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<p>A scene from Wednesday's &quot;Survivor: One World&quot;</p>

A scene from Wednesday's "Survivor: One World"

Credit: CBS

Recap: 'Survivor: One World' - 'It's Gonna Be Chaos'

A visit from loved ones shakes things up with the Women
Pre-credit sequence. Nobody can believe that Troyzan's finally gone, though he's left Kat struggling to make sense of his parting words, "Do it." Kim is physically relieved by Troyzan's departure. There's also the question of how Christina ended up with that extra vote against her, leading to Alicia's not-so-surprising realization that Christina really isn't all that smart. Alicia has, in fact, decided that Sabrina is a bigger threat than Christina and she's changed her priorities. "Little do they know that I'm at the top, controlling everything. I'm the most powerful player in this game," Alicia has decided. My instinct would be to laugh and point, but weird things keep happening this season. Maybe she's right?

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Hunter McCracken (left) and Brad Pitt in "The Tree of Life"
Hunter McCracken (left) and Brad Pitt in "The Tree of Life"
Credit: Fox Searchlight Pictures

Terrence Malick's 'Tree of Life' cracks Roger Ebert's top 10 movies of all time

The veteran critic drops his list for Sight & Sound's latest poll

The Sight & Sound poll of filmmakers and critics picking the greatest films of all time is 10 years old. Many in the cinephile community are anxious to see the results of the latest questionaire, which will be revealed some time in August (I think). A few critics have revealed their own lists but that's just a drop in the bucket of what we'll get when the big collective is revealed.

Chicago Sun-Times critic Roger Ebert is one such critic. And I was a little surprised to see that Terrence Malick's "The Tree of Life," which was a formidable force on the awards circuit last year, managed to find itself among previous mainstays of the his list, which include "Aguirre, the Wrath of God," "Apocalypse Now," "Citizen Kane" and "2001: A Space Odyssey" (four films that could register on my own list, which is why I've always liked Ebert's choices quite a bit).

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<p>Starburns (Dino Stamatopoulos)&nbsp;heads to the finish line in this &quot;Community&quot;&nbsp;video.</p>

Starburns (Dino Stamatopoulos) heads to the finish line in this "Community" video.

Credit: NBC

HitFix First Look: 'Community' says goodbye to Star-Burns

Check out Abed's tribute video to Greendale's most tonsorially-interesting student

Last week's "Community" parody of "Law & Order" captured not only the most obvious tropes of the classic NBC drama — the split between cops and lawyers, the banter between the detectives, the key witness who drops out at the last minute, etc. — but smaller things that were just as recognizable to any hardcore "Law & Order" fan.

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<p>This season's &quot;American Idol&quot; Top 5</p>

This season's "American Idol" Top 5

Credit: FOX

Recap: 'American Idol' Top 5 Performances - British Pop and '60s Night

Jessica, Joshua, Hollie, Phillip and Skylar tackle two themes

It's a double theme night on "American Idol."

Apparently Wednesday will find the season's Top 5 singing British pop songs and Songs from the '60s.

And yes, I'm also disappointed that the theme is British Pop and not Brit Pop, because I wanted to hear some Pulp, Blur and Oasis tonight. Instead, we get two themes that might as well be the same theme. 

Let's see how it goes...

Click through...

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<p>Kanye West</p>

Kanye West

Credit: AP Photo

Listen: Kanye's G.O.O.D. Music remixes Chief Keef's 'I Don't Like'

Original song's producer don't like it

Kanye West, Pusha T, Big Sean and Jadakiss all showed up for a G.O.O.D. Music's remix of Chicago rapper Chief Keef's "I Don't Like," but not everybody likes it.

The 16-year-old's track has additional verses and a new melody line over the beat, which the song's original producer Young Chop takes issue with.

"I’m mad as f*ck, for the simple fact that they did not ask me to change up sh*t in my beat. How the f*ck did they add another melody over the instrumental?" he told radio host DJ Moon Dog this week. "These motherf*ckers is playing me and I don’t give two f*cks, I will sue the shit out of Kanye West… I made a f*cking sound, so you supposed to stay with my f*cking sound. The beat is fucking hard by itself. That shit don’t sound the same, it don’t got the same feel."

So he'd agree with Yeezy's line, ""They steal your whole sound, that's a soundbite"?

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<p>Gotye</p>

Gotye

Credit: Cybele Malinowski

Goyte's 'Somebody That I Used To Know' stays No. 1 on Hot 100

Carly Rae Jepsen scores her first Top 5 hit

Gotye’s “Somebody That I Used To Know” featuring Kimbra logs its third week at No. 1 on the Billboard Hot 100, as it gains in radio play and sells more than 400,000 digital downloads for the week ending April 29.

In doing so, the tune becomes the first to tally three weeks of digital sales surpassing 400,000, according to Billboard.

“We Are Young” by fun. featuring Janelle Monae stays at No. 2, while Maroon 5’s “Payphone” featuring Wiz Khalifa holds at No. 3.

Teen-oriented acts round out the top 5: The Wanted’s “Glad You Came” climbs up one spot to No. 4, while Carly Rae Jepsen scores her first top 5 hit with “Call Me Maybe.” Both acts are affiliated with Justin Bieber’s manager Scooter Braun, who seems to have the golden touch right now...as Bieber’s “Boyfriend” also stays in the Top 10, although it slips down three spots to No. 7.

Flo Rida’s “Wild Ones” featuring Sia stays at No. 6, Nicki Minaj’s “Starships” rises one to No. 8; One Direction’s “What Makes You Beautiful trades places with Minaj to fall to No. 9. Kelly Clarkson’s “Stronger” stays at No. 10.

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<p>The remarkable Quvenzhan&eacute; Wallis as Hushpuppy in Benh Zeitlin's &quot;Beast of the Southern Wild.&quot;</p>

The remarkable Quvenzhané Wallis as Hushpuppy in Benh Zeitlin's "Beast of the Southern Wild."

Credit: Fox Searchlight

'Beasts of the Southern Wild' teases its cinematic wonder in new preview

Critic's favorite coming to theaters this June

Alright art house moviegoers, breathe easy. You've made it through those annual few months between the Academy Awards and the summer season which is traditionally the dumping ground of bad indies.  With summer just around the corner you're about to enjoy a major uptick in quality flicks thanks to the usually reliable Sundance Film Festival product machine.

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<p>Alanis Morissette</p>

Alanis Morissette

Alanis Morissette sets release date for new album, 'Havoc And Bright Lights'

When will her first album in four years come out?

Alanis Morissette will release her first album in four years, “Havoc And Bright Lights” on Aug. 28. First single, “Guardian,” goes to radio on May 11 and will be on sale at iTunes on May 15.

It’s been a while since Morissette’s radio heyday and she’s married and had a baby since her last set, 2008’s “Flavors of Entanglement,” so it will be interesting to hear what’s on her mind. That album peaked at No. 8 on the Billboard 200.

Morissette worked with Guy Sigsworth on the set, who has also produced such artists as Madonna and Britney Spears.

"This record, as always, is a snapshot of what I currently obsess about, care about, and what strikes me at 4 in the morning in my most introspective moments," Morissette said in a statement. "It is my emotional, psychological, social and philosophical commentary through song.I can't wait to share it with this fun and funny planet, and to tour, and can't wait to have the lively, engaging and challenging conversations that these songs may invite.”"

The album will come out on Collective Sounds, a label helmed by her management company that is distributed by SONY RED. It is her first album since she parted with Maverick/Warner Bros.

Morissette’s 1995 debut, “Jagged Little Pill,” remains one of the top selling debuts in the SoundScan era.

“HAVOC” TRACK LISTING:
1) Guardian?
2) Woman Down
3) 'Til You
4) Celebrity?
5) Empathy?
6) Lens?
7) Spiral?
8) Numb?
9) Havoc?
10) Win and Win?
11) Receive?
12) Edge of Evolution

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Hitfix goes into the studio with Linkin Park's Mike Shinoda for 'Living Things'

Hitfix goes into the studio with Linkin Park's Mike Shinoda for 'Living Things'

Come with us for a spin around the new album

While making its new album, “Living Things,” Linkin Park’s Mike Shinoda says, “it almost felt like a drug trip.”

Shinoda played six new songs from the set, out June 26,  for Hitfix and a handful of other bloggers in a North Hollywood studio a few days ago. He further prefaced the listening session by adding, “We realized we’d run away from the things we started with.” But instead of returning to the sound of its first album, 2000’s “Hybrid Theory,”  Linkin Park, along with producer Rick Rubin (who co-produced with Shinoda), sought to bring out the best of the band’s rock and rap  mix  and pour in new sounds to create something else.

[More after the jump...]

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<p>Hani Furstenberg and Gael Garcia Bernal in &quot;The Loneliest Planet.&quot;</p>

Hani Furstenberg and Gael Garcia Bernal in "The Loneliest Planet."

Credit: Sundance Selects

A postcard from the IndieLisboa Film Festival

'The Loneliest Planet' and '17 Girls' impress
LISBON - There’s a reason, I think, why many of the world’s great film festivals take place in locations that wouldn’t rate an extended visit on their own merits. Cannes? Residual beachy glamour aside, a dingy little scab on a coastline with far better spots to offer. Toronto? Pleasant enough, but as unsexy as its festival’s all-business reputation. Venice is lovely, sure; the Lido – the wilted, quarantined resort island that actually hosts the festival – not so much. Most festival organizers, after all, want you in the cinema or at the adjacent parties, not independently tourist-traipsing around world heritage sites. If they could lure journalists to the New Jersey Turnpike, there’d probably be a festival there.
 
Which is why the IndieLisboa International Film Festival, which I’ve been exploring at a gentle pace since Monday (though it kicked off last week), poses the mother of all first-world problems to its guests: how do you make the most of what the festival has to offer when Lisbon, one of Europe’s most unassumingly gorgeous cities, is on your doorstep? The directors have cunningly tried to separate the two by situating the festival HQ in a dauntingly cavernous bank in the quieter, more plainly frosted northern reaches of the city, but the delights of the Portuguese capital, with its two-tone cobbled streets, nattily tiled terraces and overspill of custard-scented patisseries knit together by wonky vintage trams, are still mere minutes away.
 
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<p>Zeus</p>

Zeus

Credit: Derek Branscombe

Exclusive: Watch Zeus' live video version of 'Hello, Tender Love'

Rockers unfurl the blues for this morning-starter

Zeus have their own studio, III Eagle, and like any good showmen, the Canadian group like to show off their toys.

The quartet have recorded a "Live from III Eagle" version of every song from their newest album "Busting Visions," and today HitFix gets to unveil "Hello, Tender Love" from those sessions.

The rock act has been garnering comparisons to T Rex and The Who, but here they wring out a swaying bluesy ode like a heart-hurt Link Wray or contemporaries the Black Keys. Three-quarters of the band can sing, and sing they do, though here Mike O'Brien (who looks suspiciously like Gary Oldman) counters his own lead guitar with this striking melody.

"Busting Visions" was out at the end of March. You can sample it here.

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<p>Tom Hardy in &quot;Lawless.&quot;</p>

Tom Hardy in "Lawless."

Credit: The Weinstein Company

Cannes Check: John Hillcoat's 'Lawless'

Continuing our preview series on the Cannes competition

The director: John Hillcoat (Australian, 50 years old)

The talent: You want names? You got 'em. Hillcoat's latest brings together a handful of the industry's brightest young things, including Tom Hardy, Shia LaBeouf, Mia Wasikowska and newly minted Oscar nominee Jessica Chastain. Burnishing the lineup a bit are older hands like Guy Pearce (who worked with Hillcoat on "The Proposition") and Gary Oldman, also fresh off his first tip of the hat from the Academy. Meanwhile, between Pearce and Wasikowska, plus fellow Aussies Noah Taylor and Jason Clarke in support, Hollywood immigrant Hillcoat remains committed to keeping his home flag flying. 

Also making a very Australian affair of this all-American bootlegging tale is the fact that the screenplay is by rock icon Nick Cave -- his first since penning Hillcoat's 2005 breakout feature "The Proposition." Naturally, as has been the case with all Hillcoat's work, Cave (alongside regular collaborator Warren Ellis) is also responsible for the original score.

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