Next August marks the 50th anniversary of Marilyn Monroe’s death. Half a century after her passing we find that Monroe remains an enduring figure in our collective consciousness. Director Simon Curtis hopes that the release of his film, “My Week with Marilyn,” will provide audiences with fresh insights into the complex nature of the cinematic icon. Indeed the film's star, Michelle Williams, is receiving consistent Oscar buzz for what many feel is a revelatory, nuanced portrayal of Monroe.
Marilyn Monroe represents both more, and less, than an actress of repute or a captivating movie star in our cultural lexicon. Marilyn, Norma Jean, the human being is often distilled to an image, a representation of an ideal, a desire, or a figurehead. Monroe herself quipped about her status as a sex symbol in her final interview: “A symbol? I always thought those were the things you clashed together.” She laughed with the journalist but went on to explore essential quagmire of being Marilyn Monroe. “See that’s the trouble is a sex symbol becomes a thing," she said. "And you just hate to be a thing.”