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<p>Nicki Minaj</p>

Nicki Minaj

Credit: AP Photo

Listen: Nicki Minaj's tough-talking 'Roman' takes on Moscow in new song

A 'teaser' track has emerged in promoting 'Pink Friday: Roman Reloaded'

Nicki Minaj's rabid, firey hater-man persona Roman is back -- rather, "Reloaded" -- and with this new teaser track, its obvious "Moscow" makes him meaner.

"Roman in Moscow" is the first glimpse into Minaj's forthcoming sophomore set, "Pink Friday: Roman Reloaded," which hopefully alludes to many more rap songs (rather than urban pop) than "Pink Friday" the First had.

Shape-shifting Nicki says the word "bitch" 22 times in this track, with at least a couple of them hurled at Lil Kim, who has spent the last year deciding between sh***ing or getting off the pot.

"Bitch, I’m thicker than a midget / Yeah I’m crazy, just a smidgen / Motherf*ck me, get my wumble / And some Kimmy for my knuckle... Yeah I golf, putt too / Swallow balls; nuts toooooooo."

What's interesting is that Nicki has explained that her alter-ego Roman is explicitly gay, a classification to which, really, no mainstream rappers have ascribed. While artists like Lil Wayne and Kanye West bluster for women and men to "suck it" or "kiss my a**hole," that invite is strictly an aggressive assault to gay old Roman. The juxtaposition is sexual one.

And her threat is an ambiguous one, as Barbie talks down to just about everybody, an equal opportunity trash-talker.

The high end on those fakey strings and the beat is almost overwhelming, but the speedy flow and the fun are what keep this thing afloat. It's a good teaser, because I look forward to more.

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<p>&quot;Margin&nbsp;Call&quot;&nbsp;is making a splash on VOD this season at a time when standing out is key.</p>

"Margin Call" is making a splash on VOD this season at a time when standing out is key.

Credit: Roadside Attractions

Off the Carpet: Contenders hope to stand out against big spending and buzz-heavy pics

Does the 'Moneyball' way translate to Oscar campaigning?

Tying Bennett Miller's "Moneyball" to the times has been a bit of a dubious game of connect the dots to me all season long. Much as I love the film (which walked away with two key prizes at last week's New York Film Critics Circle awards vote). I respect that there are universal truths therein, but I think thrusting the faux gravitas of zeitgeist onto it is a stretch.

Nevertheless, I think the film does speak to a more specific and, for our purposes, applicable idea: awards season campaign spending.

Reading through Patrick Goldstein's recent column at the Los Angeles Times calling for a luxury tax on studios that spend over a pre-determined cap (good idea), it got me thinking of what it takes to stand out in an Oscar season, the creativity involved, and indeed, the creative spending. Not everyone can be the New York Yankees this time of year, but with the right brain trust, anyone can be the Oakland Athletics.

The thing about Oscar season is that it's not about getting people to like your movie. It's about getting people to watch your movie. Anne and I are always talking on Oscar Talk about the intimidating pile of screeners that accumulates on voters' shelves every year. Everyone is going to watch "War Horse," "The Artist," "The Help" -- movies everyone is talking about. The trick is getting people to put your movie into the player, too.

So you get creative.

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<p>Peter Weller, seen here leading a singalong of 'Take Me Out To The  Ballgame' at a recent Detroit Tigers game, will appear in a key role in  the new 'Star Trek' sequel</p>

Peter Weller, seen here leading a singalong of 'Take Me Out To The Ballgame' at a recent Detroit Tigers game, will appear in a key role in the new 'Star Trek' sequel

Credit: AP Photo/Duane Burleson

'Robocop' star Peter Weller joins the 'Star Trek' sequel cast

Buckaroo Banzai certainly brings SF credibility to the table

I always loved the way an actor could show up in more than one role in the "Star Trek" universe, and it looks like Peter Weller is going to pull the same trick now as he steps up to play a major role in the new "Star Trek" sequel.

He previously showed up in a two-episode guest role for "Star Trek: Enterprise," which of course is just part of his science-fiction resume.  He is most famous for being the original (and in my world, only) Robocop, but he's also appeared on shows like "Odyssey 5" and in films like "Leviathan" or "Screamers" or, most wonderfully, "Buckaroo Banzai."

Little by little, we're starting to see the shape of this new cast, and I like it.  I'm excited to see Chris Pine and Zachary Quinto pick up the characters again, surrounded by that cast including Karl Urban, Zoe Saldana, Simon Pegg, Anton Yelchin, and John Cho, and I think it's obviously very important who you play them off of now that they're a crew.

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<p>&quot;Kung Fu Panda 2&quot;&nbsp;led the way with 11 nominations.</p>

"Kung Fu Panda 2" led the way with 11 nominations.

Credit: DreamWorks Animation

DreamWorks dominates Annie nods with 'Kung Fu Panda 2' and 'Puss in Boots'

'Rango' and 'Rio' not far behind as Pixar joins the party again

The 39th annual Annie Award nominees have been announced this morning, and as usual, DreamWorks Animation had a really strong showing. The studio's one-two punch of "Kung Fu Panda 2" and "Puss in Boots" led the field with 11 and nine nominations respectively.

DreamWorks has been mobilizing as of late behind the scenes, bringing on awards publicists outside of the in-house Paramount team. The thinking is that the studio has a big slate, what with home-grown productions like "The Adventures of Tintin" and "Rango" to work with as it is, and no one wants the focus split too much. That's doubly important considering that, even in a five-nominee year, it'll be tough for DreamWorks to get both of its films in.

"The Adventures of Tintin" managed to be nominated for Best Animated Feature, but as I've been mentioning all season, I anticipated the film would be qualified as animation for the Oscars to avoid a stink, but I don't expect the animation branch to nominate it in the final analysis. We'll see if that happens.

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<p>B.o.B. in &quot;Strange Clouds&quot;</p>

B.o.B. in "Strange Clouds"

Watch: Lil Wayne joins B.o.B. in the 'Strange Clouds,' with a T.I. cameo

Does this farmland clip make you like the song more?

This is the Lil Wayne we like: the pespeckled rapper can straight-face his own vids, but give the man room to goof around like he did recently in Birdman's "Y U Mad" and in B.o.B's latest, "Strange Clouds."

The two bound around some faceless farmland, with the help of a dance routine between trailers and a T.I. cameo. B.o.B brings all his energy while Tunechi brings his smiling weirdness. Also weird -- though completely unnecessary -- a model gyrating on a horse. Like nobody's ever thought of that before. There goes your budget.

"Strange Clouds" is Bobby Ray's current single, in advance of his next full-length, which is supposed to drop in March.

As for T.I., he's trying to get back on his, um, horse; he's pushing new track "I'm Flexin'" featuring Big K.R.I.T. in advance of album "Trouble Man," which has no release date currently. In the meantime, his meh-worthy VH1 reality show "T.I. & Tiny: The Family Hustle."

 

 

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<p>Clara Bow in William A. Wellman's &quot;Wings&quot;</p>

Clara Bow in William A. Wellman's "Wings"

Credit: Paramount Pictures

The Academy to screen Technicolor restoration of first-ever Best Picture winner 'Wings'

Event to correspond with Paramount Pictures' 100th anniversary celebration

A few weeks ago, in a piece concerning Technicolor's restoration of a colorized print of Georges Méliès's "A Trip to the Moon" featured in Martin Scorsese's "Hugo," I mentioned that one of the projects the company was working on was a restoration of the first-ever Best Picture winner, William A. Wellman's "Wings."

The Academy announced this week that the film will screen as part of a celebration of Paramount Pictures' 100th anniversary (though pity the release says nothing about Technicolor). The screening will happen on Wednesday, January 18 at the Academy's Samuel Goldwyn Theater in Beverly Hills and will feature live musical accompaniment from organist Clark Wilson.

The live music aspect is nice and all, but the restoration also came with a full-on orchestral re-recording of the score for the film. I'm told that will be featured on the upcoming home video release.

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<p>Martin Scorsese won his second prize for Best Director.</p>

Martin Scorsese won his second prize for Best Director.

Credit: Paramount Pictures

'The Artist' and George Clooney come out on top with D.C. critics

Martin Scorsese and Michelle Williams also honored

God bless the Washington D.C. Area Film Critics Association, which has the quickest turnaround time on nods-to-winners of the circuit. They announce and get out of your hair really fast, and sometimes, they shine a light in interesting areas.

When "The Artist" swept through with a field-leading eight nominations Saturday, the writing was on the wall. Indeed, the film won the Best Picture and Best Score prizes from the organization, but curiously, nothing else. The wealth was spread as Martin Scorsese nailed down Best Director for "Hugo" (his second prize of the season), George Clooney won Best Actor for his work on "The Descendants" and Michelle Williams took Best Actress for "My Week with Marilyn."

Albert Brooks also claimed his second trophy of the year, winning Best Supporting Actor for "Drive," while Octavia Spencer claimed her first Best Supporting Actress win of the year for "The Help."

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<p>&quot;Attack the Block&quot;&nbsp;features one of the best film scores of the year.</p>

"Attack the Block" features one of the best film scores of the year.

Credit: Screen Gems

Oscarweb Round-up: The year's best scores

Also: Chandler on awards season 60 years ago and Oscar hopes for 'The Muppets'

Todd McCarthy has written up the best films scores of the year. So I guess I'll offer up some favorites. I love traditional stuff from John Williams ("The Adventures of Tintin") and Howard Shore ("Hugo") this year. I also delighted in the jazzy change of pace Alberto Iglesias gave "Tinker, Tailor, Soldier, Spy," as well as the subtle grandeur Mychael Danna brought to "Moneyball." Alexandre Desplat's shifting gears in the midst of his work on "The Ides of March" was fantastic. Hans Zimmer's "Rango" work was memorable and I actually dug what Patrick Doyle did on "Rise of the Planet of the Apes," but I'd love to see Steven James get some recognition for what he did on "Attack the Block" some time this year. (As if.) [Hollywood Reporter]

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<p>Gillian (Gretchen Mol)&nbsp;and Jimmy (Michael Pitt)&nbsp;on &quot;Boardwalk Empire.&quot;</p>

Gillian (Gretchen Mol) and Jimmy (Michael Pitt) on "Boardwalk Empire."

Credit: HBO

'Boardwalk Empire': I want my mommy!

Jimmy flashes back to his college days in season 2's horrifying, riveting penultimate chapter

A review of last night's "Boardwalk Empire" coming up just as soon as I don't like the way you loom...

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<p>Mr. Thistleton of &quot;Prep &amp; Landing: Naughty vs. Nice&quot;</p>
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Mr. Thistleton of "Prep & Landing: Naughty vs. Nice"

Credit: ABC

HitFix Interview: Chris Parnell talks 'Prep & Landing: Naughty vs. Nice' and 'Suburgatory'

'SNL' veteran talks animation, holiday favorites and reuniting with Ana Gasteyer
You've all heard the song: Santa Claus, he who is coming to town, is making a list and checking it twice and you may also have heard that he's able to ascertain the difference between people who are naughty and people who are nice.
 
But what if Santa Claus no longer had a reliable system for differentiating between good children and bad children?
 
That's the timeless conundrum explored in ABC and Disney's "Prep & Landing: Naughty vs. Nice," sequel to 2009's "Prep & Landing," which won four Emmys, including Outstanding Animated Program.
 
The new special features many of the characters from the original, but also introduces a slew of new characters, including Mr. Thistleton, creator of the vast database that enables Santa to find out who's naughty and also who's nice.
 
Voicing Mr. Thistleton is "Saturday Night Live," "Archer" and '30 Rock" veteran Chris Parnell, who's rapidly becoming an ABC favorite with "Naughty vs. Nice" and a recurring role on the network's freshman comedy "Suburgatory."
 
Click through for my conversation with Parnell, who talks about holiday classics, Disney magic and reuniting with Ana Gasteyer...
 
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<p>Newcomer Jeremy Irvine at the world premiere of &quot;War Horse&quot;&nbsp;Sunday night at Lincoln Center in New York City.</p>

Newcomer Jeremy Irvine at the world premiere of "War Horse" Sunday night at Lincoln Center in New York City.

Credit: AP Photo/Charles Sykes

New York's finest step out for Steven Spielberg's 'War Horse' premiere

Epic debuts only yards away from Tony winning Broadway play

NEW YORK - The world premiere of Steven Spielberg's "War Horse" took place Sunday night at Avery Fisher Hall in Lincoln Center and a slew of notable New Yorkers came out to screen the potential best picture player. Besides Spielberg himself, other industry faces included Walt Disney Studios Chairman Rich Ross, Joel Coen, Stephen Daldry (who has his own awards season player waiting in the wings), best actress contender Elizabeth Olsen, "Shame" director Steve McQueen, NBC Nightly News anchor Brian Williams, Brian Cox, Billy Connolly, Ed Westwick, Stephen Lang, Eriq La Salle, Phylicia Rashad and um, Kathie Lee Gifford among others.

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<p>Cullen (Anson Mount)&nbsp;and Elam (Common) put up their dukes in &quot;Hell on Wheels.&quot;</p>

Cullen (Anson Mount) and Elam (Common) put up their dukes in "Hell on Wheels."

Credit: AMC

'Hell on Wheels' - 'Bread and Circuses': Fight night

Cullen and Elam square off in the ring, and Doc tries to make a deal

Tonight's "Hell on Wheels" was the last of the episodes AMC sent out to critics before the season began, and while I assume I'll be getting a new batch soon, we'll have to play it by ear in terms of how/if I cover it in the coming weeks. (The show is going to be helped by the fact that so many other cable dramas have wrapped or are about to wrap their seasons; within a couple of weeks, it'll be the only one still going for a little bit.)

In terms of "Bread and Circuses," it wisely focused on the uneasy alliance between Cullen and Elam, letting them work out some of their differences in the boxing ring (and letting Anson Mount and Common show off some very sculpted torsos for the 1860s), and it gave me just enough of the Swede to compensate for time spent on the show's less interesting areas (the cliched/fetishized Native American characters, Doc Durant trying to get the maps from Lilly).

What's everybody thinking at this point? By the fifth episode, I imagine the show has shed all the viewers who have decided by now that they just don't like it, so for those of you who are sticking with it, what's the appeal for you?

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