The AFI Fest closed last night with the "world premiere" (even if the NYFF let the cat out of the bag weeks ago) of "Lincoln," but not before handing out some awards. And the big winner was... well, Scandinavia. Swedish immigrant drama "Eat Sleep Die" took the Grand Jury Prize, and the superb Danish thriller "A Hijacking" (see my Variety review) took the Audience Award in the New Auteurs section, but the big winner from an Oscar perspective was Denmark's foreign-language submission "A Royal Affair," which underlined its serious contender status by taking the World Cinema Audience Award. Not many were paying attention when it won two prizes at Berlin in February, but this smart historical romance has grown in stature ever since. It wasn't the only foreign Oscar hopeful to take a gong: Kenya's first-ever entry, "Nairobi Half Life" was also rewarded. [AFI Fest]
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The night that Sci Fi executives screened the "Battlestar Galactica" finale for critics and VIPs, we were told two things: 1)The channel's name was changing to Syfy, which was pronounced the same, spelled in a more goofy manner, but which, we all assumed, would be trademarkable in a way that "Sci Fi" was not; and 2)With the end of "BSG," The Channel About To Be Formerly Known As Sci Fi was also shifting away from the spaceships and other hard science fiction trappings in favor of more earthbound shows like "Warehouse 13" that would be the slightly weird second cousin to what was airing on USA.
It's been five weeks since "Glee's" breakupocalypse, and after tonight's episode, I'd be thrilled if the show went away for another five years.
By then Marley, Jake, Kitty, Unique and Ryder would have graduated high school and "Glee" could quit trying to make any of those duds happen and simply focus on the grown-up lives of the better, funnier, more diverse and interesting characters we've been following since season one.
“The Vampire Diaries” is a show largely fueled by secrets. Vampires passing as mortals, Originals with long and detailed secret histories, stolen kisses and bloodlettings. Sometimes secrets can be compelled out of mind or, after a minor squabble, be forgiven. But tonight, they kind of mess up everything in such nightmarish terms that the truth, complicated and ugly though it might be, is looking pretty darn appealing to almost everyone for a variety of reasons. Well, not everyone. But we'll get to that in a moment.
A review of tonight's "Parks and Recreation" coming up just as soon as I don't mention the Green Bay Packers or the state of Iowa...
The sounds you hear are the competitors jockeying for position. "Argo" is the frontrunner. There's no other way to put it. And it will still be the frontrunner when "Silver Linings Playbook" hits theaters just around the corner. After that, "Life of Pi" will put up a big fight upon release, while "Lincoln," landing tomorrow, will be in the thick of it, too.
But as I said a few months back, I can't help but feel that, barring the film being a sudden commercial and/or critical bomb, Tom Hooper's "Les Misérables" is going to be the one to watch in the Best Picture race. It's been seen. It's not some great mystery anymore. And the campaign is gearing up with the first major screenings set to take place immediately after Thanksgiving.
Diamonds may be a girl’s best friend, but according to Rihanna’s video for her No. 1 R&B hit of the same name, so are running horses, tattoos, and slo-mo photography.
[More after the jump...]
A quick review of tonight's "Last Resort" coming up just as soon as I peg you for an exotic fruit man...
The acting races are in full sprint at this point. Everyone concedes the Best Actor race is stuffed to the gills, only more so with consistent additions. The lead actress category began to look a bit fuller when Helen Mirren's name was thrown into the ring and, as Guy pointed out yesterday, features plenty of performances for Academy members looking to venture even the least bit out of their comfort zones.
One actress recently added to that flock is Jessica Chastain in "Zero Dark Thirty," which will screen for press at the end of the month. And another added to the boys' club is Christoph Waltz in "Django Unchained," as reported earlier today. Many who have read the script (probably the most widely read awards season hopeful before the fact ever) had noted that Waltz felt like more of a co-lead in the piece. But the way I hear it, as good as Waltz may be in the film, this all likely clears some room in the supporting ranks for a pair of actors poised to strike.
The only thing I know about Thursday (November 8) night's "The X Factor" is that One Direction is performing twice.
How many singers are being elimination from the Top 13? Not a clue!
But I'm going with the hunch that Beatrice Miller won't be one of them...
So click through and follow the results...