I'm finally seeing Oren Moverman's police drama "Rampart" tomorrow evening, so for now, I'm taking it on Kris' word that Woody Harrelson's lead performance in the fall festival baby is a dark horse to be reckoned with in the Best Actor race. Kris has opined that Harrelson's turn as a volatile cop in 1990s LA is the high-water mark of the two-time Oscar nominee's career, but has voiced concern that his under-the-radar vehicle (distributed by budget outfit Millennium Pictures), may have landed too late in the race to get him in the circle, despite critical support.
"Why not hold it until Sundance next year?" was the question Kris and Anne brought up in last week's edition of Oscar Talk, something one asks every year of several indies that impatiently decide to debut in the cold crush of awards season. Still, Millennium are opting for the best of both worlds: they're releasing the film in late January 2012, when it'll have slightly more commercial breathing room, but holding a one-week, one-screen release next week so as to qualify it for Oscar consideration this year.