Latest Blog Posts

<p>There is no truth to the rumor that Clay Morrow had to &quot;persuade&quot;&nbsp;FX&nbsp;execs into adding an additional episode to &quot;Sons of Anarchy&quot; season 4.</p>

There is no truth to the rumor that Clay Morrow had to "persuade" FX execs into adding an additional episode to "Sons of Anarchy" season 4.

Credit: FX

FX gives 'Sons of Anarchy' a bonus episode for season 4

With 14 episodes, season finale will now air December 6

A while back on Twitter, "Sons of Anarchy" creator Kurt Sutter started lamenting the difficulty he was facing squeezing all the plot he needed for the end of season 4 into one last episode, even if it was a 90-minute long one the way the show's finales have traditionally been.

FX has solved that problem for him by agreeing to add an additional episode to the season, bringing the total to 14, which now puts the finale on December 6.

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<p>The poster for Oren Moverman's &quot;Rampart&quot;</p>

The poster for Oren Moverman's "Rampart"

Credit: Millennium Entertainment

Woody Harrelson and 'Rampart' look to make their move on the Oscar season

The film played well for a mixed guild/AMPAS crowd at the WGA last night

For whatever reason I've been saying no to Q&A moderation requests the last year or two. But when I was asked to do one last night for a mixed guild/AMPAS screening of Oren Moverman's "Rampart," I jumped at the opportunity. I was anxious to talk with Woody Harrelson again (after first crossing paths with him two years ago in the publicity blitz for "The Messenger"), and I was interested to see how the film played.

And it played really well. Lots of reverence for the actor (who joined me at the WGA with writer/director Oren Moverman and co-star Brie Larson) and, of course, the tour de force performance he delivers in the film.

Much of the discussion centered on Moverman's process of filming, allowing for no rehearsals and finding things organically. Larson quipped she is "ruined" after this experience, because she doesn't want to work any other way, while Harrelson admitted he prefers the preparation of rehearsal and it'll take him a good five or six takes to really get warmed up.

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Credit: AP Photo

Who's Madonna working with now on her new album?

Madge will select new dancer at Nov. 12 NYC event

Does Joe Francis know about this?  Madonna has recorded a song called  “Girls Gone Wild” for her 2012 album, according to, the one-stop shop for all things Madge. Madonna worked on the track with Benny Benassi, the hitmaking Italian DJ who helmed and appeared on Chris Brown’s “Beautiful People” earlier this year.

Benassi worked with Madonna before in 2009 when he remixed her single “Celebration,” but they first collaborated together, according to Madonnarama, in 2003, when he remixed “American Life,” although that version has never been released.

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<p>Amy Poehler and Adam Scott in a scene from this week's &quot;Parks and Recreation.&quot;</p>
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Amy Poehler and Adam Scott in a scene from this week's "Parks and Recreation."

Credit: NBC

HitFix First Look: Leslie and Ben mock it up on 'Parks and Recreation'

Can the two ex-lovers make peace while working on a model UN?

"Parks and Recreation" is coming off one of the best episodes in the show's run to date, and one of the things that made it special was the way it finally addressed Leslie and Ben's feelings about what had seemed like the cleanest, most amicable break-up of all time. 

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<p>Jeremy&nbsp;Irvine (left)&nbsp;and Steven&nbsp;Spielberg on the set of &quot;War Horse&quot;</p>

Jeremy Irvine (left) and Steven Spielberg on the set of "War Horse"

Credit: Touchstone Pictures

Spielberg spills on 'War Horse'

The director recently discussed the swift development of his Christmas 2011 entry

As Anne and I discussed in Friday's Oscar Talk podcast, Disney/DreamWorks has been screening Steven Spielberg's "War Horse" to the public in a pop-up screening strategy kinda/sorta like the one Paramount employed for "Young Adult." Some are taking the cynical route, thinking the strategy is playing keep-away with a film that doesn't have the goods for Oscar. The goal of these screenings is indeed fuzzy, but the reactions are key, and they seem to be wide-ranging.

If you dissect Twitter you can find them. Some call the film a "masterpiece." Others call it shameless "Oscar bait." Whatever it is, I stand by my comments on Friday. If press members want to feel scorned by not getting an early look at such a highly anticipated film and then take it out on said film, that's incredibly petty and sad. I look forward to seeing and hopefully enjoying the film on its own terms.

Meanwhile, though, the press tour is showing signs of life. And one of the first considerable interviews with Spielberg I've seen regarding the film has popped up over at the Chicago Tribune with film critic Michael Phillips.

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<p>Margot Robbie and Gaius Charles in &quot;Pan Am.&quot;</p>

Margot Robbie and Gaius Charles in "Pan Am."

Credit: ABC

The Morning Round-Up: 'Pan Am' and 'Once Upon a Time'

The stewardesses battle racism and communism, while Snow White and Prince Charming meet cute

It's time for another morning round-up, in which I have brief thoughts on the most recent episodes of "Pan Am" and "Once Upon a Time," coming up just as soon as I borrow your uniform...

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<p>Keira Knightley at the London Film&nbsp;Festival premiere of &quot;A&nbsp;Dangerous Method&quot;</p>

Keira Knightley at the London Film Festival premiere of "A Dangerous Method"

Credit: AP Photo/Jonathan Short

Oscarweb Round-up: Keira Knightley is desperate for a little levity

Also: The milestones of Eddie Murphy's career and young Hollywood at AFI Fest

Actress Keira Knightley has cranked out a boatload of sincere performances in the wake of her work in the "Pirates of the Caribbean" franchise, whether it be "Atonement" in 2007, "The Duchess" in 2008, "Never Let Me Go" last year or the soon-to-be-released "A Dangerous Method," which could generate Oscar talk for the actress yet again. Well, it turns out she's desperate for a bit of levity, having recently completed "Seeking a Friend for the End of the World" (great script) opposite Steve Carrell. But then, well, it's back to the grind with Joe Wright and "Anna Karenina," so call it a brief comedic pit stop. [Telegraph]

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<p>Kirsten Dunst in &quot;Melancholia,&quot; which leads the European Film Award nominations with eight bids.</p>

Kirsten Dunst in "Melancholia," which leads the European Film Award nominations with eight bids.

Credit: Magnolia Pictures

'Melancholia' rules European Film Award nods

Oscar hopefuls 'The Artist' and 'Le Havre' also feature strongly

There's a tendency in our circles to talk about the European Film Awards, which announced their annual nominations on Saturday, as some kind of highbrow parallel-universe Oscars, where art reigns and Hollywood-style politics have no place. To some extent, that's true: at what other international awards ceremony would the top nominee be something as off-the-wall as Lars von Trier's apocalypse drama "Melancholia," which comfortably leads all takers with eight nods?

But look closer at the EFA list, and you'll see it's as riddled with conservatism and short-sightedness as any Academy Award ballot. Familiar big-name filmmakers dominate, while newer talents get frozen out. Exciting, difficult European marvels like "We Need to Talk About Kevin" and "Elena" are shunted out of the top categories in favor of vanilla, Academy-endorsed titles like "The King's Speech" and "In a Better World." Cannes remains the standard-setter: two-thirds of the Best European Film slate comes from this year's Competition.

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<p>Brie Larson and Woody Harrelson in &quot;Rampart.&quot;</p>

Brie Larson and Woody Harrelson in "Rampart."

Credit: Millennium Entertainment

Woody Harrelson's tough luck with Oscar will continue with 'Rampart'

Was this the wrong strategy for Oren Moverman's drama?

Sometimes lady luck is clearly on your side and sometimes it really isn't.  In terms of Oscar, Woody Harrelson has consistently struck out with the mercurial lady twice already and this year it appears he won't even make it to the party.  Harrelson gives another impressive and strong performance as Dave Brown, an LAPD cop who can't break his corrupt habits in Owen Moverman's "Rampart."  Harrelson's performance has drawn raves since the film debuted at the Toronto Film Festival in September (this pundit screened it at the AFI Fest on Saturday night). After Toronto, Millennium Entertainment came on board to give the film a pre-release Oscar qualifying run in December and a platform release in 2012. In hindsight, the Toronto and fall release strategy may not have been the best strategy for "Ramparts" producers.

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<p>Anson Mount and Common in &quot;Hell on Wheels.&quot;</p>

Anson Mount and Common in "Hell on Wheels."

Credit: AMC

'Hell on Wheels' - 'Pilot': An elephant never forgets

What did everybody think of AMC's new Western?

I posted my review of "Hell on Wheelsearlier in the week. Now it's your turn. Did you enjoy this show's take on the familiar Western genre? Did you buy Anson Mount as a grizzled gunslinger? Common as a tough ex-slave? Colm Meaney as a charismatic businessman who gives monologues to thin air? If you were a "Deadwood" fan, was it hard to avoid the similarities? Most importantly, will you keep watching?

As I said at the end of my review, I didn't especially like the show, but it's acceptable enough in a genre I enjoy that I imagine I'll at least be sticking with it through the end of the season. And as a result, I may wind up doing regular posts - about as long as this one, if not shorter - to see if other people want to keep talking about it. We'll play it by ear, and if the interest just isn't there, I'll either stop or start bundling it up into one of the semi-regular round-up features.

Have at it.

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<p>Sgt. Brody (Damian Lewis)&nbsp;on &quot;Homeland.&quot;</p>

Sgt. Brody (Damian Lewis) on "Homeland."

Credit: Showtime

'Homeland' - 'The Good Soldier': Hello, Larry

Carrie tries to use a polygraph expert to trap Brody

A review of tonight's "Homeland" coming up just as soon as I'm a victim of your fabulousness...

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<p>Andy and Tommy of &quot;The Amazing Race&quot;</p>
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Andy and Tommy of "The Amazing Race"

Credit: CBS

Recap: 'The Amazing Race' - 'Move Goat'

A Speed Bump, a Double U-Turn and a race for first
The producers of "The Amazing Race" definitely can't sue Zac & Laurence for being stupid, but they can certainly resent the Father/Son Adventurers for possibly screwing up the intended structure of the show's latest leg. 
Oh well. It wasn't a big deal. I don't think that Laurence & Zac's dumbness had any impact at all on the results of the leg, but they definitely contributed to an anti-climactic conclusion to what was otherwise a decent episode of television.
Click through for the breakdown...
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