I somehow missed this when it appeared a few day ago, but A.O. Scott's essay on the year in movie heroines is essential reading. While noting the commercial and/or critical success of female-powered narratives ranging from "The Hunger Games" to "Brave" to "Beasts of the Southern Wild" to "Pitch Perfect" -- while noting the potential for "Zero Dark Thirty" to rule an otherwise male-dominated Oscar slate -- he's not so naive or patronising as to label 2012 any kind of Year of the Woman. Still, he does sense a recent uptick in studios' consideration of the intelligent female audience. "It should not, after all, be a big deal that movies like 'Bridesmaids' or 'The Hunger Games' exist," he writes, "perhaps because it should have been a bigger deal when such movies didn’t." [New York Times]
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A quick review of last night's "How I Met Your Mother" coming up just as soon as I dress like a Duluth streetwalker...
A few things happen in this episode on "The Real Housewives of Beverly Hills," many of them painfully mundane. Kyle gives her terror-behind-the-wheel Alexia a new Mercedes. Ken gets his hip replaced. Lisa reprimands one of her employees. Paul tries to barbecue and shows off his unfortunate back hair. None of this matters, because the focus of this episode is THE FIGHT. Yes, on a show that spews out verbal smackdowns the way Duggars pop out babies, this battle royale might actually be memorable past next week. In fact, I think it continues into next week, as that's the impression we get from the promo, and (thanks to the long, spidery reach of the Internet) it might have been the basis for a cease-and-desist letter against Brandi Glanville filed by Adrienne Maloof. So, whatever kickstarted this feud must have been horrible, right? There's no way of knowing, simply because Bravo didn't air it.
The Bad Robot offices occupy a large building in Santa Monica that you would never notice just driving by. I missed it the first time around the block, and had to circle back before I was able to hand off my car to the waiting valet. I was afraid I'd missed the start of today's "Star Trek Into Darkness" event, but ended up making it in just enough time to get my green wristband, join my group, and start the tour of the building, designed to give us a look inside one of next year's most anticipated sequels.
To be clear, there was one point in the day where we saw something we had to promise not to disclose. I wouldn't say it radically changed anything I'm going to share with you, but instead simply served to amp up my own enthusiasm because it was really, really, yes, I'm going to say it three whole times, REALLY cool.
If you're curious about the identity of the character played by Benedict Cumberbatch, Paramount took care of that earlier today, and they're not lying to you. They released an image of Zachary Quinto as Spock, Cumberbatch in the cell that held Loki and Silva, and Chris Pine as Captain James T. Motherscratchin' Kirk, and in the caption, they named him as "John Harrison."
HOLLYWOOD - Sony Pictures and Annapurna Productions brought their celebrated thriller "Zero Dark Thirty" to the Dolby Theater Monday night for what turned out to be a star studded premiere.
Maroon 5 becomes the latest band to get cheap labor for their new music video. Seriously, for “Daylight,” the latest track from “Overexposed,” the band asked their fans to turn in videos revealing some of their deepest thoughts and then a very patient editor tied them all together.
Some of the clips tie loosely into the song’s theme about desperately not wanting to leave someone at morning’s first light, but the tune is really only a jumping off point for a much deeper look at the human condition... and how hard it is to be a teenager.
Some of the responses to what people hate, what they love and what they regret are by turns funny, silly, and heartbreaking as people confess to a camera truths they have never told even their closest friends or talk about tremendous losses in their lives.
[More after the jump...]
The first thing Emmanuelle Riva wants me to know – before any mention of movies, careers or awards, before the word “Amour” even enters our conversation – is that she's feeling fine.
Admittedly, it's not an entirely unprompted statement. She's merely responding to my opening greeting, in which I mention how sorry I was to hear of her recent ill health – words which immediately draw a good-natured but puzzled laugh. “I'm sorry, illness?” she asks over the phone, via a translator, from her home in Paris. “I don't know what you mean.”
Nervous that I've kicked off an eagerly-awaited interview with an immediate faux pas, I sheepishly explain that her absence at the previous weekend's European Film Awards in Malta – where she was a popular winner of the Best Actress prize – had been explained by the presenter as the result of flu season. Happily, Riva cheerfully confirms, there must have been a misunderstanding. “I'm perfectly fine,” she says. “I was just tired. I've been doing interviews since Cannes!”
It’s still 2012, but 2013 is already shaping up to be the year of the Beyonce. Not only will Bey provide the half-time entertainment for Feb. 3’s Super Bowl and she’s directing her own
hagiography documentary to air on HBO Feb. 16, she is working on her new album with “Irreplaceable” collaborator Ne-Yo.
Ne-Yo, who was all over the place last week between his appearances on the Grammy Nominations concert, “Saturday Night Live” and Z-100’s Jingle Ball, tells MTV News that he and Beyonce are already in discussions about the new album. “Who knows? Maybe we’ll get another ‘Irreplaceable’ out of the batch,” he says.
Beyonce, who posted a photo of herself in the studio in November, has already reportedly logged studio time with hubby Jay-Z, The-Dream, Ryan Tedder, Kanye West, Diane Warren and Miguel for the follow-up to "4." Though there’s no release date or even an official announcement about a new album, The-Dream expects that we may hear some music early next year.“She’s already gearing up to get ready to put stuff out,” The-Dream told Billboard earlier this month. “I’m sure there will probably be a couple records you hear before the Super Bowl gets here.” As you recall, Madonna used her Super Bowl platform this year to promote new single, “Give Me All Your Luvin’.”
In other Beyonce news, the singer has expanded her partnership with Pepsi to the tune of $50 million, according to the New York Times, which includes media placements, promotions, and her fee. In addition to filming her fifth commercial in 10 years for the soda, her pretty pout will appear on Pepsi cans. The deal, the Times explains, also includes a fund for Pepsi to finance Beyonce’s “creative” projects, possibly ranging from live events, videos, and fashion shoots.
Though the category remains highly flexible, Amy Adams's position in the Best Supporting Actress race had been looking the tiniest bit precarious until recently. Though critically beloved, "The Master" is clearly not a consensus favorite, while her excellent work in it risks getting sidelined -- not just because of her more prominently featured male co-stars, but because the chilly tenor of her performance as a slyly controlling kewpie-doll wife doesn't invite the same emotional response as some of her chief rivals.
Things are looking up, though. A win from the Los Angeles critics, who came through for "The Master" in a big way, is a major boost, and today it was announced that Adams will receive the Cinema Vanguard Award at next month's Santa Barbara International Film Festival -- which, like Palm Springs, is a useful stop on the Oscar campaign trail.