On the Oscars in an election year
The most important piece you're going to read on the awards season right now is Sasha Stone's "The Oscars in an Election Year" over at Awards Daily. Even if you chafe against her politics (with which I am personally aligned), you can't argue against the fact that she nails a certain truth: socio-political environment will impact reaction to art.
That's what's so great about movies, books, paintings, songs, etc. They are as much a direct reflection of the times as they are a nebulous Rorschach for them. Involuntary extrapolation can be as significant as clear-eyed reaction to a straight-forward treatise. And in an environment as heated, tense and divided as this, the art that escapes the cauldron is bound to be, if not willfully profound, then a fascinating looking glass, at the very least.
I hopped on iChat with Stone last week to chew on this idea a bit and do something I've been meaning to do for a while: really dig through the history of election years and the Oscars. Much of what follows is owed to that conversation and the ideas that came out of it. It's a fool's errand to try and tie any given election year down to the Best Picture winner, of course, but it certainly makes for intriguing considerations.