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<p>Sleigh Bells</p>

Sleigh Bells

FYF Fest brings Beirut, Sleigh Bells, Refused and Against Me! to Los Angeles

September indie fest expands to two days

Refused, M83, Beirut and Sleigh Bells will headline the 9th FYF Fest, to be held Sept. 1-2 at Los Angeles State Historic Park. This indie-music festival expands to two days this year, a first since it moved to its current location four years ago.

Among the other acts on the 75-artist bill are Against Me!, Cursive, Quicksand and Wild Flag.

Tickets for the all-ages festival go on sale June 22 and start at $77 for a weekend pass. The festival, which is put on in conjunction with concert promoter  Goldenvoice, runs from noon-midnight.


FYF FEST LINE-UP

AA Bondy
Aesop Rock
Against Me!
American Nightmare
Atlas Sound
Paul Banks (Interpol)
Baroness
Beirut
Black Dice
Black Mountain
Ceremony
Chairlift
Chromatics
Cloud Nothings
Converge
Cursive
Dam Funk
Desaparecidos
Devin
Dinosaur Jr
DJ Coco (Primavera Sound)
DJ Harvey
Doldrums
Father John Misty
FIDLAR
Fucked Up
Future Islands
Givers
Gold Panda
Health
Hot Snakes
I Break Horses
James Blake
John Maus
Joyce Manor
King Khan & the Shrines
Kishi Bashi
Liars
Lightning Bolt
M83
Moonface
Nick Waterhouse
Nite Jewel
PAPA
Purity Ring
Quicksand
Redd Kross
Refused
Sandro Perri
Simian Mobile Disco (Live)
Sleigh Bells
Tanlines
The Allah La's
The Field
The Growlers
The Men
The Pains of Being Pure at Heart
The Soft Pack
The Suicide of Western Culture
The Vaselines
Tiger & Woods
Turbonegro
Twin Shadow
Two Gallants
Tycho
Warpaint
White Arrows
White Fence
Wild Flag
Wild Nothing
Yeasayer


 

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<p>Fleetwood Mac's picture from &quot;Rumours&quot;</p>

Fleetwood Mac's picture from "Rumours"

MGMT, Best Coast, Lykke Li cover Fleetwood Mac for tribute album

'Just Tell Me That You Want Me' out in August

MGMT, Best Coast, New Pornographers, Lykke Li and The Kills are among artists contributing to “Just Tell Me That You Want Me: A Tribute To Fleetwood Mac.”

Out Aug. 14, via Hear Music/Concord, the 17-track set features indie rockers and Fleetwood Mac contemporaries such as ZZ Top’s Billy Gibbons examining the popular group’s catalog.

Some acts, such as Best Coast and Karen Elson, took on more familiar Fleetwood Mac tunes, while others, such as Shudder to Think’s Craig Wedren paired with St. Vincent to dive deeper into the group’s 45-year catalog. A complete track listing is below.

Movie music supervisor Randall Poster and Geyla Robb put together the collection; they were also behind last year’s “Rave On Buddy Holly” compilation that included reinventions of Holly tunes by such artists as Paul McCartney, The Black Keys and Cee Lo Green.

As longtime Fleetwood Mac fans know, former member Bob Welch committed suicide earlier this month.  MGMT covers “Future Games,” a tune recorded under his tenure in the group. The current members of Fleetwood Mac—Mick Fleetwood, Stevie Nicks, Lindsey Buckingham, and John McVie—are expected to tour again, perhaps this year. The band’s website notes “check back soon for more details on the upcoming tour.” Fleetwood told Billboard last November “we’re all up for touring in the early summer of next year.” That timeframe is clearly not happening, but look for an announcement here once details are firmed.

'Just Tell Me That You Want Me' A Tribute to Fleetwood Mac' Tracklist:

1. "Albatross" - Lee Ranaldo Band Featuring J Mascis (4:16)?
2. "Landslide" - Antony (3:33)?
3. "Before The Beginning" - Trixie Whitley (4:46)?
4. "Oh Well" - Billy Gibbons & Co. (4:45)
5. "Rhiannon" - Best Coast (3:07)
6. "Think About Me" - The New Pornographers (2:56)
7. "Angel" - Marianne Faithfull (4:59)?
8. "Silver Springs" - Lykke Li (4:11)
9. "Gold Dust Woman" - Karen Elson (5:43)?
10. "Storms" - Matt Sweeney And Bonnie 'Prince' Billy (4:46)?
11. "Straight Back" - Washed Out (3:44)?
12. "That's All For Everyone" - Tame Impala (3:43)?
13. "Sisters Of The Moon" - Craig Wedren with St. Vincent (3:45) ?
14. "Dreams" - The Kills (4:46)?
15. "Gypsy" - Gardens & Villa (4:40)?
16. "Tusk" - The Crystal Ark (5:30)
17. "Future Games" - MGMT (9:02)
 

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<p>Shia LaBeouf in Sigur Ros' &quot;Fjogur piano&quot;</p>

Shia LaBeouf in Sigur Ros' "Fjogur piano"

Watch: Shia LaBeouf stars in serious and NSFW Sigur Ros music vid

'Fjögur píanó' next in line for experimental short film series

You've probably never seen actor Shia LaBeouf like this.

The "Transformers" star co-leads the music video to Sigur Ros' new "Fjögur píanó," the third song to get an experimental music video treatment from their album "Valtari." LaBeouf and actress/dancer Denna Thompson perform as “a man and woman locked in a never-ending cycle of addiction and desire,” forcing them through some high-stress, abstract dream sequences during which both stars appearing completely in the nude.

It is emotional and also very beautiful. I found it kind of hard to watch more than once, with all its lacerations and breaking glass and the weirdo car scene -- with the actors kidnapped and licking insect-filled lollipops -- with all its sharks. But the performances are worth while and the styling is absolutely breathtaking. The track didn't stand out much from the album for me, but now it doesn't seem as interstitial.

Also, Shia should stick to the ponytail. It's kinda working for me. Reminds me of Milo Ventimiglia on Fergie's "Good Girls Don't Cry" music video.

Oh, the things I'm finding myself say today.

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<p>Alec Baldwin and Jesse Eisenberg play two different versions of the same character in the most successful of the multiple storylines in Woody Allen's new anthology film 'To Rome With Love'</p>

Alec Baldwin and Jesse Eisenberg play two different versions of the same character in the most successful of the multiple storylines in Woody Allen's new anthology film 'To Rome With Love'

Credit: Sony Pictures Classics

Review: 'To Rome With Love' is Woody Allen on automatic pilot

Is that necessarily a bad thing, though?

"To Rome With Love" is the 11,000th motion picture by writer/director Woody Allen, and he deserves congratulations for the sheer volume of work he's produced, if nothing else.

Perhaps I exaggerate slightly, but I do find myself often pleased by the mere existence of a new Allen film because of the place it occupies in the natural order of things.  A new Allen film every year.  That's federal law at this point, right?  And when people talk about what distinguishes Allen's work, you'll hear them talking about dialogue rhythms or the font he uses for his titles or his soundtracks, but those are mere gravy on the actual meat of what it is he does, and I think he's fascinating for the way he basically found his own approach to storytelling and he's worked variations in that same form ever since.

He's taken steps away from his main approach a few times, but he always eventually finds his way back, and it's been true from the jokes he wrote as a stand-up to the short pieces he collected in books like "Without Feathers" and continued directly into his filmmaking career, one of the richest and most fully explored of any American director, now or in the past.  Woody Allen worships at the altar of the high concept.  He loves to imagine a mundane world where one crucial detail is tweaked to comic effect.  Sometimes, those high concepts are super high concept, like "The Purple Rose Of Cairo" or "Midnight In Paris" or "Zelig." 

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<p>Ariane Labed in &quot;Alps.&quot;</p>

Ariane Labed in "Alps."

Credit: Kino Lorber

'Alps' wins big in Sydney, but 'Lore' is the one making waves

Dogtooth' director's latest beats such films as 'Beasts of the Southern Wild'

"Alps," the follow-up feature from "Dogtooth" helmer Yorgos Lanthimos, didn't get quite the push it deserved out of last autumn's festival season. Well-received by critics upon its debut at Venice, where the Best Screenplay prize it eventually took was the very least it deserved, Lanthimos's glassily menacing comedy of extreme appropriated identity went on to provoke and perplex festival audiences at Toronto and London. Somehow, however, it acquired a reputation as more of a niche proposition than the already gruelling, yet astonishingly Oscar-nominated, "Dogtooth" -- a shame, really, since it's no less accomplished, and arguably more ambitious, an achievement. 

New York cinephiles have only until mid-July to wait for the film, which you may or may not remember cracked the top five of my Best of 2011 list. (It's not the last title on that list awaiting US release, either.) Thanks to its tough-sell status, the rest of us may have to be very patient indeed -- here in the UK, a release date has yet to be confirmed.

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<p>Giancarlo Esposito as Gus Fring on &quot;Breaking Bad.&quot;</p>

Giancarlo Esposito as Gus Fring on "Breaking Bad."

Credit: AMC

If I had an Emmy ballot 2012: Outstanding Supporting Actor in a Drama Series

The toughest category on the whole ballot, with more than two dozen worthy performers

Okay, it's part 3 of our look at the Emmy nominations process for 2012. As always, Fienberg and I are going to approach things in two ways. I'll pretend that I have an Emmy ballot and make my picks for the six actors or shows I would put on my ballot, while Dan will rank the potential nominees from most likely to least. And, as always, we are working off of the actual Emmy ballot, so we can't consider people who didn't submit themselves, nor can we reassign anyone to a more suitable or easier category.

This time up, we're dealing with the candidates for Outstanding Supporting Actor in a Drama Series. Dan's predictions are here, and my picks are coming right up...

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Jacqueline Laurita in 'Real Housewives of New Jersey'

Jacqueline Laurita in 'Real Housewives of New Jersey'

Credit: Andrei Jackamets/Bravo

Real Housewives of New Jersey' recap: 'Best Friends for Never

Teresa accuses Jacqueline of turning into 'Hekyll and Jyde'

In the world of Real Housewives, this qualifies as a can't miss episode. No more fun and games, bratty kids, gay weddings or passive aggressive catfights. This hour is all about the big inevitable showdown between Jacqueline and Teresa. And Caroline's inner timebomb finally goes off.

This involves a lot of screaming, yelling, petty accusations and even tears (mostly from Jacqueline). It's exactly what "Housewives" fans love to see, and exactly why so many people can't stand the show.

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<p>Merida (Kelly Macdonald) is forced to learn some unconventional definitions of the word courage over the course of the new Pixar film 'Brave'</p>

Merida (Kelly Macdonald) is forced to learn some unconventional definitions of the word courage over the course of the new Pixar film 'Brave'

Credit: Walt Disney Company/Pixar

Review: 'Brave' takes Pixar in some new directions by embracing some old forms

The trailers may not tell the whole story, but Pixar's not playing games

Pixar finds themselves at a particularly vulnerable moment in the mythology that surrounds the studio.  Since the release of the first "Toy Story," they have released a string of movies that have been nothing less than dazzling, a series of films that have both commercial and critical hits.  Last year's release of "Cars 2" was the first moment where they seemed to be operating like any other Hollywood studio, putting commerce ahead of their craft, and for many fans of their work, it was a moment that rattled their faith.

Since we live in an age where each and every decision during the production of a motion picture can be scrutinized, often free of the context that led to the decision, much has been written about the process by which "Brave" emerged from what was originally known as "The Bow and the Bear."  Brenda Chapman was the first director on the picture, and she still gets a co-director credit as well as a "story by" in the credits.  She was set to be the first female filmmaker to direct a feature for Pixar, and she absolutely deserves credit for getting this original fairy tale from her first idea to the final film that is about to open.  But it's hard to get upset about the process when we have no idea what happened that resulted in Mark Andrews and Steve Purcell getting co-director credits with her.  After all, Andrews has been kicking around the business for years, working on the storyboard department for "The Iron Giant," working as head of story for "Osmosis Jones," "The Incredibles," and "Ratatouille," and directing the short film "One Man Band."  Purcell has paid his dues as well, creating the popular "Sam and Max" computer game series and working as one of the many screenwriters on the original "Cars."  Chapman put in years as an animator, working on TV shows like "The Real Ghost Busters" and "Heathcliff" before working in the story department on films like "Beauty and the Beast," "The Lion King," and "Chicken Run."  She was one of the directors of the very ambitious "The Prince Of Egypt," and that was a milestone at the time, making her one of the few women to ever reach that sort of position on a major studio animated movie.

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<p>Zosia Mamet and Allison Williams in a scene from the &quot;Girls&quot;&nbsp;season finale.</p>

Zosia Mamet and Allison Williams in a scene from the "Girls" season finale.

Credit: HBO

'Girls' producers Lena Dunham & Jenni Konner finale interview, part 2

An extra-long interview concludes with talk of the season's high and low points

So it turns out there sometimes are word limits even on the internet, and a 9000-word interview with "Girls" producers Lena Dunham and Jenni Konner was too much to try to squeeze into a single post. So you can read the first half here, and after the jump, the two women continue to talk about the first season — including more on James Franco, and how fellow producer Judd Apatow predicted every stage of the show's public and critical reaction — coming up just as soon as I drink some expired Milanta...

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<p>Linden (Mireille Enos)&nbsp;had time to watch a movie in &quot;The Killing&quot;&nbsp;finale.</p>

Linden (Mireille Enos) had time to watch a movie in "The Killing" finale.

Credit: AMC

Season finale review: 'The Killing' - 'What I Know'

The series finally reveals Rosie Larsen's killer, but was the long wait worth it? Nah.

A review of "The Killing" finale coming up just as soon as I smoke in a garage...

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<p>Lena Dunham directing a scene in the &quot;Girls&quot;&nbsp;season finale.</p>

Lena Dunham directing a scene in the "Girls" season finale.

Credit: HBO

'Girls' producers Lena Dunham & Jenni Konner talk finale, backlash, Judd Apatow and more

What did they learn making season 1 of the HBO comedy? And how do they feel about James Franco, TV critic?
Even by the standards of a national approach to popular culture where we build people up quickly only to tear them down just as quickly, the roller coaster of good and bad hype for Lena Dunham and "Girls" was pretty extreme. Before the show premiere, TV critics were falling over themselves to come up with new superlatives for it. (Mine was "it may, in fact, be the best new HBO comedy since 'Curb Your Enthusiasm'") Almost immediately after it debuted, there was a backlash to the show (and to the reviews), then a backlash to the backlash, a backlash to the backlash to the backlash, etc.
 
The praise and pans kept flying back and forth, back and forth, and all the while Dunham and showrunning partner Jenni Konner just kept working on the show, first finishing up the 10 episodes of season 1, then seguing almost immediately to production on season 2. And because the two of them in general — and Dunham in particular, who co-writes every episode, stars in all of them and directs many of them — are so busy making "Girls," they were able to exist in a bubble about the feedback — but only to a point. Dunahm says she tries to do "half press avoidance," but can only avoid so much — especially since her mother likes to forward her press clippings.
 
So when I sat down with Dunham and Konner for a bookend to the interview we did before the season, it was in the context of me having seen the entire first season (here's my review of the season finale), and of them being aware of most, if not all, of the good and bad things people had been saying about it. Over a long lunch — I should warn you, this transcript clocks in at close to 9,000 words, so I've broken it up into sections for those who want to read it piecemeal — we talked about the reaction to the series, about the ways the show and their working relationship evolved, lessons learned that will be applied to season 2, Dunham's weight loss (thanks to better eating habits and a daily spin class, she's noticeably slimmer than when the first season was filmed), and more, all coming up just as soon as I'm wearing two plaids...
 
UPDATE: It turned out this interview may have been the point at which word limits actually do matter on the Internet, as it keeps being cut off before the end. So I'm splitting it up into two parts, with the first three sections down below, and the next two here. Sorry for the confusion.
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<p>Lena Dunham and Adam Driver in &quot;Girls.&quot;</p>

Lena Dunham and Adam Driver in "Girls."

Credit: HBO

Season finale review: 'Girls' - 'She Did'

A surprise announcement from Jessa throws the girls into turmoil

"Girls" has wrapped up its first season. I did a long interview with Lena Dunham and Jenni Konner again to bookend the pre-season chat we had, and I have a review of the finale coming up just as soon as I blog from a tortilla soup contest...

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