Someone asked me today what looks like a Best Picture winner in these early days, with many things seen, a few still to come. With so many having marks against them it's difficult to get a gauge on what could be "the one," and of course, it's silly to be mulling something like that over when the season has so many more secrets to tell. But my knee-jerk reaction was Tom Hooper's "Les Misérables."
Why? Well, it's in the enviable position of still being a bit of a mystery, for starters. Hooper, of course, is coming off his big win for "The King's Speech" in 2010, which made him a commodity in Hollywood. The campaign is taking flight, the early notes revolving around the live singing employed by the film (which, frankly, from a sound mixing standpoint, makes it immediately more interesting in the musical realm than most). But more to the point, there's a lot of tangible thematic resilience in the story that could find the right stride in today's world. Well, let's just say there's a case to be made on that score by a smart campaign, anyway.