I like this trailer a lot.
When Tim Burton first announced plans to take his 1984 short film and turn it into a stop-motion animated feature film, I sort of dismissed it as a weird late-career indulgence and haven't thought much about it since. After all, once a director makes a billion dollars for a studio with one movie, he's in a position to get any random weird-ass dream off the ground as a movie, and it felt like the sort of thing where Disney was just allowing him to do it as a thank you for the Scrooge McDuck style vaults full of money they were swimming in thanks to "Alice In Wonderland."
But looking at this trailer, it strikes me that if George Lucas would have just been honest with himself and remade 1977's "A New Hope" instead of endlessly tinkering with the original film and giving it weird digital face lifts, my guess is the outrage would have been more pronounced at the beginning, but it eventually would have settled down because they would exist as different movies.
Latest Blog Posts
I like this trailer a lot.
One of the things that always seems to be nebulous to new film enthusiasts and, in particular, new Oscar watchers is the difference between sound editing and sound mixing. We've certainly made it a point to explain it over the years via the two categories' separate Tech Support entries each season, but for those in the LA area, here's your opportunity for a thorough crash course, AMPAS-style.
The Academy has just announced its "40 Years of Sound for Film" event set to take place on Tuesday, March 6 at the Linwood Dunn Theatre in Hollywood. Fresh off his Oscar win for "Hugo," sound mixer Tom Fleischman will be on hand along withlegendary three-time Oscar-winning mixer Chris Newman ("Amadeus," "The English Patient," "The Exorcist") to "explore the intricacies of building a motion picture soundtrack using clips from 'Hugo,' 'The Silence of the Lambs' and 'The French Connection,'" according to the press release.
Limp Bizkit love rap-rock, and Lil Wayne loves rock-rap, so it only makes sense that they combine. Sort of.
YMCMB head Bryan "Birdman" Williams told Billboard that the two acts will combine for a brand new single, "Ready to Go," due out some time next week.
"It'll be a great way to let the world know that [the band] is a part of us," said Birdman. "It's rock, but it's hip-hop-rock. I think we got that hip-hop-rock swagger."
Limp Bizkit frontman Fred Durst and Weezy hashed out the track during the week following the Grammy Awards to bang out the song. The Cash Money artists will all appear together in a music video, shooting soon.
The Limp Bizkit/Cash Money signing announcement sent a shock (confusion?) wave through music news world last week, considering that the band is YMCMB's first straightforwardly rock signing. Birdman said the label is working to expand into other musical territory beside hip-hop.
The other element to the signing is that Limp Bizkit's last album hasn't sold all that strongly: "Gold Cobra" has only moved 69,000 copies since it was released last June. The band's last top 10 album was "Results May Vary," released eight years ago. This isn't exactly Limp Bizkit's peak commercial era. Perhaps the label and Durst are readying a second act for the band?
Birdman said that a new Limp Bizkit would be out by year's end, but that this particular collaboration would just be a one-off.
What the hell is going on here.
The Academy of Science Fiction, Fantasy & Horror Films has announced the nominees for this year’s Saturn Awards and they are fairly across the map. There is a strong showing for the usual genre suspects with “Harry Potter and the Deathly Hallows: Part 2” receiving 10 nominations, “Super 8” (fittingly) eight, “Captain America: The First Avenger” seven and “The Adventures of Tintin” and “Mission: Impossible - Ghost Protocol” six each.
But Martin Scorsese’s “Hugo” seemed to be held in high favor. The film received 10 nominations, matching "Harry Potter," but the director is also set to receive The George Pal Memorial Award for his “brilliant ode to the triumphant spirit of early cinema" in the film.
“This was a phenomenal year for genre films and TV series, which broadened the horizons of storytelling and technology, bringing audiences new ways to dream,” said Academy President Robert Holguin. “Every one of the nominated films represents a major contribution to science fiction, fantasy and horror and Martin Scorsese truly exemplified what is best about films and filmmaking.”
Baby, baby, baby: Justin Bieber turns 18 today and like any kid who comes of legal age, he’s celebrating by... appearing on “Ellen.” But it turns out pretty sweet: his manager Scooter Braun presents him with a Fisker Karmer, a sporty looking environmental friendly car.
Then Megan Mullally sings a special rendition of “Fever” for Bieber and rubs up against him in a way that was probably illegal in several states until today when he came of age. Again, just what every 18-year old wants: to be serenaded and pawed by a woman older than his mom...
[More after the jump...]
A quick review of last night's "Happy Endings" coming up just as soon as I move into a converted brewery that's still a working brewery...
Jennifer Hudson may be thinking like a man in her new video, but she looks all woman in the sexy clip.
“Think Like A Man” is from the movie of the same name, which, incredibly as it sounds, is based on Steve Harvey’s self-help book, “Act Like A Lady, Think Like A Man.” Here, “lady” is switched to “woman” in the lyrics, but the idea is the same.
[More after the jump...]
"The Deer Hunter." "Charade." "To Kill A Mockingbird." Over the last few weeks, it's felt like a bit of an avalanche of titles have been arriving at my house from Universal, all on Blu-ray, all part of their 100th year celebration, and so far, my only question is why more studios don't celebrate their legacies like this.
Universal has gone above and beyond with these releases. I know that some of the films, like "The Blues Brothers," have already been out on Blu-ray, but most of them are new to the format, and the studio appears to be shelling out for some full-scale restorations. I have not yet seen "All Quiet On The Western Front," but I've heard amazing things about the work they did on it, and I can vouch for the "Deer Hunter" transfer, which has never been better.
The sad truth about Hollywood is that as much as they pay lip service to legacy and nostalgia, they are very bad about taking care of their treasures. One only need look at the way the various movie palaces of Los Angeles have been treated over the years to see how little history means to most of these people. Maybe it's because it's a job where there is a high turnover rate and a near-constant game of executive square-dance going on. Maybe it's because the people who work at studios now aren't the ones who made those older films, so there's no emotional attachment. Whatever the case, I've been frustrated by this attitude since I arrived in LA in 1990.
I like being surprised by someone when I walk into an interview.
I do not pay much attention to pop music of any kind at this point. I have a few trusted friends who recommend things to me that I might like listening to, and I have older artists whose new work I'll pick up because I'm a fan, and every now and then, something punches through the haze of pop culture and catches my attention. For the most part, though, I know names more than I know the actual sound, and that was certainly the case with Taylor Swift.
I know who she is. I know she's very young. I know she has a reputation for writing songs about dudes who have done her wrong. Beyond that, she's not really on my radar. That's not a negative judgment on my part… it's just a confession that when it comes to blind spots, she occupies one of mine.
So when we sat down at the recent press day for "The Lorax" to talk about her work in the movie as Audrey, the girl whose obsession with trees kicks off the quest by Ted (Zac Efron) to find one for her, I walked in a blank slate. I was there to talk to an actor about her latest film, end of story.
Recap: 'Survivor: One http://www.hitfix.com/admin/blogs/the-fien-print/posts/recap-survivor-one-world-one-world-is-out-the-window/edit#World' - 'One World Is Out the Window'
We're down to the final two -- Paul and Sarah. I'm sure they're both obscenely talented, but I'm rooting for Paul, simply because he isn't a bitchy mean girl. Not the best formula, but hey, until they create taste-o-vision, it's not like you have a lot to go on with "Top Chef."