No surprise here: "Zero Dark Thirty," which led the nominations for the Alliance of Women Film Journalists Awards last month, cleaned up when it came to winners. With eight awards, it won almost every category in which it was cited, with Kathryn Bigelow taking prizes for both Best Director and, obviously enough, Best Woman Director. "Beasts of the Southern Wild" took a trio of prizes while, among the groups quirkier categories, the Adam Sandler vehicle "That's My Boy" won the Hall of Shame award for misogynistic content. Full list of winners below, with everything else at The Circuit.
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UPDATE (1/9 - 3:18am ET): Poor Matthew McConaughey looks so lonely over there now that there isn't a prediction to go along with the photo. Alas, the BAFTA nominations tonight have steered me this way and that. Of course "Skyfall" was going to go over big there, but that along with the SAG nod for Javier Bardem give me enough to go ahead and spring for him instead. Sorry, Matty.
I do, however, think BAFTA may have gone for "Django Unchained" more than the Academy did, but we'll see if that's true. Nevertheless, I've gone ahead and added "Django" to my Best Picture predictions (it was already at #10), bringing it to a full set of 10. Screw it. I've been thinking there's enough passion to go around to afford as much, but, well, we'll see. A few other tweaks and whatnot throughout. All this will be more set in stone when our final predictions gallery goes up Wednesday morning. Look for that for the final word.
EARLIER: So, these are pretty much finalized. I don't know that the DGA will add or subtract much, regardless of their choices. It's a funky season.
First question sure to come: Why "The Intouchables?" When you're the first screener out of the gate, you're seen early and, sometimes, often. And the film has stuck with a lot of members. While others like "Django Unchained" and "The Impossible" and even, though I'm still sticking with it, "Amour," are just hoping to be seen in the home stretch, films like "Skyfall" and "Flight" and, indeed, "The Intouchables" have built up some fans along with frontrunners like "Argo" and "Lincoln." That will either translate or it won't, but I don't mind stepping out onto a few limbs this year. It's a funky season.
That fifth slot in Best Supporting Actor? Yeah, it might just go to Javier Bardem, who managed the SAG nomination for a film that has the British voting block behind it (as does "The Best Exotic Marigold Hotel") and is well-liked. It could go to one of the "Django Unchained" hopefuls, though they seem in danger of canceling each other out. So why not go on a wing and a prayer with Matthew McConaughey in "Magic Mike?" He picked up some key critics awards at the right time, just after hitting the press trail, rail thin, showing physical dedication to his next film. And he's likable. Sure, I'll make that bet. It's a funky season.
Every year there are discrepancies between guild/industry nominations and their Academy counterparts. And the Cinema Audio Society is no exception. Just last year, "Hanna," "Pirates of the Caribbean: On Stranger Tides" and "Super 8" all yielded to "The Girl with the Dragon Tattoo," "Transformers: Dark of the Moon" and "War Horse" with the Academy. And only twice in the Society's history have their nods and the sound branch's nominees for Best Sound Mixing (or Best Sound, as the category used to be called) matched up.
This year? Well, this year, who knows? It's a strange season in that a number of people have missed a number of movies. So something like "Django Unchained" misses here. Then again, "The Hobbit: An Unexpected Journey" did find a place. The two perceived frontrunners in the category, "Les Misérables" and "Skyfall," are there, but missing are summer blockbusters like "The Avengers" (which seemed all systems go for Oscar), "The Dark Knight Rises" (no surprise given the criticisms) and "Prometheus" (which boasts a heck of a track).
In these final heated days before the Oscar nominations, even the most minor kerfuffle can become a story, and so it's been with the Academy's supposedearly announcement a few days ago of one nominee: "Django Unchained" costume designer Sharen Davis. A test page announcing Davis's third nomination was accidentally published on the Academy's official site a few days ago. Scott Feinberg was among those pointing out that the "leak" can't have been legit, given that votes were still being counted, and was indeed nothing more than a randomly chosen example to test the format, but that hasn't stopped the story from spreading. In any case, Davis's nod for "Django"'s dynamic duds already looked a pretty sure thing, with or without the Academy's "confirmation." [Vanity Fair]
When someone asks you if you want to ride a tank while Arnold Schwarzenegger drives it, you say yes.
I don't have many hard and fast rules in life, but that's one of them. It's not a rule that I've had to put to the test many times, but last week, the moment of truth finally arrived, and so I drove down to the Lionsgate offices in Santa Monica to meet a group of fellow journalists. We all boarded a bus and then headed up to the Melody Ranch Studio in Santa Clarita.
You've seen it in a million different movies, most recently in Quentin Tarantino's "Django Unchained," where it was used as the first town that Schultz and Django ride into, where Schultz asks for the sheriff to be brought to see them in the saloon. We ended up eating lunch in that saloon later in the day, and I intentionally sat at the same table where Django and Schultz sat while drinking their beers.
The way the day started, though, was with Arnold Schwarzenegger introducing us to his tank. He bought this particular tank in the early '90s for one of the Planet Hollywood locations, but they never ended up using it there. Instead, he kept it, and one of his main purposes for it over the years has been as part of an incentives program for a foundation he runs for inner-city kids. When the kids do well during the week, one of the rewards they can enjoy is a trip to the Melody Ranch so they can ride in the tank while Arnold drives.
Jan. 8 is David Bowie’s 66th birthday and he’s handing out a huge present: Ten years after his last studio album and well into a self-imposed retirement, David Bowie shocked his fans by releasing a new single Monday night and announcing a new album.
“Where Are We Now,” produced by longtime collaborator Tony Visconti, precedes the March 12 release of “The Next Day,” Bowie's first studio album since 2003’s “Reality.” The new song/video is embedded below, but since that video is sometimes cutting out, you can also hear the new song here. It's available for sale on iTunes now.
The standard album, according to Bowie's website, is 14 tracks with a 17-track deluxe edition also available. Both are available for pre-order on iTunes. "The Next Day," on Iso/Columbia, is Bowie's 30th studio recording.
The mid-tempo song is low-key, but passionate and the good news is Bowie still sounds, well, like Bowie. There's a certain lilting poignancy to the track and a bit of a fragility. The video features Bowie’s face on top of a furry stuffed animal sitting in a chair. He looks, well, older. Stick around toward the end, when we see the full Bowie, looking much like we remembered. Anyone know who the women beside him in the video is? The video, directed by Tony Oursler, also features footage of an auto repair shop beneath the apartment Bowie lived in in Berlin.
*And by the way, Bowie fans, Monday marked the 41st anniversary of the release of "Changes."
[More after the jump...]
“The Next Day” track listing
1. “The Next Day”
2. “Dirty Boys”
3. “The Stars (Are Out Tonight)”
4. “Love Is Lost”
5. “Where Are We Now?”
6. “Valentine’s Day”
7. “If You Can See Me”
8. “I’d Rather Be High”
9. “Boss of Me”
10. “Dancing Out In Space”
11. “How Does the Grass Grow?”
12. “(You Will) Set the World On Fire”
13. “You Feel So Lonely You Could Die”
15. “So She” (Bonus Track)
16. “I’ll Take You There” (Bonus Track)
17. “Plan” (Bonus Track)
There are only a few days until the nominations are announced for the 85th Academy Awards and you can feel the tension in the air from the 405 to the 101. Potential nominees, Oscar consultants and studio execs all have something on the line whether it's prestige, their reputation or a marketable number of nominations to help a prestige flick get into the black. And for those that care too much this is likely the most nerve wracking week of the entire season. For awards fans? It's close to heaven.
Prince has uploaded new music for his fans to enjoy... or if not him, someone who seems to have remarkable access to his vault.
As Antiquiet first reported, a Twitter account, under the name 3rdEyeGirl, has been providing links to Prince songs. It started with remixes of “Rock N' Roll Love Affair”—a song he released in November— and then one of “Laydown.”
[More after the jump...]
The North Texas Film Critics Association has thrown another log on the fire for Steven Spielberg's "Lincoln," the film's second critics Best Picture prize of the season. The film also won Best Director, Best Actor and Best Supporting Actor. Anne Hathaway (Best Supporting Actress) and Claudio Miranda (Best Cinematography) kept it from being a clean sweep. Check out the full list of winners below. As always, dig the season at The Circuit.
Just as "Argo" had pulled it to a tie, "Zero Dark Thirty" takes another step out ahead of the critics awards haul with Best Picture, Best Director, Best Actress and Best Screenplay honors from the Vancouver Film Critics Circle. Joaquin Phoenix, Philip Seymour Hoffman and Amy Adams won awards for their performances in "The Master." Check out the full list below and, as always, you know: The Circuit.
A review of the "Bunheads" mid-season premiere coming up just as soon as I wire a cardboard box for electricity...