BERLIN - "The student has become the master" is, at least more ofthen not, a complimentary phrase, denoting the completion of an education, the expansion of a tradition or, at the very least, the perfection of one good party trick. Yet snider derivations of that sentiment have been applied my a number of colleagues to A.J. Edwards's "The Better Angels," a lushly conceived, exhaustively realized debut feature that'd be pretty formidable stuff coming from a more practised filmmaker -- and derided in some quarters as a self-impressed knock-off.
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When George Clooney's "The Monuments Men" was pushed back from its scheduled 2013 release date, the message was clearly sent that it wasn't seen as awards material -- but that didn't have to be a bad thing. Perhaps it was simply a fun commercial caper to brighten up the drab February release slate, an "Ocean's 11" in period dress. Then the reviews came out, suggesting there truly was cause for concern: Kris is among the few with at least a kind word for it, but others (including HitFix's Drew McWeeny) have piled on it for being dull, pompous and featherweight all at once. It certainly went down like a lead balloon at the Berlinale, where it was booed by German audiences and accused of jingoism.
The USC Scripter Awards are one of my favorite events of the film awards season. Yes, they are unique in that they recognize the authors of both screenplays and source material, and can often present a unique slate of honorees, but it's also a lovely personal excursion when I can make it, as the echoes of my days toiling away on various papers and thesis efforts in the halls of the Doheny Library make it an annual homecoming for me.
This year's 26th annual ceremony made for a wonderful evening as not only was the master himself, "Chinatown" screenwriter Robert Towne, in the house to receive the Literary Achievement Award, but Solomon Northup himself was able to land his own prize this season due to the unique nature of the proceedings. John Ridley shared the award with the late Northup as "12 Years a Slave" beat out fellow adaptations "Captain Phillips," "Philomena," "The Spectacular Now" and "What Maisie Knew."
Oscar-pool betters looking for tips in the Best Production Design race shouldn't be too reliant on the Art Directors Guild Awards: in their 17 years of existence, the Academy has agreed with one of their selections on 10 occasions. Last year, they did not -- while the ADG plumped for "Anna Karenina," "Life of Pi" and "Skyfall," the Academy surprised most pundits by picking "Lincoln" instead.
BERLIN - Just as no book should be judged by its cover, no film should be judged by its title -- though that doesn't stop us from occasionally doing so anyway. It's fair to say that any expectations set up by the title "Two Men in Town" are met by French-Algerian director Rachid Bouchareb's drab, western-infused thriller: it features at least two men, it's set in something more or less resembling a town, and it's sufficiently listless to make you believe no one could be bothered to think up something more flavorful. "Two Magnificent Men in Town." "Two Men in [Insert Town Name Here]." I'm just spitballing.
Ben McKenzie to play Commissioner Gordon on Fox's Batman prequel
"Gotham" has cast the former "Southland:" star as Commissioner James Gordon.
Ronda Rousey joins "Entourage" movie
"Entourage" creator Doug Ellin confirmed the UFC fighter will be part of the movie, bout wouldn't say in what capacity.
Rita Moreno to co-star in Amy Poehler's NBC comedy pilot
In "Old Soul," Natasha Lyonne has a business caring for the elderly. One of her clients will be played by the legendary actress.
Bruno Mars sees a huge Super Bowl bounce as his two albums both rebound back into the Top 10 of the Billboard 200 next week.
Mars’ sophomore set, “Unorthodox Jukebox,” leaps to No. 3 (70,000), while his 2010 debut, “Doo Wops & Hooligans” climbs back onto the chart at No. 10 (27,000).
SANTA BARBARA, Calif. — Friday night ended up providing one of the most emotional moments I've seen in all my years of attending the Santa Barbara International Film Festival. It came at the end of a very long evening saluting the career of actor Robert Redford, one that wasn't even long enough, actually, as the timeline had to top out at "Ordinary People" lest the celebration spill over far too much. And it was a grace note representative of the heart of this festival.
NBC defends editing out anti-discrimination statement from its Sochi Opening Ceremony broadcast
NBC removed a big chunk of IOC president Thomas Bach's message on tolerance from last night's broadcast, but The Peacock insists "his message got across very clearly."
NBC also cut Sochi's giant giant bear mascot, Olympic torch in space and Russian cops singing "Get Lucky"
The Peacock chose to dump out several of the Opening Ceremonies features that were popular on social media all day. PLUS: The Olympic oaths were also removed from the NBC broadcast.
NBC Sochi Opening Ceremony coverage down 8% from Vancouver
The 2010 Winter Olympics was, of course, shown live through most of the United States.
NBC seemed to cut back on the annoying Opening Ceremony narration
Was there actually less Matt Lauer and Meredith Vieira? Or was this Opening ceremony elevated by New Yorker editor and Russia expert David Remnick? PLUS: The Opening ceremony was "majestic, grandiose and quite humorless."
Jimmy Fallon says goodbye to "Late Night" with The Muppets
They performed "The Weight" together, before Fallon walked down the hall to his new "Tonight Show" studios. PLUS: Fallon has his best ratings since his debut week, celebs offer "Tonight Show" advice, and Fallon reflects on his 12:37 years.
What draws us to certain actors?
Audiences and actors have a relationship that is hard to describe or dissect. When we watch someone over the span of years or even decades, we grow to have certain feelings about them, certain memories of them, and who we are at the various stages of their career plays into the way we feel when we think of them. There are actors who we see almost as our surrogates because we run parallel to them in terms of age and development. There are actors we see as father figures or even grandfather figures, who embody a certain something during the years we develop. There are actors we feel protective of, actors we despise, actors we look forward to seeing, actors whose work feels like a secret told only to us. One of the strangest parts of that relationship is that much of what we're responding to is actually due to the writers and the directors and the cinematographers and stunt doubles and editors and make-up artists and production designers and costumers, and the actor is simply a part of this impression that builds up over time. In some ways, they are a minority stakeholder in the thing that we respond to, but still, we hang those feelings on them.
Paul Greengrass' "Captain Phillips" hasn't missed a beat since that pair of surprise Oscar misses in the Best Director and Best Actor categories a few weeks back. The film pulled out a Best Adapted Screenplay WGA win last weekend and Friday night it routed fellow Best Picture nominees "Gravity," "Her" and "12 Years a Slave" to win the ACE Eddie Award for dramatic feature film editing. "American Hustle," meanwhile, bested "Nebraska" and "The Wolf of Wall Street" to claim the comedy/musical prize.