch a supercut of Larry David acting silly on "Fridays."


AMC's "Low Winter Sun" is made up of the "sorry trimmings" of quality TV

The Detroit-set cop drama is a mess full of cliches, says Andy Greenwald. "'Low Winter Sun' has not an ounce of originality or spark," he adds. "Rather, it clumsily cobbles together a whole host of macho signs and signifiers in the hope that they'll add up to something more than gunsmoke and other forms of hot air." PLUS: It is entirely without humor, is this the beginning of an AMC slump?, and is "Low Winter Sun" the new "Wire"?

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Jay Leno to say goodbye to 'The Tonight Show' on Feb. 6, 2014


Jay Leno to say goodbye to "The Tonight Show" on Feb. 6, 2014
Leno, who replaced Johnny Carson on May 25, 1992, is now six months away from his (2nd) final "Tonight Show." But his staff will continue to be paid until September 2014, when Leno's contract expires.


FCC threatens to step in to resolve the CNN-Time Warner dispute
"We are in regular contact with the parties and stand ready to take appropriate action if the dispute continues," said an FCC spokesperson.


Juliette Lewis joins "Wayward Pines"

She'll play a bartender on M. Night Shyamalan's Fox limited event series.

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<p>Matt Damon and Sharlto Copley in &quot;Elysium&quot;</p>

Matt Damon and Sharlto Copley in "Elysium"

Credit: Sony Pictures

Tell us what you thought of 'Elysium'

Neill Blomkamp's 'District 9' follow-up hits theaters today

I kept almost not liking "Elysium," but ended up being totally won over by it. Whatever that means. The thought I had coming out of the screening was that there are few filmmakers I want to keep making movies more than Neill Blomkamp. In my opinion, reviews harping on the heavy-handed message of the film miss the forest for the trees. Sometimes a point ought to be made heavy-handedly, and after all, sci-fi isn't necessarily the refuge of the subtle. Anyway, I'm a fan. I'll be interested to hear whether or not you are, too, so if you see the film this weekend, cut loose with your thoughts in the comments section and feel free to vote in our poll below. And if there's something else you've seen recently and want to discuss, consider this an open thread to do just that.

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<p>Claire Danes as Carrie in &quot;Homeland.&quot;</p>

Claire Danes as Carrie in "Homeland."

Credit: Showtime

'Homeland' season 3 trailer catches up with Carrie, Brody and Saul

Who has a new haircut? Who is sorry, and why?

Last week, I wrote about the "Homeland" panel at press tour, and about producers Alex Gansa and Howard Gordon's thoughts looking back on season 2 and ahead to season 3. Today, Showtime released a trailer for the new season (it's the same one critics were shown before that panel), scored to The Cinematic Orchestra's "To Build A House." 

It gives you glimpses of what Carrie, Saul, Brody, Dana and others will look like this season, if not the exact context of where they are and what they're doing. If you don't want to know anything, obviously don't watch. The season premiere is on September 29 — aka TV Drama-geddon, a night that will also feature the "Breaking Bad' series finale, the "Masters of Sex" debut, "The Good Wife" premiere, a new "Boardwalk Empire," and more — at 9 p.m. on Showtime.

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