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Van Halen is taking you on the road with them in the new video for “She’s The Woman.” The clip, like the Springsteen clip we wrote up earlier today, is basically live, but takes footage culled from several shows instead of just one and switches randomly from black and white to color.
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You've got a lot of options for what to watch and how, and we want to help you plan your weekend with a new column where we'll highlight three things you can see in theaters, three things you'll find streaming, and three titles new to home video. Appropriately enough, we call this The Weekend Watch.
IN THEATERS NOW
Talk about a logjam. It almost seems unfair that after finally working out the bankruptcy issues that MGM faced and making it to theaters without the threatened 3D post-conversion, "Cabin In The Woods" now has to face at least nine other releases, some limited, some everywhere. And that doesn't even take into account the 800 or so screens that are getting "The Raid: Redemption" this weekend for the first time. We ran a review for "The Three Stooges" here, and Geoff Berkshire, who just joined us on Team HitFix, reviewed "Lockout" as well. But here are three films worth some conversation this weekend:
I am not particularly excited about Quentin Tarantino's "Django Unchained," but I haven't been particularly excited about one of his films in a while. Sorry if that's sacrilege for you but I've been happy enough being pleasantly surprised by this or that and just don't have it in me to get all goose-bumpy over the prospect of a new QT joint.
That said, my fingers are crossed for this one because, as you all know, I have an affinity for the genre in which Tarantino is working here and I very much want this to succeed so we can have more explorations of it. I'm really intrigued that Leonardo DiCaprio took on the project, and of course I'll be very interested to see what Christoph Waltz has for us after a few dubious post-"Inglorious Basterds" tries. Jamie Foxx, well, I'm not as taken by that and wish Will Smith had seen the light and taken the role, since it's what his career sorely needs at this juncture.
If this Spring’s first leg of Bruce Springsteen’s “Wrecking Ball” tour isn’t stopping in your hometown, the Boss released eight new cities he and the E Street Band will visit the fall following a summer European jaunt.
Centered primarily on the East Coast (with the obvious exception of Chicago), the tour will start a stadium run in Boston at Gillette Stadium on Aug. 18 and finish with a three-night stand at MetLife Stadium in East Rutherford, N.J., Sept. 19-22. It will be Springsteen’s first time playing the new Jets/Giants home and as “Wrecking Ball” fans know, the song was written about the old stadium being torn down in 2009.
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I have not seen Drew Goddard's "The Cabin in the Woods," but as I understand it from the ZOMG! online contingent, there are spoilers to be wary of, so I guess I won't be digging into this thread much until I finally see it, hopefully this weekend (making for a healthy dose of Joss Whedon this week, whose "The Avengers" I saw last night -- it was awesome). But as the film is hitting theaters nationwide today, it's time to get your thoughts and provide a space for whatever these ZOMG! spoilers might be. So when/if you get around to the flick, head on back here with your take.
This may not come as the biggest shock to you, but I'm not what you might call a comic book geek. I don't say that with any sense of smugness or superiority -- Lord knows I belong to any number of other uncool subclasses of geekery -- but it's a universe I never subscribed to as a boy, and with which I can therefore never completely connect.
Even if I've grown to appreciate the occasional artistry in the books (and, of course, the many films they have borne), I must confess I've still never read one cover to cover. This, as you might expect, leaves me largely clueless when it comes to separating the worlds of Marvel and DC characters. Where news of certain comic properties intersecting leaves many fans (it's both reductive and discriminatory to say "fanboys") foaming at the mouth, I merely shrug my shoulders. The sense of adaptation is lost on me entirely.
Which goes some way toward explaining why, when news of Joss Whedon filming "The Avengers" hit the internet a couple of years back to a positive Mexican wave of movie-blog excitement, I was one of the few left scratching my head and thinking, "Steed and Peel? They're trying that again?"
For the first time in 14 years, Pulp took the stage on American soil, at Radio City Music Hall in New York this week. In the years that have processed since that band's dissolution, frontman Jarvis Cocker hasn't dared to shy away from his libidinous propensity to dance with himself and sing his romances like they'd only happened yesterday. The band was predictably tight, a hot shower of Cocker's cold ones.
I made it to Pulp's show Wednesday (April 11), the first concert scheduled before they announced a second, additional show on April 10 ("You must be the hardcore."). These are the warm-ups to this weekend's headlining spot at Coachella.
It's the sole time I've seen the group, making it easy to, well, remember the first time. Here are 10 things I loved:
A review of last night's "Awake" coming up just as soon as I melt a dead body out of concrete...