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<p>The cast of &quot;Downton Abbey&quot;&nbsp;in the Christmas finale.</p>

The cast of "Downton Abbey" in the Christmas finale.

Credit: ITV

Season finale review: 'Downton Abbey': Christmas in February

Some happier endings in the season-ending Christmas special, but was it good as a whole?

PBS just finished showing the second season of "Downton Abbey" (U.K. viewers saw the finale back at Christmas). I reviewed most of the season in non-specific terms in early January, and promised to weigh in with more details — and an opportunity for you to discuss the same — after it had all finished airing here in the States. That time has come, and I have various thoughts on both the finale and the season coming up  just as soon as I have a loader...

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<p>Steven Yeun in &quot;The Walking Dead.&quot;</p>

Steven Yeun in "The Walking Dead."

Credit: AMC

'The Walking Dead' - 'Triggerfinger': We need to talk about Shane

Some strong thriller scenes at the start, but when are the people going to become interesting?

A review of tonight's "The Walking Dead" coming up just as soon as I go get some flowers and candy for my prisoner...

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<p>Kerry Condon as Rosie in &quot;Luck.&quot;</p>

Kerry Condon as Rosie in "Luck."

Credit: HBO

'Luck' - 'Episode 4': The father, the son and the holy goat?

A transcendent racing sequence takes the drama to another level

A review of tonight's "Luck" coming up just as soon as I call eight hours ahead to push 15 minutes...

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<p>Rachel McAdams, Owen Wilson and Woody Allen on the set of &quot;Midnight in Paris.&quot;</p>

Rachel McAdams, Owen Wilson and Woody Allen on the set of "Midnight in Paris."

Credit: Sony Pictures Classics

'Midnight in Paris,' 'Descendants' take WGA Awards

Guild ineligibility of 'The Artist' complicates Oscar picture

Well, were you honestly expecting anything else? Thanks to a slew of WGA ineligibilities -- notably that of Best Picture Oscar frontrunner "The Artist" -- the competition for these particular Guild awards had already been considerably narrowed, and true enough, the winners were precisely the two films that been set up to triumph here all season long. Only in one of the two screenplay categories can tonight's result be seriously considered as a bellwether for Oscar night; the other remains a virtual toss-up.

In a season heavy on veteran nominees, the Guild played along by adding to the laurels to two multiple previous honorees: Woody Allen took his fifth WGA award in the Best Original Screenplay category for "Midnight in Paris," while Alexander Payne took his third Best Adapted Screenplay gong for "The Descendants," sharing the prize with fellow writers (if not collaborators) Nat Faxon and Jim Rash.

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<p>Kerri and Stacy of &quot;The Amazing Race&quot;</p>
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Kerri and Stacy of "The Amazing Race"

Credit: CBS

Recap: 'The Amazing Race' Season 20 Premiere - 'Tears of a Clown'

The teams head to Argentina to begin the race and to start making mistakes
This recap initially began with a celebration of the fact that Sunday (Feb. 19) night's premiere of Season 20 of "The Amazing Race" began promptly at 8 p.m. ET. It was pre-written and I made the assumption that after a fall of remaining glued to the vagaries of a dreadfully played NFL game that just happens to have remained close deep enough into the fourth quarter for time outs and passing plays to elongate the action, the relief of spring would be that you could set your clock by the starting time for CBS' primetime.
Then the Northern Trust Open went into a sudden-death playoff and suddenly it was yet another night of delays for the right side of the country.
Ugh. Sorry about that.
Of course, if I'm being honest, I didn't tune in for the "Amazing Race" premiere live (via Slingbox), as I do most weeks, but I would have appreciated the prompt start-time on all of your behalf. No, I watched the premiere -- titled "Tears of a Clown" -- on a screener, which is always a pleasure for a premiere, since it's virtually impossible for me to learn the identities of 11 teams and 22 players, while also keeping up with the in-game action and keeping track of the twists of fate that lead to the typical Race elimination. 
That's why I need a screener for "Amazing Race" premiere recaps (my Slingbox lacks rewinding capabilities, I should add), but more importantly -- and regular readers know where I'm going with this -- that's why "Amazing Race" premieres should always be two-hour premieres. I know I say this every season, but if you only give us 44 minutes of TV time for a "Race" premieres, there's a strong chance you're going to eliminate a team featuring two players viewers I never bothered to learn to tell apart and therefore a team that viewers never invested in for a second. That leaves us -- or me at least -- yelling and screaming at the TV and ultimately disappointed by one team of icky caricatures that *didn't* get eliminated, but not caring about the duo that went home. 
As with all things that I'll complain about all season long, it's a matter of Race architecture: Elongate things on the first Leg however you have to. Make sure there's a Roadblock plus a Detour plus two or three or four team challenges if necessary. Just stretch it to two hours so that the editors can give time to all teams and I can more accurately compile my list of Teams I Like, Teams I Hate and Teams in the Middle, which I do every season in my premiere recaps and which proved rather difficult this season.
But hey, at least a team went home on Sunday and after the Non-Elimination-heavy start of the fall cycle, that's a huge relief.
Click through for my recap of Sunday's episode, which'll begin with a breakdown of the episode and then continue with my usual early impressions of the teams, however nebulous those impressions are thus far...
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<p>&quot;The Simpsons&quot;&nbsp;500th episode.</p>

"The Simpsons" 500th episode.

Credit: FOX

'The Simpsons' - 'At Long Last Leave': Here's to 500 episodes!

Will the Simpsons have to leave Springfield forever?

We've had a lot of fun preparing for "The Simpsons" 500th episode over the last few days, with you guys choosing your favorite episodes, quotes and (non-Simpson family) characters. Now it's time to discuss episode 500 itself, with a quick review coming up just as soon as I spend $800 on dragon insurance...

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<p>Lionel Hutz, one of the many men and women who made &quot;The Simpsons&quot;&nbsp;great.</p>

Lionel Hutz, one of the many men and women who made "The Simpsons" great.

Credit: FOX

People of Springfield: Who's your favorite non-Simpson 'Simpsons' character?

Can you pick one and only one citizen of America's greatest city?

On Friday, I asked you to pick one — and only one — episode of "The Simpsons" as your favorite ever. Yesterday, the challenge was to pick one — and only one — "Simpsons" quote as your favorite.

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Credit: Mark Humphrey/AP

Music Power Rankings: Whitney Houston, Adele and Madonna

Plus, the Grammy Awards rule

1) Whitney Houston. Listen to this and try not to cry over what we’ve lost.

2) Adele:
Really? You have to ask? We have six, shiny gold reasons.

3) Madonna:
Madge lands her 38th  Top 10 hit on the Billboard Hot 100, widening her margin over the Beatles by four. Any other week that would definitely get her the top spot.

4) Grammy Awards: The Feb. 12 ceremony drew more than 41 million viewers, making it the second-most watched Grammy ceremony, ever only behind the 1984 show.

5) Dave Grohl: This rock and roll true believer gets to the heart of the matter with the Foo Fighters’ Grammy acceptance speech: “Singing into a microphone and learning to play an instrument and learning to do your craft, that's the most important thing for people to do” We're embroidering it on a pillow.

6) Nicki Minaj
Almost a week after her Grammy performance, I have only one question: What was that?

7) Chris Brown: Love him, hate him, we’re all talking about him this week, aren’t we?

8) Columbia Records: The label is rolling in the dough, as Adele continues her winning ways: Next week “21”  will surpass 7 million copies in the U.S., making it the best-selling album in nearly seven years (since Carrie Underwood’s “Some Hearts”). 

9) Skrillex:
He's gone from who? to Mr. Three-time Grammy winner  in a beat--or two. 

10) Katy Perry:
Her new single “Part of Me,” which she debuted on the Grammy Awards, will sell more than 400,000 in its first week of digital release, making it  her biggest download week  yet. But you know what really makes her a winner? She had pledged her portion of the proceeds to MusiCares, the Recording Academy’s charity that aids musicians in need. Baby, she's a firework.


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<p>Maya Rudolph and Sleigh Bells</p>
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Maya Rudolph and Sleigh Bells

Credit: NBC

Recap: 'Saturday Night Live' - Maya Rudolph and Sleigh Bells

Which of her impressions was Maya still able to use?
A few weeks ago, I would have been eagerly anticipating the return of Maya Rudolph’s impression of Whitney Houston as part of her hosting duties. Now? Yeah, not so much. There’s just no way to bust that out this soon, right? Not that Rudolph’s a one-trick pony by any stretch. She’s one of the show’s most versatile performers, and part of an era in which the women straight up ruled “Saturday Night Live.” I’ll be interested to see tonight if her presence allows the strong, if often underutilized, female members of the current cast to shine. It’s of course possible that Rudolph’s presence pushes them even further to the periphery, but I hope that’s not the case.
Along for the ride is musical act Sleigh Bells who, from the three minutes of research I just did on them after learning they would be on the show tonight, seem very nice. I bet they call their mothers every Sunday.
Onto the recap!
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"The Amazing Race"

 "The Amazing Race"

Credit: CBS

Reality TV Roundup: 'The Voice' and 'American Idol' still at work narrowing the field

It's been a busy week, so get all your reality news here, now
Welcome to Reality TV Roundup -- a quick look at some of the reality TV-centric stories that have recently popped up across the fine, old Interwebs. Click away, my couch potato friends. But before you do...
SPOILER ALERT! SPOILER ALERT! SPOILER ALERT! One more time: SPOILER ALERT. If you watch "The X Factor," "Survivor," "Top Chef," "Project Runway" or any other competition shows, the latest elimination for each show is probably revealed in the text below. The hope is that, if you missed this week's program and would rather clear out your DVR than watch the episode, you can get a quick hit here. But don't come crying to me if you find out something you didn't want to know. You've been warned. Also note: lots of non-competition reality info lurks below, too. 
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<p>Sacha Baron&nbsp;Cohen in &quot;Hugo&quot;</p>

Sacha Baron Cohen in "Hugo"

Credit: Paramount Pictures

'Hugo' sounds great to Cinema Audio Society

Film beats out fellow sound mixing Oscar nominee 'Moneyball,' among others

The Cinema Audio Society has made some interesting calls over the years. "True Grit" last season, in the face of blockbuster and eventual Oscar winner "Inception." "No Country for Old Men" in 2007 rather than the skillfully layered "Transformers" (and, again, eventual Oscar winner "The Bourne Ultimatum"). "Road to Perdition" over musical heavyweight "Chicago" and feast for the ears "The Lord of the Rings: The Two Towers."

I applaud that. Very much. And indeed, when you look over their history, they often eschew the big, "loud" stuff that tends to have an easier time at the Oscars. In addition to the above-mentioned "Inception" and "The Two Towers," they ignored all the "Spider-Man" films, all the "Pirates of the Caribbean" films, "King Kong," "The Dark Knight," etc., etc. Well, tonight they did something they have done a few times in the past -- they went with a serious Best Picture contender that doesn't really have showcase sound qualities. They went with "Hugo."

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<p>George Clooney in &quot;The Descendants&quot;</p>

George Clooney in "The Descendants"

Credit: Fox Searchlight Pictures

'Descendants' wins the USC Scripter Award

Can it keep the screenplay love going tomorrow at the WGA Awards?

The 24th annual USC Libraries Scripter Awards were held this evening just south of downtown at the Doheny Library on the USC campus. For the first time in a while, I had to miss the show (which is always a classy affair and, as a former USC grad student, always a bit odd, ordering a vodka tonic at the counter where I used to check out books for thesis and term paper purposes).

Anyway, the goal of the honor is to recognize adaptation of the written word. Once upon a time that was limited to literature, but in recent years it has expanded to include former screenplays (allowing for remakes to be recognized) and comic books.

This year, the big winner, unsurprisingly, was "The Descendants." Screenwriters Alexander Payne, Nat Faxon and Jim Rash were awarded alongside author Kaui Hart Hemmings. The film won the honor just moments after it was announced as this year's ACE Eddie winner for dramas.

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