Catfight in Park City, Utah! Or at least it looks that way from the promo. We’re getting tears, insults and death threats, which means “The Bachelor” has just hit its stride. It’s hard to believe these girls are willing to take one another out over a dork like Ben, but anything is possible when you lock a bunch of women in a suite without phone, Internet, fashion magazines or basic cable.
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PARK CITY - In my review for "Arbitrage" this weekend I mentioned that sometimes films that should debut at Sundance are likely better served with a premiere at Toronto and vice versa. The two major acquisition festivals have their own unique aesthetics and while they try to mix it up now and then the results can sometimes be mind-bogglingly frustrating for audiences. On Friday night, director Rodrigo Cortes returned to Park City two years after his Ryan thriller "Buried" debuted in the Midnight section to big buzz and a Lionsgate pick-up. His new film, "Red Lights," is a slick, entertaining and quirky thriller with fine performances from Sigourney Weaver, Robert De Niro and Cillian Murphy, but it didn't gel with the Sundance press corps. If it had debuted at Toronto? Many of the same journalists and reviewers would have enjoyed it a bit more.
One last (I presume) set of critics' award nominations before we head into the second stage of Oscar season: the International Conephile Society is made up of over 80 international journalists and film professionals, and that diversity is reflected in the nominations, with "A Separation" topping the list with 10 nominations (including four acting bids, none of them for the superb Sarina Farhadi). I participated in the voting, which probably won't surprise you when you read the nomination tallies for "Weekend" and "Margaret." Full list after the jump.
Miley Cyrus’s second act starts now. Her country-fied cover of Bob Dylan’s “You’re Gonna Make Me Lonesome When You Go” shows off a more mature, lovely side of her.
The video for the track, recorded for the 73-song “Chimes of Freedom: The Songs of Bob Dylan: Honoring 50 Years of Amnesty International,” showcases Cyrus in an empty apartment, accompanied only by three sidemen as she plaintively sings the song seated on a stool beside guitarist Johnzo West. She sounds great. She doesn’t overplay it or underplay it. She’s could have a great country record inside of her.
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Garbage has launched its own label, Stunvolume, to put out its first new album in seven years.
The still-untitled set will come out this Spring via separate licensing deals worldwide including via Universal Music Group-owned Fontana in the U.S. The group had previously recorded for Interscope Records.
The band, which includes Shirley Manson, Butch Vig, Duke Erikson and Steve Marker, is recording the set in Los Angeles, marking the first time the group has not recorded in Madison, Wis., where the foursome formed 16 years ago. In an interview in the December issue of British music magazine Mojo, Manson says the new album includes such title as “Automatic Systematic,” “Habit, “Blood Poppies,” and “I Hate Love.” Manson partially blamed the long hiatus on Interscope’s reaction to 2005''s "Bleed Like Me,” which debuted at No. 4 on the Billboard 200, but didn’t sell as well as its predecessors. She and Vig saw each other at a friend’s memorial service in 2010 and that got the reunion discussion rolling.
On its Facebook page, the group included a cryptic message about the album:
Our intention is to make a great record that we have written, recorded and produced as a band.
We intend to tell the truth.
We are one.
Even though it's hard.
The album will be accompanied by a previously-announced tour, which kicks off May 11 in St. Petersburg, Russia.
Ryan Seacrest strikes again. He'll be adding to his Kardashian TV empire with a new series, "Shahs of Sunset," beginning Sun. March 11 (10 p.m. ET on Bravo). Following the lives of six Persian-American friends, the show will focus on their efforts to juggle social lives and careers with family tradition.
“Shahs of Sunset” cast includes:
In recent interviews, Tim McGraw has repeatedly said that he feels like he’s achieved only about 30% of his potential in his music career.
With Jan. 24's “Emotional Traffic,” his last studio album for Curb, he moves that needle slightly forward. Though he doesn’t achieve any major breakthroughs, he hits most of the musical and lyrical notes that have helped make him a country superstar for nearly two decades.
On album opener, the midtempo “Halo,” McGraw is weathering, none to well, the fall out of an ended love affair, as he sings, with barely concealed contempt: “I’ll crawl out of my cradle, down into my black hole and you just lay low under your halo.”
It's a great opening shot that shows off McGraw’s voice, which has always been full of rough edges and nuance, despite its limited range. Somewhere around 2001’s “Set This Circus Down,” he harnessed its strength and power and figured out what songs work best for it, not only musically, but thematically.
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Eddie Vedder will hit the road this Spring for a 13-date solo tour to support his Grammy-nominated “Ukulele Songs.” Primarily a theater outing, the tour includes a May 3 stop at the New Orleans Jazz and Heritage Festival.
The dates precede Pearl Jam’s European tour, which starts Jane 20 in Manchester, England. Opening the solo outing, which starts April 11, will be Swell Season’s Glen Hansard, who appears on “Ukulele Songs.” Tickets go on sale Feb. 3.
In addition to its previously announced show at Coachella, Pulp will play two other date while in the U.S. for the Indio, Calif. festival.
The Jarvis Cocker-led British outfit will also appear at New York’s Radio City Music Hall on April 11 and San Francisco’s The Warfield on April 17. Its Coachella appears are April 13 and April 20.Similarly, Radiohead recently announced additional dates around its Coachella set.
In addition to Cocker, the band includes all the original members, including drummer Nick Banks, keyboardist Candida Doyle, bassist Steve Mackey, violinist/guitarist Russell Senior and guitarist Mark Webber.
So do you think the inevitable full-on U.S. tour and album will follow? Pulp came off a nine-year hiatus to play festivals in Europe and Australia last summer, but these U.S. dates mark the first time the group has performed in the U.S. since June 1998 in support of their “This Is Hardcore” album.
Follow Melinda Newman on Twitter @HitFixMelinda
“Roman Reloaded,” Nicki Minaj’s follow-up to “Pink Friday” will have to wait just a little to unload: the album has been pushed back from Feb. 14 to April 3.
Minaj tweeted the news herself. She gave no reason for the delay, but added “But have no fear. Tons of surprises before then.” She later added “The initials for a song ur gna love on the album: COAC” and then “And the new one I’m wrkng on rt now.” So maybe she’s just adding more ammo.
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How many Best Picture nominees will there be? We don't know. Which of the 10 or 11 films in clear contention for a nomination will get squeezed out? We don't know. How will the tweaks to the Best Picture balloting procedure change the situation over all? We don't know.
The Best Picture category is an odd bird this year. Most probably have the same seven or eight films predicted, but there are a lot of variables flying around in the math of it all that could shift things in an unexpected direction. The Academy got its wish: the mystery is back.
Then there are other elements, like how the final stretch has changed the landscape. "Extremely Loud & Incredibly Close," for instance, is a film that ended up on the lips of numerous voters in the last days of balloting. The BAFTA nominees, which share some crossover membership with AMPAS, indicated strength for "Tinker, Tailor, Soldier, Spy" that could carry over, which was expected, but then inserted the added interest of "Drive" being a contender in areas we might not have anticipated.
PARK CITY - The wind-down on my Sundance experience began yesterday morning as I spent most of the day preparing predictions and whatnot for tomorrow's big nominations announcement. On one hand, it's been nice to be here in order to lay off the obsessive Oscar considerations. On the other, it's been difficult to focus on the work at hand here in Park City and see enough movies.
Last night I saw a chunk of Spike Lee's "Red Hook Summer" before feeling a bit under the weather suddenly and having to bail. What I saw I liked but I got the sense it was a bit bloated as things went along. Indeed, I heard from more than a few later that the film could use some tightening, but regardless, from what I did see, it was actually a refreshing piece. It's Lee back in truly personal territory for the first time in a while, and that passion plays out in the filmmaking and that trademark sense of confidence. I can't wait to see the whole thing.