Anyone who happened to be on hand at the Aero Theatre in Santa Monica this evening for the American Cinematheque unveiling of a new DCP of Stanley Kubrick's "The Shining" was treated to quite the exciting surprise: the first public screening of Paul Thomas Anderson's "The Master."
A source at the event tells me that, prior to the screening, personnel announced that there would be a "secret screening" following the event and that anyone who'd like to stay was more than welcome. When the lights came up after the closing credits of Kubrick's icy horror staple, attendees were told the secret film was Anderson's much anticipated opus (which will screen at the Toronto, Venice and maybe Telluride and Fantastic Fest film festivals next month).
The film is being shown in 70mm, the director's preferred format of exhibition for "The Master" and one that has reportedly caused issues in lining up both commercial and festival exhibition. Anderson is in attendance (along with Maya Rudolph).