At least it will if there's any justice in the world
I don't get it.
At this point, the "Resident Evil" film franchise is for fans only, and no casual viewers need apply. The continuity from film to film seems to pick up mere seconds after the previous movie ends, and in the case of this latest effort, "Resident Evil: Retribution," it's a movie that seems to exist entirely as a phrase between two commas, a resolution of one cliffhanger, a ton of empty exposition, and another cliffhanger for the inevitable "Resident Evil: Boss Fight" or whatever the hell they'll call the next one. If you haven't been keeping up with the films, the opening of this one will be a case of a prolonged image that looks "cool" but that is utterly baffling on any sort of storytelling level.
Seems par for the course in this film, though. The opening titles play over a looooong series of shots of things runnings backwards in slow motion, with Milla Jovovich coming up from underwater, into the air, landing on a tanker ship that is under attack, explosions contracting into themselves, bodies flying up onto their feet as bullets race out of them. It's all staged on a scale that is impressive to observe, and as this massive sequence finally builds to include what seem to be hundreds of airships racing away from the tanker, then pausing and reversing and beginning the attack in forward motion at full speed, it's such a strange, pointless double-back that you could stop the film there and just embrace it as a perfect example of what to expect from the film as a whole.