I guess I'm a little bit confused. After being told up one side and down the other to beware Robert Lorenz's "Trouble with the Curve," I found myself liking it just fine. It's a bit unruly in spots and amateurly conceived in others, but never to detriment. And even Clint Eastwood's grizzled performance, threatening to make good on the promise of "Gran Torino" (i.e. that he'll be in the self-parody business from here on out) didn't strike the sour chord I expected it to.
Then as the movie went along, I realized the framing -- my framing -- was all wrong. This isn't Clint Eastwood's movie. This is Amy Adams's movie. And she's great. Coupled with "The Master," her work here further shows a dynamic range for the actress, who by the way landed three Oscar nominations in just six years, for those keeping score at home. And if you're still not convinced, have a look at "On the Road," where she shows up out of nowhere and gives a unique if brief take opposite Viggo Mortensen.