This weekend's viewing at the London Film Festival brought me to a pleasingly round, if short-lived, statistic: I've now seen 20 of the 71 films entered for consideration in this year's Best Foreign Language Film Oscar race. That's a pretty small proportion still, yet even this sample pool feels thick with artistic virtue and contender potential alike. From this single score of films, I feel, it'd be quite easy to draw up five-nominee slate for the ages, with several worthy alternatives left over as change – and Australia's entry, the lyrical-yet-bloodied “Lore” (A-) deserves to be near the top of the heap.
Whether for arthouse or Academy targeting purposes, “Lore” seems destined to be handed the 'Holocaust film' label – a tag that, however impartially descriptive, has lately called to mind a subgenre marked by earnest moral reinscription and grayscale suffering. Neither is a convention to which this crisp, cruel, often recklessly beautiful survival story, set against the dying breaths of Nazism, feels duty-bound. It's as much a tale of an individual's selfish spurts of guilt and rapture as one of any larger communal redemption or destruction, and as such feels very much of a piece with director Cate Shortland's woozily desirous 2004 debut “Somersault” – to which “Lore” is a too-long-awaited follow-up.