Courteney Cox is worried you aren't watching her show. Since "Cougar Town" was unceremoniously bumped from the schedule, only to make a welcome recent return (the show now airs on Tues. at 8:30 p.m. on ABC), Cox and her co-stars fear that fans of the show don't necessarily know where to find them. The good news? The show is not only back, but according to our own Alan Sepinwall, it's cooking with gas. I spoke with Cox and her co-star Josh Hopkins briefly about the latest episode (which Cox directed), what's coming up for the show (expect the relationship between Cox's character Jules and Hopkins' Grayson to develop further -- and a baby may be on the horizon) and why wine is a great after-breakfast beverage. No, really.
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I have never understood this idea.
New Line was the first studio to option the rights to "Venom," and it's always confused me deeply to imagine a film in which you only have the Venom character without Spider-Man. Sony had to eventually buy the rights to the character so they could incorporate him into their "Spider-Man" series, and I would argue that their intense desire to force the fan-favorite character into the third film despite Sam Raimi's misgivings is one of the reasons that film does not work.
Raimi had no real desire to do anything with Venom, and I understand why. Venom is the sort of character that serves as a dividing line for comic book fans. I find that it's basically all about how old you were when they started publishing Venom stories. I was getting out of comic collecting right around the time the age of Todd McFarlane began, and I didn't really care for where the comic industry was heading at that time. I don't feel superior to fans who grew up with Venom as a cornerstone of what they loved about Spider-Man, though. I just don't agree with them.
A review of tonight's "New Girl" coming up just as soon as I Fredo kiss you again...
It’s been more than a hot minute since we’ve heard from “American Idol” season eight winner Kris Allen, but he’s back with an uplifting, let’s-all-join-together track, “The Vision of Love.”
Not to be confused with Mariah Carey’s “Vision of Love,” Allen is focused on universal love and harmony on his tune. It’s the message of no one wins unless everyone wins.
[More after the jump...]
A review of tonight's "Cougar Town" coming up just as soon as I wine-watch a documentary...
Jay-Z played South By Southwest last year but, this year, things will be a little bit different.
The hip-hop mogul has been tapped to play a solo concert by American Express -- in conjunction with Twitter and SXSW to launch a new AmEx syncing feature. Hov's show will take place on March 12 at the rap-ripe time of 7 p.m. CST from Austin City Limits Live.
For those playing at home, that's the day before the Music portion of SXSW begins, and one of the last days of the Interactive portion. Tickets are free, however you must 1) be an Interactive badge-holder 2) be an American Express cardholder 3) have a Twitter account that you then sync with your AmEx 4) endure a first-come-first-serve ticket line starting at 7 a.m. on Saturday (March 10) 5) hold your breath while you hop on your left leg for two minutes without losing balance as you hum the National Anthem.
For those that can't make any of that dream come true, AmEx will be live-streaming Jay-Z's concert on their specially launched Jay-Z Sync Show YouTube page, as well as broadcasting it on to a billboard on Austin's main drag, 6th Street.
Jay-Z fans will be able to Tweet their song requests, with the most-requested songs getting play. My suggestion: launching a national campaign for Crowd-Sourcing Awareness, where we all band together in one accord to demand "It's Raining Men." Hallelujah?
Jay-Z took the stage with Kanye West last year during VEVO's first SXSW concert series launch, marking their first live promotional effort in amping up Watch The Throne. VEVO is returning this year, lineup TBA.
The rapper has remained relatively quiet after the birth of his and Beyonce's first baby, Blue Ivy, on Jan. 7, though he did host a suite of historic solo concerts at Carnegie Hall last month. Do you think he'll be bowing new songs?
One day, the Edgerton brothers will rule Hollywood with an iron fist, and I for one welcome our new Edgerton overlords.
Joel Edgerton, of course, is working hard in front of the camera these days, and he's managed to finally make the jump to Hollywood leading man. I am enormously fond of the work he did last year in "Warrior," and while I didn't love everything about "Wish You Were Here" at Sundance, Edgerton is great in it. There's something about the new breed of Australian leading men that really sets them apart from the gym-trained oh-so-smooth LA brand of guy, something more genuine and rough-hewn. It's little wonder so many of them are making the jump to action hero these days.
The other Edgerton, though, is the one that needs to have his turn in the spotlight, and I am convinced that day is coming. His short film "Spider" is one of those that you never forget after you've seen it, and every single time I show it to people, I love watching them as they watch it. The same is true of his latest film "Bear," and I'm excited that it's screening at SXSW.
By far, the two performances I think people will speak about most frequently when they discuss "John Carter" are given by Willem Dafoe and Lynn Collins.
When I joined the cast at the Boulders resort in Carefree, Arizona, I started my day with an interview with Willem Dafoe. He was the first person from the film that I spoke to after our screening the night before, and he turned out to be a real pleasure. I've been watching and admiring his work since "To Live And Die In LA," and I think he's only gotten better with age. He is one of those actors who brings such a unique and intense presence to everything he does that it's a thrill to sit down with him finally. I only wish it could have been longer.
With Lynn Collins, I'll confess to being one of the people that was skeptical about the casting of her as Dejah Thoris when it was first announced. I only really knew her from "Wolverine," and that's a hard film for anyone to use as a calling card. In "John Carter," though, I think Collins proves herself to be a strong, sexy, and smart lead actress. She infuses the role with qualities that I'm not sure existed on the page, even in the Burroughs version, but that feel absolutely right.
We’re three weeks away from the release of Madonna’s “MDNA,” so it’s no surprise that bits and pieces are leaking out. Today, we get a little more than a minute of “I’m Addicted,” and of the three songs we’ve heard, it’s far and away our favorite.
It’s ‘70s pop meets electroclash meets Madonna’s “Hung Up.” The song showed up on Perez Hilton’s website today and he’ll be leaking songs up until the March 26 release date.
[More after the jump...]
The Creators Project has announced a weekend-long art and tech fest featuring the Yeah Yeah Yeahs, a full music set by ex-LCD Soundsystem frontman James Murphy and a multimedia show from Squarepusher. And it's in two weeks. And it's free. The art/tech/music/media event runs March 17-18 at Fort Mason and the complete lineup of artist and art-makers is actually pretty astounding.
The YYY's appearance may signal new music in the works, considering they've been absent from the road for about two years; frontwoman Karen O and guitarist/co-founder Nick Zinner have been working on their "psycho-opera" "Stop the Virgens," and Karen was heard singing on "Immigrant Song" for Trent Reznor's soundtrack to "The Girl with the Dragon Tattoo." It's been quiet besides.
Everybody's been wondering what James Murphy's been up to since shuttering the LCD Soundsystem name, and this DJ set may be the best indication yet of what's inspiring him. The 42-year-old spent countless years before LCD DJing, running the DFA label and playing in what he frequently called a paraded of "shitty bands." What will he spin?
We know full well that Carrie Underwood had to have shot the cover of her album, “Blown Away,” well before Angelina Jolie inserted her right leg into our lives at the Academy Awards, but now it’s impossible to look at the cover image, which was released today, and not think about Jolie.