I am often surprised at the loyalty people display towards the 1990 "Total Recall."
It is a film with some great ideas embedded in it, many of which were either lifted from the Philip K. Dick short story, and some of which were created by Gary Goldman and Paul Verhoeven during the film's lengthy development process.
It is also a film that is bogged down by the baggage of its star, and there is no one on Earth who is ever going to convince me that Arnold Schwarzenegger was the right guy to play that part. And as much as I adore the Verhoeven of "Robocop," I sort of hate the Verhoeven of "Recall." I think it is one of the flat-out ugliest blockbusters of the '90s, fake and garish and dated the second it was released.
Looking at the trailer for the new "Total Recall," it's obvious that they started with the movie when building this remake. This is not a new adaptation of the same story, no matter what they say, because so many of the elements that we see here were created for the film. That's fine. Even the title is a nod to the fact that they are directly remaking the film.
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I am often surprised at the loyalty people display towards the 1990 "Total Recall."
I posted my review of "The Killing" season 2 earlier this week. Like I said, while I thought there were some improvements, notably in the way they dealt with some of the character work (the Jamie/Gwen scenes in particular), it's still not a show I enjoy enough to be writing about every week. I imagine I'll watch the season on an irregular schedule and then come back to discuss how well (or not) the show handled the close of the Larsen case.
But for tonight, it's your turn. For those of you who came back, what did you think of the two-part premiere? If you were happy with the first season, did the quality continue? If you were among the angered, did you see any signs of hope in these two hours, or more of the same? Is there anyone who tuned in for this one to give the show a last chance and is now done with it? How did people feel about what we learned about Holder and the photograph? Did you like the new character played by Mark Moses from "Desperate Housewives" and "Mad Men"? Were fans of the Danish original happy to see Sofie Gråbøl (as Linden's friend in the prosecutor's office) playing scenes opposite Mireille Enos? Did you want more rain? Less rain? Chubby rain?
Have at it.
A review of the "Shameless" season finale coming up just as soon as I put the baby in the clothes dryer...
Hello from Las Vegas, where we're blogging the Academy of Country Music Awards. We're backstage, so we'll be writing about portions of the show that we catch on the monitors or well as filling you in immediately with what the artists who come backstage reveal.
8:00: Carrie Underwood and her awesome legs open the show with her current single, “Good Girl,” from her forthcoming album, out May 1. She’s wearing so short a skirt that she can go from good girl to bad girl with one wrong camera angle. It’s a belter and she's country music's strongest belter right now.
8:04: Reba McEntire and Blake Shelton, in their second year of co-hosting, trade fairly funny quips, including Shelton busting McEntire on how old she is--and panning over to KISS, in full make up. Hey, Garth Brooks' covered "Hard Luck Woman," so that makes them country by association. The scary thing is it looks like they aren't even the ones in the room with the most make-up. Shelton and McEntire have an easy chemistry that serves them both well. Between the Shelton/McEntire duo hosting the ACMs and Brad Paisley/Carrie Underwood hosting the CMAs, we've got combos that can go for years.
8:05: Chris Young, up for male vocalist of the year, sings "Save Water, Drink Beer." It’s a typical country rebel rousing, drinking sound that focuses more on the party than showing off Young’s strong voice. Young has had a run of consecutive five No. 1 singles so we imagine there’s been a lot of beer drinking for him lately.
8:15: Zac Brown Band checks in from Mandalay Bay with "Keep It in Mind." It's a good performance, but the band doesn't have time to really show off their musicality and how well they work together live. If you haven't seen them live, you should.
8:18: Then there's the Band Perry. So we're less than 20 minutes in and we've had four performances like bullet trains pulling into the station and pulling out as quickly. "Postcard from Paris" will be the last single from The Band Perry's current album. As impassioned performers as they are, Kimberly sounds scratchy, and, again, the camera men are patrol to make sure they don't shoot too high since she's in a very short skirt. I have all kinds of terms that I'm calling this in my head that involve certain furry animals, but I won't print them here in case there are children reading... or people easily offended.
8:26: LL Cool J, who is just as country as KISS, just said, "Let's hear it for our country." What? Now we're getting a big standing O for the military. This segues into Keith Urban performing "For You," which he wrote for "Act of Valor." Country music has always embraced the military when it wasn't always in fashion, and expect a few other salutes to the military tonight. There's no doubt the song is heartfelt, but Urban's voice is ragged and the song is one of his least dynamic... however, there's no way he's not getting a standing O... that would be downright unpatriotic and everyone in that audience is a patriot, right?
8:32: Beth Behrs from "2 Broke Girls," and her annoyingly nasal voice are presenting the first award of the night for Song of the Year." Our money is on Eli Young Band's "Crazy Girl." And the winner is "Crazy Girl," so we're 1 for 1 on our predictions. We'll see how quickly that changes. Each member of the band gets a word in, including songwriters Lee Brice and Liz Rose (best known for co-writing with Taylor Swift before she decided to write solo). The song was an absolute gamechanger for The Eli Young Band.
8:36: "Crazy Girl" was the first televised award presented, but three were given out before the show started: Thompson Square won vocal duo of the year, ending Sugarland's long reign. Sugarland, as you'll recall, ended Brooks & Dunn's long reign. Jason Aldean and Kelly Clarkson won vocal event of the year for "Don't You Wanna Stay," and Toby Keith won video of the year for "Red Solo Cup," which he'll perform later on tonight with some surprises guests.
8:42 Shelton performs current hit, "Drink On It," which is one of those sloping easy going songs that plays on the theme of "Sleep on it," and it's a pretty sleepy performance.
8:45: We're up to album of the year and Miranda Lambert wins for the third year in a row with "Four The Record." I can't keep up with my predictions so I'll quit while I'm 1 for 1. The albums are my babies. They're what makes me wake up in the morning," she says from the podium. Truthfully, the press room was pulling for Eric Church and "Chief," though we're all Miranda fans...
8:47: Zac Brown and his knit cap introduce Hunter Hayes, whom Brown notes plays on his own records. He looks so young he could be an embryo... he's 20, but I feel like I could carry him around in my pocket. By the way, I'll give someone $50 for a photo of Zac Brown without his cap on. What's going on underneath there? Anyway, Hayes, who performs a short version of "Storm Warning.," before introducing his new song that he wrote as the theme for the ACMs' end hunger campaign. He tosses to Little Big Town, country music's greatest harmonizers, to perform the song, "Here's Hope," with blends with "Imagine," by John Lennon, or John Legend, as Hayes first stumbled. LBT is performing with an adorable children's choir. I feel like I have a heart of stone that this is not moving me in the least. I'm most obsessed with LBT Kimberly Schlapman's hair, which is so big and frizzy that Hunter Hayes may be hiding in it.
8:58: Jason Aldean, already a winner tonight, is playing "Fly Over States," the last single off of his mega-selling "My Kinda Party." Aldean remains country's best kept secret in that, even despite the duet with Clarkson and selling more than 2 million copies of "Party," he hasn't gotten that much of a following outside of country music yet. We've had too many slow or mid-tempo songs in a row. We need an up-tempo sh** kicker, although, given how big Aldean is, we get why he's opening the second hour no matter what he wanted to sing.
9:01: There's always a ringer at the awards-- one year it was Cher, this year it's Kiss. My friend saw Paul Stanley taking his kids to see the Easter Bunny at The Grove in Los Angeles last week. He did not have on his make-up. Kiss is presenting band of the year, which goes to Lady Antebellum. Hillary Scott looks a little scared. Weirdest photo op ever.
9:05: Brantley Gilbert who is up for best new artist is singing hit "Country Must Be Country Wide," in which he name checks Chris LeDoux. If I'm not wrong, the last person to name check LeDoux in his first single was Garth Brooks with "Much Too Young." Turned out okay for him, didn't it (Plus, Gilbert's already well on his way as co-writer of Jason Aldean's monster hit, "Dirt Road Anthem."
9:07: From Chris LeDoux to Springsteen, Eric Church is performing "Springsteen." Coincidentally, my best friend is in Washington, D.C. watching Springsteen perform right now. He's singing "Does The Bus Stop at 82nd Street," by the way. He is not singing a song called "Church."
9:10: Frank Liddell, who produced Lambert's "Four The Record" is backstage. He's talking about how surprised he is they won and that they have always concentrated on making albums, not just singles. He was presented the award by Eli Young Band, whom he used to produce and whom he still executive produces: I still work with them as their executive producer," he says, "which means I'm the guy who cuts up the cocaine." He's going to regret saying that the minute he walks out of the room, even though he said, "I'm kidding" a split second later. Liddell is working on a new album with his wife, Lee Ann Womack right now.
9:16: Back to watching the show. Single of the year, presented by Jake Owen and LeAnn Rimes, goes to Jason Aldean and Kelly Clarkson for "Don't You Wanna Stay." Aldean says Clarkson's name was the first name "he threw out," when he decided the song needed a female voice on it.
9:19: Lady Antebellum seems to have recovered enough from their moment with Kiss to perform "Dancin' Away With My Heart." It's a lovely wistful performance, but I'm falling asleep.
9:29 "American Idol" winner Scotty McCreery, who is 18 going on 48, sings a bit of new single "Water Tower Town," before intro'ing Brad Paisley, with whom he's touring. Paisley, dressed all in camouflage is performing "Camouflage." It's a bit of a novelty song , but Paisley's guitar playing is, as always, exemplary. Even if you don't think you're a country fan, do yourself a favor and go see Paisley when he comes to town, simply for the guitar playing, if nothing else. Same with Keith Urban. And remember, there's nothing that doesn't go with camouflage. Not crazy about the song, but so happy to hear something uptempo.
9:35: Scotty McCreery beats Brantley Gilbert and Hunter Hayes for best new artist. It's a fan voted award. It really is hard to believe that he is in high school. Eli Young Band just walked in backstage. Bassist Jon Jones jokes that the award is too heavy to wear around his neck. Mike Eli talks about how the band, together for 10 years now, always felt there was something good around the corner, even if it was so incremental no one else would notice, but they never thought it would reach this level. And for those unfamiliar, there is no one names Eli Young in the band. The name comes from Mike Eli and James Young.
9:44: Steve Martin is performing with Rascal Flatts on "Banjo." We didn't hear the intro so we don't know if there was a word or two said about Martin's hero, Earl Scruggs, who died earlier this week. The pairing seems weird to us, but it's still a joy to watch Martin play.
9:46: Toby Keith is singing "Red Solo Cup," surrounded by fans holding, of course, red solo cups. It's the stupidest songs in ages, but Keith smartly created a video that made the song a viral sensation. It's Vegas, baby... he's just been joined by Carrot Top. Now he's worked his way down to the celeb section and Eric Church is drinking double. The song will never be anything other than a novelty, but it was a fun, spirited performance.
9:50: Sara Evans is singing "My Heart Can't Tell You No," originally a hit for Rod Stewart. Surprised no one has thought of doing a country remake before now. Lady Antebellum to the press room. It's Lady A's Hillary Scott's birthday, so it's not a bad way to celebrate. They admit being mesmerized by Kiss and their 12-inch heels. But the band is looking forward to a date with another rocker: They are playing Hard Rock Calling in the U.K. this summer, immediately before Bruce Springsteen on the bill. "That's on my bucket list," Lady A's Charles Kelley says. I'm seen him several times, every time he comes to Nashville. He's one of my biggest influences. We've covered 'I'm on Fire' on tour. I don't think we'll be pulling out that cover that night." We missed Kenny Chesney and Tim McGraw's performance, but we can catch them together out on tour this summer.
10:06: Miranda Lambert just won female vocalist of the year, presented by a cowboy-hat clad Ashton Kutcher. No idea what he said because Scotty McCreery was backstage. He is obviously the only high school kid in America who is going to school Monday through Wednesday and then out on tour with Brad Paisley over the weekend. He said the first week after the tour he came to school in t-shirt, shorts and flip flops because he didn't want his friends to think he was putting on airs. Remarkably grounded kid. He's touring the world, and yet, he just said he decided to go to school close to home at NSCU because he's not ready to move away from home yet.
10:12: Blake Shelton just introduced his wife, "Miranda Lambert Shelton" and her pink microphone. She's about to get cut off for Toby Keith, who, of course, is holding a red Solo cup, which has his own premium brand of Mezcal in it. Keith says he thought the song was "so stupid, it's brilliant," when he first heard it. Co-writers The Warren Brothers thought they were faking shooting the video until the second day of production. "They thought they were being punk'd," Keith says.
10:49: We just had a little computer glitch, so we'll try to catch up... Artists are coming in fast and furious to the press room now as the evening draws to a close, so we're missing most of the performances. We really wish we'd missed Martina McBride and Train's Pat Monahan performing "Marry Me," as a couple traded real vows and the song kept being interrupted for the minister's remarks. They have a sad, yet lovely, story of meeting each other in a grief group after both being widowed, but this is way too sappy.
10:50: Blake Shelton just won male country vocalist, and in a major dis to Taylor Swift, who presented to him, says, "This is a real shock face... "
10:56: Thompson Square is backstage so the sound is down on the monitors, but it looks like Taylor Swift won Entertainer of the year. Can't hear what she's saying... Shawna Thompson just teared up bringing up her dad, who recently died... Keifer Thompson admits a lot of folks were looking at them as the underdogs for top duo since Brooks and Dunn and Sugarland are the only duos who have won the award over the last 20 years.
10:58: Lionel Richie and Blake Shelton close the song singing "You Are," they look totally uncomfortable singing the "you need to know, I love you so" line to each other, those two big old alphamales.
We missed a lot of the actual show after folks started coming backstage, but it seemed to run relatively smoothly if completely unexceptionally. There were no huge upsets, although we think Chesney, who was up for nine wins went home completely emptyhanded, so he's probably upset...
If you've made it this far, thanks for reading.
What did you think of the ACMs?
1) Madonna: “MDNA” sells faster than ecstasy at a rave. Even her songwriting “friend,” Molly bought some.
2) Justin Bieber: If iTunes is any indication, this “Boyfriend’ gained about 400,000 new girlfriends this week.
3) One Direction: The boy band will publish their biography. I already know their favorite foods, colors, and seasons. What else is there to say?
4) Lionel Richie: Richie worked “Tuskegee,” his new album featuring him with top country stars, with the unbridled enthusiasm of a newcomer and the shine and poise of a veteran to claim his highest debut in 24 years. Still, we’re waiting for Vol. 2 and his duet with Taylor Swift on “Brickhouse.”
5) Goldenvoice: Coachella’s concert promoter bought 280 acres surrounding the 90-acre concert site. They could have just rented a RV or camping space like everyone else...
6) Spotify: The streaming service extends its free, ad-supported streaming indefinitely and goes looking for $3.5 billion in funding. Spotify owns no content, so what exactly would I be investing in again?
7) “Mad Men”: Taking a page from “Glee” and “Smash,” “Mad Men” instantly put Jessica Pare’s sultry version of “Zou Bisou Bisou” on iTunes after Sunday’s Season Five premiere. We hope this isn’t a trend. Doesn’t Matt Weiner know iTunes wasn’t born until 2003?
8) 98 Degrees: With a boy band resurgence in full swing, Nick Lachey, his brother and the two other dudes decide to make another go-round with a reported 15-city tour this summer, their first in 10 years. Hey, Lachey’s about to become a daddy...not a bad idea to tuck away a little extra coin.
9) Aretha Franklin: After some drastic health issues a few years ago, the Queen of Soul shows she’s nowhere near done. At 70, she has signed a new record deal with her long-time buddy Clive Davis. Long may she reign.
10) Electronic Dance Music: Has it officially jumped the shark if EMI has created its own global major division to pump the beat worldwide?
Walt Disney is a major force in the lives of modern kids, whether you like it or not.
Their brand is so omnipresent, so in your face, that it seems like they absorb it almost by osmosis. For example, why do kids love Mickey Mouse? How often do you actually see Mickey Mouse cartoons these days? How many kids have actually seen anything with Mickey in it aside from clips? When you go to any Disney park, obviously Mickey is a huge presence, and mouse ears are probably the single highest-selling piece of merchandise at the parks, with kids thrilled to wear them. But… why?
I've noticed it in my own kids. On Allen's third birthday, we took him to Disneyland for his first trip there. The whole ride down to Anaheim, Toshi worked to get Allen hyped up, telling him how cool Mickey's house was, and by the time we hit the parking garage, Allen was basically hovering a foot above his chair, like a hummingbird, superexcited, and when he saw the posts in the garage that you use to find your car later, he pointed and started to bellow "IT'S MICKEY! I SEE MICKEY! LOOK! THERE'S MICKEY! MIIIIICKKKEEEEEEEY!"
This is a kid who's never seen a single scene that Mickey Mouse even appears in, and yet he's acting like it's Shea Stadium 1964 and the Beatles just hit the stage.
A day late -- for which, you know, apologies -- but welcome to Cinejabber, your
weekend Sunday space to kick around any stray movie-related thoughts you might have on your mind. (Or perhaps not movie-related. Hold forth. We're not here to judge.)
For my part, I'm feeling frustrated once more by the internet's dispiriting rush to brand new releases with Rotten Tomatoes numbers, letting mere mathematical averages divide success from failure. Regular readers know this is a routine gripe on my part, and I've been reminded of it largely because others keep reminding me that I'm against the Tomatometer, as it were, on the week's two major multiplex releases. (One person, amusingly, suggested my two reviews amounted to an early April Fools' gambit.) Among so-called Top Critics, it's just me, Richard Corliss and Andrew Barker interrupting the inevitable avalanche of pans for "Wrath of the Titans"; "Mirror Mirror" has more defenders -- here's a particularly cogent rave from the excellent Stephanie Zacharek -- but the growing majority seem to be immune to its impish charms. Oh well.
Madonna reaches the summit again as “MDNA” will be a lock to debut at No. 1 on the Billboard 200 next week.
The dance thumper will sell up to 350,000 copies, according to Hits Daily Double. (read our review here). That means it would have a stronger opening week than her last studio album, 2008's "Hard Candy," not an easy feat in this age of declining sales. That title sold 280,000 in its first frame. Madge's first No. 1 album was "Like a Virgin," 27 (gasp!!) years ago, according to Billboard.
She’s not the only veteran making big noise on the charts: Lionel Richie scores his first top 2 album in more than 20 years with “Tuskegee,” a collection of his songs reimagined as duets with some of country’s biggest names. The title will sell around 175,000. (read our review here).
The two are among the four debuts in the Top 10. Joining them will be Shinedown’s “Amaryllis,” most likely at No. 4 with sales of 95,000, and The Used’s “Vulnerable,” which looks good for No. 9 with up to 30,000 copies.
Of course, Adele’s “21” continues to sell strongly more than a year after its release: “21” will drop one spot to No. 3, but still handily sell more than 100,000 copies. This week’s No. 1 title, “The Hunger Games” soundtrack, will slide to No. 5, with sales of 75,000.
Several other recent No. 1 albums slip, but stay in the Top 10: One Direction’s “Up All Night” falls from No. 4 to No 6; Bruce Springsteen’s “Wrecking Ball” slips from No. 6-8.
Katy Perry’s former No. 1, “Teenage Dream,” bounces back into the Top 10 in the reconstituted deluxe version, “Teenage Dream: The Complete Confection,” which includes the former No. 1 single, “Part of Me.” The set will likely sell 35,000, enough for No. 7.
Rounding out the top 10, “Now That’s What I Call Music 41” hangs on at the bottom spot with sales of around 28,000 copies.