In the new FOX drama "Touch," Kiefer Sutherland plays a single dad whose son Jake — diagnosed for much of his life as severely autistic — is revealed to have a special, near-superhuman ability to identify and manipulate the patterns in the universe that appear to most of us to be a series of isolated, random events.
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With “The Adventures of Tintin” out of the Best Animated Feature Film Oscar race, Gore Verbinski’s “Rango” can breathe a bit as it feels like the field’s frontrunner. In any event, it’s the standout as far as I’m concerned.
In light of its nomination this morning, Paramount was quick to announce that the studio will re-release the film for a one-week limited engagement at the Arclight Hollywood beginning this Friday, January 27th.
A Spaghetti Western animated comedy about a chameleon (voiced by Johnny Depp) who is unleashed from his enclosed glass terrarium only to find himself the (unqualified) leader and hero of the town of Dirt, it is one of the films that is markedly filled with homage this season. It feels like a film lovers' film to some degree, though its charms have also reached into the hearts of the audience at large.
The release of Adam Lambert’s sophomore set, “Trespassing,” is still two months away, but the “American Idol” runner up revealed the album cover via Twitter late Monday night.
Lambert also divulged that he has a major hand in all facets of “Trespassing”: he is the album’s executive producer and creative director. He made a special shout out to Lee Cherry, his art director and photographer.
It's been a busy morning. The nominees are out. About a thousand different variations of "it's humbling and exciting" are coming through from the various contenders. And all eyes are fixing on February 26. But as we transition into phase two of the 2011-2012 film awards season, it's worth it to pause and consider what we might have learned today.
Each and every year, the eventual slate of Oscar nominations reflects a number of key things about the members of the Academy of Motion Picture Arts & Sciences. Often they solidify already agreed-upon truths, but sometimes other things are illuminated. It's silly, of course, to be overly reductive and chalk the Academy up as a singular entity. It's a wide-ranging group with a bunch of different perspectives bouncing around within its ranks, but nevertheless, when they get together to tap the year's excellence in this and that, it's an eye-opening experience.
Norah Jones and Danger Mouse have collaborated on the Grammy winner’s next set, “Little Broken Hearts.”
The exact release date has yet to be firmed: Jones’ label, Blue Note, will only narrow the time table down to Spring. However, when we talked to Jones in December about the Little Wilies, she hinted that the release may be in May.
Somewhere in the offices of the Academy of Motion Picture Arts and Sciences, Oscar is fixing himself a stiff drink and thinking to himself, "You thought you knew it all. You thought I couldn't surprise you. How wrong you were."
The nominees are in and the surprises are few and far between, in my opinion (though others seem to be picking their jaws up off the floor this morning). As I mentioned yesterday, "Extremely Loud & Incredibly Close" caught fire with voters down the stretch and was very much on their lips. The film turned up in the nine-film Best Picture category today, despite being critically disassembled, and that was pretty much the only eyebrow-raiser of the major categories. The film only showed up in one other category: Best Supporting Actor for Max Von Sydow.
"Hugo" led the way with a whopping 11 nominations while "The Artist" wasn't far behind with 10. But what's interesting is that there is a big gap between those two films and the next tier, as "Moneyball" and "War Horse" (which made it into the Best Picture field and was clearly popular throughout, despite its paltry guild showing) landed six each. "The Descendants," meanwhile, landed five (and Shailene Woodley was indeed snubbed, following suit with the indications of SAG last month), as did "The Girl with the Dragon Tattoo," which was snubbed in the Best Picture field after a really strong guild showing.
Oh, yay, it's time for Pandora's wedding. Sorry, I just can't get excited about a person/character I don't care about having a ridiculously expensive wedding. It's a bit like being dragged to the nuptials of a second cousin you never particularly liked and having to make tepid small talk with complete strangers until you can run to your car without offending anyone. I know, I know, some people love weddings, any weddings, but when the main players are exceedingly dull rich kids, it's hard not to think that there are starving people somewhere who'd be happy to eat not only the leftovers, but possibly the flower arrangements.
Pandy wants more diamonds on her dress! Pandy wants everything pink! Pandy wants bubblegum pink labels on all the wine bottles! Pandy wants Mommy to wear a tiara! Glad she likes everything the color of Pepto Bismol. Unfortunately, I am even less excited about Paul's colonoscopy. At least a minute is dedicated to Paul passing gas after the procedure. Oh, I'm sorry, passing AIR. All I can say is both of these storylines make me want to sick up a bit.
Catfight in Park City, Utah! Or at least it looks that way from the promo. We’re getting tears, insults and death threats, which means “The Bachelor” has just hit its stride. It’s hard to believe these girls are willing to take one another out over a dork like Ben, but anything is possible when you lock a bunch of women in a suite without phone, Internet, fashion magazines or basic cable.