The annual list of films eligible for general-category Oscar consideration is always a bit of a dispiriting one. Every viable contender is on the list, as well as plenty of non-viable ones, but many of the year's best films from the foreign and independent spheres aren't. That's not the Academy's fault -- a film has to be submitted to be considered -- but it does reveal how the expense and effort of an Oscar campaign is all too often beyond the means of the little guys. So it is that this year's list of 289 eligible titles includes "Grown Ups 2," but "Upstream Color," "Mother of George" and "A Hijacking," for example, are all officially out of contention. [AMPAS]
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This is me doing a little happy dance and giving the Toronto Film Critics Association an epic high five for splitting off course and not only awarding something different with its Best Picture prize, but handing the Coen brothers' "Inside Llewyn Davis" its first such honor of the critics circuit and its first major win since the Gotham Awards. Not only that, but Oscar Isaac for Best Actor? Makes the usual usual of the rest go down nicely. "12 Years a Slave," in fact, was completely passed over. Check out the full list of winners below and remember to keep track of it all via The Circuit.
Kiss fans, rejoice! The hard rock band has finally gotten its due and will be inducted into the Rock and Roll Hall of Fame’s Class of 2014.
The make-up wearing band will be joined by Nirvana, Peter Gabriel, Hall & Oates, Cat Stevens and Linda Ronstadt, according to Rolling Stone.
Acts are eligible 25 years after the release of their first recording, which means Nirvana, to no one’s surprise, will be inducted in its first year of eligibility. For both Kiss and Hall & Oates, their entry comes after years of fans lobbying for their inclusion.
Peter Gabriel is already in the Hall as a member of Genesis.
On the ballot, but denied this year were Yes, LL Cool J, The Replacements, Paul Butterfield Blues Band, Chic, Deep Purple, NWA, The Meters, Link Wray, and the Zombies.
The E Street Band, Bruce Springsteen's backing band, will be presented the award for musical excellence, while Beatles manager Brian Epstein and Rolling Stones manager Andrew Loog Oldham will be inducted as non-performers.
The induction ceremony will be held at Brooklyn’s Barclay Center on April 10, 2014, after being held at LA Live this year. Tickets will be made available to the general public and will go on sale in January. HBO will air the ceremony.
Are you prepared for the end times? You know, bottled water, solar panels, leeches and medicinal marijuana? You don't have a grow house ready, chock full of choice bud? No? You are so not ready! At least, that's what we learn from the latest episode of "Doomsday Preppers" (Tues. at 9:00 p.m. ET on Nat Geo) and this exclusive clip. One doctor decides that, in addition to keeping leeches on hand, he's also growing pot to use as a drug. Right. No, really, he's just using it if society collapses. That's all.
Steve McQueen's "12 Years a Slave" kept up its regional precursor dominance tonight winning the Best Picture prize from the Chicago Film Critics Association. The group's acting winners filled out accordingly with nary a surprise to be found. "Her" picked up two prizes, for original screenplay and original score. Check out the nominees here, the full list of winners below, and as ever, keep track of it all via The Circuit.
Back when I was still doing actual weekly "How I Met Your Mother" reviews, I started keeping a checklist of things that I had come to expect from this final season, like Marshall being elsewhere, the Mother being absent entirely, an utter lack of recognizable emotion, etc. Well, "HIMYM" closed out 2013 with a kind of anti-checklist episode, as "Bass Player Wanted" offered up a whole lot of Cristin Milioti, finally brought Marshall to the Farhampton Inn, and had some nice moments between Lily and Robin and between Ted and Barney (even if some of it is wrapped up in dumb ideas like Ted's inability to get over Robin).
What did everybody else think? Does seeing Milioti this much please you, or just make you even more frustrated that it took this long? And are you hopeful to see lots of Marshall interacting with the rest of the cast in 2014, or are you expecting some kind of contrivance where Marshall is frequently stuck in an obscure corner of the hotel?
Beyonce’s “XO” video, her second in a few days following “Drunk in Love,” compares love to a carnival.
Shot at Astroland at Coney Island, the clip features a sultry, slightly euphoric looking Beyonce walking on the boardwalk and dancing her way through the midway alone and with friends, intercut with other folks at the theme park and the rides. It also includes brief footage of her on stage.
It’s an interesting clip, almost as if we’re seeing her in some state of heightened reality enhanced by some mood-altering substance-- or maybe that’s just what love does to Beyonce. "XO" will go to top 40 radio at the beginning of year.
In the meantime, “Beyonce,” the album she dropped at midnight on Friday, continues to sell well. It set a iTunes record for best U.S. sales in a week at 617,000.
What was he thinking?
That is the one question I'm going to want answered with Shia LaBeouf finally makes some sort of comment on the bizarre story that's been unfolding today. If you haven't been following it, the day began with people linking to a short film that originally played at the Cannes Film Festival this past May. I guess no one who was at Cannes is a Daniel Clowes fan, though, because there was nary a whisper afterwards about any sort of issues that there might be with the film that Shia made.
Now, though, thanks to the fact that plagiarism is nearly impossible to get away with in the age of the Internet, in less than 24 hours, LaBeouf has had to lock the film behind a password because the connection was instantly made between his film, "HowardCantour.com," and a comic by Clowes, best known as the creator of "Ghost World," called "Justin M. Damiano." I really like Clowes, but I'm no authority on his work. Still, when BuzzFeed ran the short film past Clowes today, they did it because they were surprised he wasn't credited on the film. What seemed like an odd oversight at first became something more when Clowes replied.
Rihanna wears more clothes than we’ve seen her wear in years in the video for Eminem’s “Monster” clip.
The "Marshall Mathers LP 2" tune, which hit No. 1 on the Billboard Hot 100 last week, features Rihanna as a therapist who is helping treat Eminem, who revisits his much-used theme of going insane.
The video starts with the good doctor showing Em a tape of his life flashing before him. The tape is comprised largely from events in his life and from his past videos.
From there, it alternates between Eminem reliving the scenes from the tape, such as the rapper in an asylum, along with Dr. Dre; shots of Rihanna singing her refrain, and Eminem standing in front a hotel on 8 Mile Road, in concert, and performing with Elton John at the 2006 Grammys. The images mirror the lyrics of the song, which take a trip back in time by referencing many of Eminem’s past hits.
He ends up on rooftop with a SWAT Team recalling a time when he was encaged... either in reality or in his own head... with the monster that lives there.
The clip doesn’t have the impact of their previous collaboration, “Love The Way You Lie,” but that’s also because the song doesn’t have the same heft to it. However, it’s beautifully shot and both Rihanna and Eminem make the most of their parts. Plus, it’s a nice way to revisit much of Eminem’s career without doing a standard flashback video.
Ever wonder what happens after you win a reality TV competition like "Project Runway"? Is it just a slow descent into obscurity and depression with a nice pile of parting gifts? Sometimes, sure, but that hasn't been the case for Christian Siriano.