For a producer of such lush and exquisite work, cinematographer Roger Deakins is often a man of select words. Thoughtful, yes, but never of a mind to over-think it.
Responsible for some of the most stunning images on film in our age -- "Kundun," "O Brother, Where Art Thou?" and "The Assassination of Jesse James by the Coward Robert Ford," to barely scratch the surface -- he shook the landscape of his field a bit two years ago when he went digital for Andrew Niccol's "In Time." And this year he's back in the form with "Skyfall," the first James Bond installment to eschew celluloid for the progression of digital filmmaking.
"Right now I don’t see a reason to go back and shoot film," Deakins says. "And probably if I leave it much longer then I won’t have the opportunity, because it just won’t exist anyway."