I considered my options carefully.
My first impulse, one which I wrestled with for about a half-hour, was to use my elbow to strike you once in the throat, as hard as possible, hoping that if I were to crush your windpipe completely, it would silence you.
Obviously, there are drawbacks to that approach, not the least of which would be the assault charge. I'd hate to have to deal with bail just because I went to see a review screening of "This Means War," so I restrained myself.
But I want you to know… it was not easy.
Let's back up a bit. I'd like to try to have an actual dialogue here, and that probably isn't going to happen if I start by describing imagined violence against your person. It's not my fault, though. It really isn't. You need to take some responsibility because your conduct tonight was so above and beyond horrible that I can't believe you are allowed out in public without a leash, a handler, strong medication, or some combination of the three.
Latest Blog Posts
I considered my options carefully.
Initially, this episode seems like it could be a light, frothy fantasy, a welcome respite from some of the dark drama of previous episodes. With pretty much everyone in town invited to Esther's elegant ball, it seems that life in Mystic Falls is finally going to become downright civilized. Klaus and his siblings are now defanged, the Salvatores don't have to worry about getting killed, and it seems pretty certain that Klaus isn't going to be creating any more hybrids from Elena's blood supply as long as his mom is on watch. But this is "The Vampire Diaries," so we'd best not get too attached to this happy scenario. With every promising twist we can always predict one thing -- more trouble ahead.
BERLIN - Just one full day into the 2012 Berlinale, I’m struck by how many faces I recognize as I traipse across the snow-dusted triangle of the festival center at Potsdamer Platz: crimson-blazered festival stewards who all seem to man exactly the same stations they did last year; international critics in the press room whom I identify instantly by their hair, glasses or oddly colored overcoat, but couldn’t possibly name; even the slickly sullen barista at the one decent coffee source over the road.
Nothing and nobody appears to have moved in the space of a year in this city, making today feel less like the opening day of a major international film festival than a comfily unfazed resumption of business. “You’ve been here before,” the politely unenthused assistant said to me as she handed me my shiny new pass and no-nonsense black lanyard. “You know where to go.”
Anthony has been auf'ed, so I suspect the workroom is going to be a little less fun this week. I guess it could be argued that another goofy challenge could be good for some laughs, but mostly those are just worthy of an eye roll (pick a muse! And make them strip in Central Park!). But even if the runway lacks for fun, I do foresee tension, backbiting and cattiness. How fashion-forward!
Angela addresses the designers with a bunch of bags. Yes, this is about the most useful Angela will ever be -- as a decorative coathook. Each designer picks a bag, and inside they find a season printed on a luggage tag. Their challenge? To create a sportswear look for a weekend getaway. But wait, it's four seasons and eight designers. It's a fashion face-off!
Eager to capitalize on Clay Aiken’s upcoming appearance on “Celebrity Apprentice,” Decca will release “Steadfast” from the former “American Idol” contestant on March 29.
“Steadfast” is a rehashing of 2010’s “Tried and True,” a set which featured Aiken interpreting such pop standards as “Can’t Take My Eyes Off Of You,” “Misty,” and “Suspicious Minds.”
In addition to many of those tracks, “Steadfast” includes a new original track, first single “Bring Back My Love,” as well as versions of “Breaking Up Is Hard To Do” and “Who’s Sorry Now.”
Aiken’s stint on “Apprentice” begins Feb. 19, alongside such other “celebrities” as Aubrey O’Day, George Takei, Teresa Guidice, Debbie Gibson and Penn Teller.
Three days before Bruce Springsteen & The E Street Band take the stage for the Feb. 12 Grammy Awards, the Boss has announced the expanded line-up for the band, and, most importantly, how they will deal with the loss of saxophonist Clarence Clemons.
It turns out it takes an army to replace (and we use that term loosely) the Big Man. As many fans had suspected, Springsteen will use a full horn section: trombonist Clark Gayton, trumpeters Curt Ramm and Barry Danielian, and, in a nice touch, sax duties will be handed by Eddie Manion and Clemons’ nephew Jake. As fans know, Gayton, Ramm and Manion have all played with Springsteen in years past.
Singers Cindy Mizelle and Curtis King, both of whom have toured with the band before, will join the rest of the E Street Band: pianist Roy Bittan, guitarist Nils Lofgren, vocalist Patti Scialfa, bassist Garry Tallent, guitarist Steven Van Zandt, drummer Max Weinberg, violin/vocalist Soozie Tyrell and keyboardist Charlie Giordano (who replaced Danny Federici after his 2008 passing).
It’s a rare thing for Martin Scorsese to use a score as expansive and elaborate as Howard Shore’s Oscar-nominated one for “Hugo.” Indeed, Philip Glass's booming and full composition for “Kundun” 14 years ago represents the last score from one of Scorsese’s films to be nominated for an Academy Award.
“We worked very differently on this film than we had previously,” Shore says, calling from his studio in New Zealand where he is currently writing the “brand new and shiny” compositions for Peter Jackson's “The Hobbit.”
Shore won two Academy Awards for his scores on Jackson’s “The Lord of the Rings" franchise, as well as Best Original Song for the series' final installment. His work on the trilogy was an immense undertaking which was eventually adapted into “'The Lord of the Rings' Symphony: Six Movements for Orchestra and Chorus."
Another week has gone by without any news of when or where "Community" will return to NBC's schedule, which means it's time once again for an example of why I miss this show so much and would like it back on the air, ASAP.
For the first time in this series, I'm not going with a clip from the show itself. Instead, I'm embedding the full interview I did with Joel McHale, Yvette Nicole Brown and Jim Rash at Comic-Con last summer. It's nearly 20 minutes long — in other words, practically as long as a "Community" episode itself — and among the more satisfying, entertaining experiences of my professional life.
Also, it mentions furries.
When we left "American Idol," 16-year-old Symone Black had just performed "Sitting On The Dock of the Bay," bantered briefly with the judges and then toppled off the stage, much to the horror of all involved.
Of course, if you only set your DVR to record "American Idol" and didn't set it to record "Mobbed," you missed the swan-dive and you also missed the cliffhanger. Instead, you spent a full hour waiting for a contestant to pass out and you got... nothing.
But don't worry. I suspect that we're going to get a full replay as Thursday (Feb. 9) night's "American Idol" begins...
Maroon 5’s Adam Levine has started 222 Records. “The Voice” mentor’s first signing comes from another TV show: “Glee’s” Matthew Morrison.
“Starting my own label ha been a long-time goal of mine,” Levine told Billboard. “Great things are in store for [Matthew] with this release.” No word on who is distributing 222.
Last Spring, Morrison released an album on Mercury that included a duet with Elton John. The new set will come out in this Spring. Morrison will next be seen in “What To Expect When You’re Expecting.”
Maroon 5, who are nominated for a Grammy, will perform on this Sunday’s Grammy Awards as part of the Beach Boys reunion along with Foster the People.
The first part of our video diary was all about the build-up to the trip out to Skywalker Ranch. Once we got there, we had time for a little breakfast and Toshi and I started to discuss what sort of questions he might ask in the interviews he'd be doing that day.
This was a different situation than when he interviewed The Muppets. On that press day, he had time to prepare questions, and he knew he'd be doing the interview. Because I treated this trip as a surprise, Toshi didn't really have that sort of prep time, and he told me he was nervous about doing these interviews.
When Fox sent out the invite for the weekend, it was apparent that their big idea for this junket was having kids handle the interviews. Anyone who came was required to bring a young reporter with them, which meant I finally got to meet the sons of guys like JoBlo's Mike Sampson and Latino Review's Kel Chavez. I told Toshi that I'd do whatever he wanted for him to be comfortable as we went through the various interviews.
When I heard the title "Fat Chef" (Thurs. 10 p.m. ET, Food Network) at first I thought it might be the latest addition to Adult Swim's programming block or something new from Seth MacFarlane. When I realized it was a reality show, I assumed it was going to involve the usual weight loss TV tropes -- humiliating Spandex workout gear, teary-eyed confessions, weird challenges and possibly an angry trainer who screams a lot. "Fat Chef" hits some of those marks (you can only color so far outside of the lines with a reality TV show), but to its credit, it doesn't live up to its cheesy title.