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Lady Antebellum, Zac Brown Band and Toby Keith will headline Stagecoach 2013, which takes place, April 26-28. A helpful countdown clock on the official Stagecoach site reminds us that is only 198 days away.
Also among the nearly 50 acts on the Goldenvoice-produced, three-day fest at Indio, Calif.’s Empire Polo Grounds are Dierks Bentley, Dwight Yoakam, Darius Rucker, Jeff Bridges (yes, that one), Roger McGuinn, Thompson Square, Lonestar, Jerry Lee Lewis and Hank Williams Jr.
Eleven days from now, tickets will go on sale. General admission for all three days is $239, including fees, taxes and shipping. There are also tickets for reserved seating by the stage that sell for up to $1099 (complete with a commemorative laminate).
Kanye West had his G.O.O.D. Fridays, now T.I.'s gunning for Trouble Man Tuesdays. The rapper has officially launched the #troublemantuesdays initiative today (Oct. 9) with the release of some behind-the-scenes photos of his video shoot with Lil Wayne for their single release "Ball." That song is not yet available, but has a promised Oct. 16 iTunes sales sticker on it.
Photos from the video shoot appear to feature some partying around New Orleans and some newly erected houses, and since it co-stars NOLA's own Lil Wayne, there's a skate ramp. Of course.
As for its cover, it's decidedly less community-oriented, rather it features the picture of a woman's butt in some flattering underwear. Now, given that said woman's butt will help to propel sales, I fully expect that the song -- when it is released -- will feature nothing but positive and edifying things to say about women.
This being the umpteenth single/promotional single/teaser single for "Trouble Man," Atlantic is crossing its fingers that
"Butt" "Ball" will stick, and have selected the last onsale date for an album pre-Christmas this year for the drop of "Trouble Man": Dec. 18. This appears to be the final release date, after "oft-delayed" and "Trouble Man" have become synonymous throughout this summer and fall.
"Dr. Horrible's Sing-Along Blog," the web musical that Joss Whedon and friends made while the more established branches of show biz were shut down by the Writers Guild of America strike back in late '07/early '08, is finally making its way to television. The CW will air all three installments of "Dr. Horrible" — which stars Neil Patrick Harris as a lovelorn aspiring supervillain, Nathan Fillion as his vapid superhero nemesis Captain Hammer and Felicia Day as the woman caught between them (at least, as far as Dr. Horrible is concerned) — tonight at 9. (And if you're feeling nostalgic, you can go back and read my brief reviews of each installment at the old blog.)
Taylor Swift has dropped four songs from her new album, “Red.” Today we get “ I Knew You Were Trouble,” which combines the stutter step of Rihanna’s “Umbrella” and the pop/dubstep of Alex Clare’s "Too Close."
[More after the jump...]
I'm a bit behind the curve on this news, but since it was rather buried beneath the surge of autumn Oscar-contender updates, I thought it worth flagging up anyway. I've recently been combing the US release calendar for possibilities in the Best Documentary Feature race, looking in particular for the slightly left-of-center contenders that routinely pop up in the branch's shortlist -- the eligibility rules may have changed this year, but we have no reason to think voters will suddenly start focusing more intently on much-hyped frontrunners.
In doing so, I found myself wondering what became of "Stories We Tell," Sarah Polley's lovely non-fiction debut -- a critical hit at the Venice and Toronto festivals that did rather well for itself by scoring a US distribution deal with a relatively high-profile indie outfit, Roadside Attractions. In recent years, Roadside has been a tidy little player in the Oscar race, scoring major nominations for "Winter's Bone," "Biutiful," "Albert Nobbs" and "Margin Call," in all cases against significant odds. However, they made their name with the Academy in the documentary race: founded in 2003, they landed their first nod less than two years later with "Super Size Me," and took the win five years later with "The Cove."
For the second day in a row, the return of a critically-adored comedy has been delayed. But where NBC decided to shelve "Community" for now, Louis C.K. was the man who decided that "Louie" won't be returning until the spring of 2014, rather than the summer 2013 schedule we all assumed.
C.K. has always made "Louie" his own way. He takes a much smaller production budget than an average cable scripted half-hour, and in exchange, FX mostly leaves him alone to make the exact show he wants to make. And he's decided that, in order to keep making exactly what he wants, he needs some extra time to do it.
Five years ago Alan Arkin won the Academy Award for Best Supporting Actor for his work in "Little Miss Sunshine," an award many thought would end up going to "Dreamgirls" star Eddie Murphy. He's back knocking on the door of another tip of the Academy's hat with his work as a cranky, seen-it-all film producer in Ben Affleck's "Argo." But he probably couldn't care less.
"To me that's a euphemism for saying, 'I liked your work,'" he says of awards speculation by telephone. "I'm just as happy with people saying that."
Nevertheless, as short-answered and moderately cantankerous as Arkin can be in an interview situation, there's something lovable there. He's not the sort who has to work the circuit hard to get kudos because, after all, we're talking about someone whose first nomination was 45 years ago (for "The Russians are Coming the Russians are Coming"). He's been there. Done that. So the terse replies to queries become a bit of a warm blanket that lets you admit, yes, this is all rather silly.
Pete Hammond reports that the Weinsteins have won yet another Oscar race: the annual scramble to see who can get the first formal For Your Consideration screener mailed out to voters -- an early-bird strategy that has previously paid off for under-the-radar contenders like "A Better Life" and "Frozen River." (Millennium sent out "Bernie" a while back, but it was a commercial disc that didn't comply with official Academy regulations.) The lucky beneficiary? French Oscar submission "The Intouchables" -- an obvious contender for Best Foreign Language Film, but a crowdpleaser that I think most pundits are underestimating in other categories. Omar Sy is an outside shot who shouldn't be discounted in the Best Actor race, while I recently added the film to my Best Original Screenplay predictions. [Deadline]
A review of last night's "How I Met Your Mother" coming up just as soon as I spend 7 grand on merch...