Gina Carano may be joining Dwayne Johnson's team for "Fast Six."
In related news, "Fast Six" is going to be awwwwwwwwesome.
Perhaps the single thing I most regret about missing this year's ActionFest in Asheville, North Carolina, aside from not getting to spend time with my parents who live in Asheville, was that Gina Carano attended this year to pick up the "Chick" Norris award. I really dug "Haywire" when it came out earlier this year, and I just rewatched it when the Blu-ray was sent for review.
I also really liked "Fast Five," which I think is the single best distillation of what they've tried to do with the "Fast and the Furious" franchise overall. In particular, adding Dwayne Johnson in the Tommy Lee Jones/"Fugitive" role was a stroke of genius, and it brought a brand-new energy to the fifth film in the series.
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Gina Carano may be joining Dwayne Johnson's team for "Fast Six."
When you're kicking off a new franchise, calling Charlie Kaufman seems to be as outside-the-box as Hollywood thinking could possibly be.
However, if you're a studio looking for underlying material to support a new franchise, buying a young-adult series set in a dystopian future is pretty much as by-the-book as Hollywood thinking gets.
So when Lionsgate buys the "Chaos Walking" series of books by Patrick Ness, it makes perfect sense. I'm sure as soon as they're done with "The Hunger Games," they're going to want another series to be ready and waiting. Now it looks like they've hired Kaufman to adapt at least the first book in the series, "The Knife Of Never Letting Go." While Kaufman doesn't immediately leap to mind as the sort of guy who writes big studio mainstream films, this might actually turn out to be a very canny fit of filmmaker and material.
Unlike the other boy bands currently part of a new teen idol resurgence, The Wanted’s solid brand of electro-pop transcends much of the typical boy band material to ensure its appeal beyond a teen demographic.
For example, the crunchy “Glad You Came,” which has reached into the top 4 of the Billboard Hot 100, fits in perfectly beside LMFAO or Maroon 5. It’s also the strongest track on “The Wanted,” out Tuesday, April 24. The 10-song set (in the deluxe edition; the standard is seven tracks) combines selected songs from the group’s first two albums released in their native U.K. Both “Glad You Came,” and Maroon 5-like “All Time Low” topped the British charts.
Dr. Dre’s non-denial denial yesterday that the Tupac Shakur hologram (or 2D image) was created solely for Coachella and not for a tour continues to bring lingering thoughts on what technology means when it comes to raising the dead.
As you know, the legendary rapper, who died in 1996, made projected appearances at both Snoop Dogg/Dr. Dre shows at the festival--on April 15 and April 22. The April 15 appearance, which started with Tupac greeting the Coachella attendees, was the resounding water cooler moment at the fest this year.
JAMES BOND 007 DECLASSIFIED
File #4: "Thunderball"
This series will trace the cinema history of James Bond, while also examining Ian Fleming's original novels as source material and examining how faithful (or not) the films have been to his work.
Directed by Terence Young
Screenplay by Richard Maibaum and John Hopkins and Jack Whittingham
Story by Kevin McClory and Jack Whittingham and Ian Fleming
Produced by Kevin McClory and Stanley Sopel
CHARACTERS / CAST
James Bond / Sean Connery
Domino Derval / Claudine Auger
Largo / Adolfo Celi
Fiona / Luciana Paluzzi
Felix Leiter / Rik Van Nutter
Count Lippe / Guy Doleman
Patricia / Molly Peters
Paula / Martine Beswick
"M" / Bernard Lee
"Q" / Desmond Llewelyn
Moneypenny / Lois Maxwell
Foreign Secretary / Roland Culver
Francois Derval/Angelo Palazzi / Paul Stassino
Pinder / Earl Cameron
Starting with that monogrammed "JB" on the side of a casket is a nice touch.
Bond's at the funeral of a man he wanted to kill, and he's upset he missed his opportunity. He watches the family drive away. But… wait… turns out the dude is posing as his own widow, and James follows him to the family home, then beats the ever-lovin' snot out of him. It's a vicious fight, ending with Bond strangling the guy to death with a fireplace poker. Bond makes his escape via jetpack in one of the great practical gags from the film series, and, using a car that appears to have been through Q branch, sprays down the guards chasing him, which leads into the underwater opening credit sequence, complete with Tom Jones theme song.
Mother’s Day may not be for another three weeks, but Beck’s got a nice, soft gift for non-profit organization Every Mother Counts.
The songwriter goes the ballad-slow route in this oft-covered folk classic, though no telling when exactly he recorded this one – perhaps about the same time as “Sea Change?”
Listen to the song here.
Regardless, Beck shares a tracklist with other big-named artists who contributed previously unreleased songs and song versions, like Eddie Vedder, David Bowie, Coldplay, U2 and Dave Matthews. Edward Sharpe & the Magnetic Zeros loaned “Mother,” which you can stream here.
“Every Mother Counts” will be available for purchase at Starbucks starting on May 1.
And as always, feel free to e-mail us questions for the podcast.
On this week's Firewall & Iceberg Podcast, Dan and I come to an unexpected consensus on the CW's Canadian import "The L.A. Complex" (I'll have a written review posted tomorrow morning), do our periodic Dan's Reality Round-Up segment, answer a bunch of mail (including a lot of "Girls" discussion), check in on "Mad Men" like usual but also devote a few minutes to recent developments on "Game of Thrones." Busy busy busy.
The auteur: Jacques Audiard (French, 59 years old)
The talent: Though Audiard has never been averse to working with actors on the French A-list, his latest represents his shiniest star collaboration to date, with Oscar-winner Marion Cotillard taking top billing -- the Hollywood adoptee's first lead role in a French-language feature since 2009's "The Last Flight." Audiard's male leads, in recent years, have been rather imaginatively chosen, and this one is no exception: Matthias Schoenaerts may still be an unfamiliar name to many, but the hulking, impressive Belgian actor made a major impact in last year's Oscar-nominated "Bullhead," for which he won several festival awards. The supporting cast featueres another notable Belgian, actor-director Bouli Lanners, and relative newcomer Celine Sallette, Cesar-nominated for last year's Cannes entry "House of Tolerance."
UPDATE APRIL 23: In a Tweet posted last week, Waits' team announced that these forthcoming late-night TV appearances are off, for the moment: "Tom is postponing his appearances on Letterman and Fallon and will reschedule at a later date TBA"
ORIGINAL REPORT APRIL 9: Tom Waits is trotting out his songs from "Bad As Me" for the first time since the album release with a couple of performances lined up on national television.
The veteran songwriter head to the "Late Show With David Letterman" on April 24 and to "Late Night With Jimmy Fallon" the next night on April 25. He'll be sitting down for an interview with each, too, which might prove to be just as entertaining as the songs themselves.
He's visited with Letterman before, but this will be a first for "Fallon"; considering that host's rivalries, I'd expect a stop-off at "The Colbert Report," or maybe just a return to "The Daily Show" with Jon Stewart.
Waits has yet to announce any tour dates behind "Bad As Me," but this may signal that organizing may just be ramping up for a trek. He only played eight shows in support of his 2006 album "Orphans," then took up a much more complete itinerary two years later. He's known to play with the dates surrounding his album releases, and in a series of stops that don't always land in major cities.
These performances may also answer the question of: if Waits were to tour, what cracker-jack band would he take with him? During the 2008 Glitter and Doom tour, it was with backers like Vincent Henry on woodwinds, his son Casey Waits on drums, Omar Torrez on guitar/banjo, Patrick Warren on keyboard and Seth Ford-Young on bass. On this record, Casey was all over the thing and Warren was on half; Ford-Young, Henry and Torrez are nowhere to be found; andclassic collaborators like Marc Ribot and special guests like Keith Richards and Flea abounded.
This is all speculation of course. Waits may be already hard at work on something else as soon as the cameras hit "stop."
Fiona Apple has been performing new track "Every Single Night" at many of her tour stops this spring, and now the song is officially available to stream.
As previously reported, "Every Single Night" features a refrain of a disturbed war cry, "I just want to feel / everything." Apple's voice is mixed and recorded so close, like fractured and delicate china, her breaths moving over spare plunks and chiming keyboard parts. This is no "single" in the traditional sense, but it carries a lot of weight and personality. Again, the songwriter proves that one of her biggest strengths is her vulnerability.
A review of tonight's "Mad Men" coming up just as soon as I buy you a backscratcher...