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<p>George Clooney and Stacey Keibler walk the red carpet at the Los Angeles premiere of &quot;Argo.&quot;</p>

George Clooney and Stacey Keibler walk the red carpet at the Los Angeles premiere of "Argo."

Credit: AP Photo/Chris PIzzello

Clooney and Affleck bring 'Argo' to Hollywood

Oscar player brings its wares back home

BEVERLY HILLS - After triumphant screenings at Telluride and Toronto, Warner Bros. held the official Los Angeles premiere for Ben Affleck's "Argo" at the Academy's Samuel Goldwyn Theater Thursday night and it had to be characterized as a rousing success.  

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<p>Daniel Craig doesn't let anything ruffle him, even as he tears the back end off of a train in the first clip from the new James Bond film &quot;Skyfall'</p>

Daniel Craig doesn't let anything ruffle him, even as he tears the back end off of a train in the first clip from the new James Bond film "Skyfall'

Credit: Sony Pictures

The first 'Skyfall' clip shows off James Bond versus a train

Daniel Craig seems to be closer to the classic Bond than ever before

I can think of no better way to kick off Global James Bond Day than with the first official clip from "Skyfall."

The buzz on this film is building now, and it makes sense.  We are, after all, only a month out from the release.  I've talked to at least one person who saw a rough cut of the film, and their reaction to it was unbridled enthusiasm.  It sounds like Sam Mendes didn't just make a good Bond film, but actually nailed the idea that this has to serve as a celebration of the 50 years that Bond has been a presence in the world of international cinema.  That's a huge legacy to try to encapsulate in a single film, but the word I'm hearing is that he did it, and that fans of the series are going to be positively flattened by the movie.

I find it amazing that there are still people who seem unhappy about Daniel Craig playing James Bond.  He's about as perfect for the role as anyone I could imagine, and I think the choices he makes in the role are exciting.  It's important to me that on some level Bond has to be scary.  That's the biggest problem I have with Roger Moore as I rematch the movies right now.  I just don't think he's intimidating at all, and one of the things that defines James Bond is his license to kill.  Craig's Bond has proven himself capable of killing pretty much anyone he gets his hands on, and there's something kind of glorious about what a cultured ape he is.

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Jennifer Morrison

 Jennifer Morrison

Credit: HitFix

Watch: Jennifer Morrison talks about 'darker side' of 'Once Upon A Time'

The star says the show will explore a 'post-apocalyptic fairy tale land'

Last season on "Once Upon A Time," we learned that the dreaded curse of the evil queen/Regina (Lana Parrilla) had finally been broken. So, of course we eagerly awaited last week's premiere, when Regina would get her comeuppance, right? Not exactly. Regina slips off the hook, and a wraith drags Emma (Jennifer Morrison) and Snow White/Mary Margaret (Ginnifer Goodwin) into post-curse fairytale land -- where Mulan (Jamie Chung) is none too pleased to see either of them. I spoke to Morrison about what's next for unlucky Emma, the "final battle" ahead, and why she won't be getting into a corset anytime soon.

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<p>Mumford and Sons</p>

Mumford and Sons

Mumford & Sons tie the Beatles for most songs on Billboard Hot 100 concurrently

Six songs from 'Babel' land on the chart

It’s a good week to be in Mumford & Sons. In addition to scoring the year’s best-selling opening sales week with “Babel,” the group has landed another coup: Six songs from “Babel” are on the current Billboard Hot 100 chart, making  M&S the first band to land a sextet of songs on the chart simultaneously since the Beatles 48 years ago.

The band's Ben Lovett has jokingly referred to M&S as "a poor man's version of the Beatles," after portraying a Beatles cover band on "Saturday Night Live." Now they’re linked in a way he could have never imagined.

In addition to first single “I Will Wait,” which is No. 57, also in the Hot 100 are “Babel,” (No. 60), "Lover's Eyes" (No. 85), "Whispers in the Dark" (No. 86), "Holland Road" (No. 92) and "Ghosts That We Knew" (No. 94), according to Billboard.

The Beatles achieved the feat with songs from  “A Hard Day’s Night” the week of Sept. 19, 1974.  However, Mumford & Sons has quite a long way to to go surpass the Beatles record, set in April 1964, when the group has a staggering 14 songs concurrently on the Hot 100.


 

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<p>&quot;Not Fade Away&quot;</p>

"Not Fade Away"

Credit: Paramount Pictures

David Chase's 'Not Fade Away' captures the boomer spirit of art and inspiration

NYFF's Centerpiece selection gets its close-up on the Beatles' 50th anniversary

NEW YORK -- It was either serendipity or programming genius that the first NYFF press screening of David Chase's "Not Fade Away" was held today on the 50th anniversary of a seminal moment in the history of rock and roll: the release of the Beatles' first single, "Love Me Do." The fab four's burst onto the scene is in fact one of the moments depicted in Chase's directorial debut that sends its protagonists on a journey of self-discovery and artistic awakening.

It's an era Chase captures with joy and passion in a film both funny and, at times, profound. Indeed, the theme of the film, Chase said in a post-screening press conference, is the conflict between security and freedom. "Human beings are always in that conflict of, 'I want to be part of something, I want to be babied, I want to be taken care of' and 'I also want to tell everybody to go fuck yourself and I'm free and I want to do what I want and I'm just my own person," he said. "That's one of the things that launched the movie in my mind."

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Oscar Talk: Ep. 90 -- The Academy settles on an Oscar host

Oscar Talk: Ep. 90 -- The Academy settles on an Oscar host

Also: Digging into Best Actress and indies looking to swing back around

Welcome to Oscar Talk.

In case you're new to the site and/or the podcast, Oscar Talk is a weekly kudocast, your one-stop awards chat shop between yours truly and Anne Thompson of Thompson on Hollywood. The podcast is weekly, every Friday throughout the season, charting the ups and downs of contenders along the way. Plenty of things change en route to Oscar's stage and we're here to address it all as it unfolds.

This week the New York Film Festival rages on and the Academy made a pretty significant announcement, among other bits and bobs that bubble up. So let's see what's on the docket today...

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<p>Zac Efron in &quot;The Paperboy.&quot;</p>

Zac Efron in "The Paperboy."

Credit: Millennium Entertainment

Tell us what you thought of 'The Paperboy'

Lee Daniels' swampy Southern thriller hits theaters today

I'll be honest with you: sometimes we put up these posts as a formality. In this case, however, I couldn't be more curious to know what you make of Lee Daniels' deranged, divisive and rather delicious adaptation of Pete Dexter's bayou thriller, a crispy-coated trash pastiche that is at once knowing and brazenly heedless, and features outstanding performances from Nicole Kidman (who career we celebrated in Top 10 form this week) and Macy Gray. It received a critical drubbing at Cannes, where I was one of its few defenders, but is unsurprisingly gaining in stature after being marked in some quarters as a future cult item: Roger Ebert is a fan, while A.O. Scott calls a "hot mess," and means it as a compliment. Go see where you land, then rate the film and share your thoughts in the comments.

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<p>Tina Fey on &quot;30 Rock.&quot;</p>

Tina Fey on "30 Rock."

Credit: NBC

Season premiere review: '30 Rock' - 'The Beginning of the End'

Liz figures out Jack's new programming strategy and has to play Maid of Honor to Jenna

"30 Rock" is back for its final season, and I have a review of the premiere coming up just as soon as I spend a full hour with Gary Sinise's band...

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<p>Mel Brooks in &quot;Blazing Saddles.&quot;</p>

Mel Brooks in "Blazing Saddles."

Credit: Warner Bros. Pictures

Roundup: Mel Brooks to be honored by the AFI

Also: 'Lincoln' to play NYFF, and parents oppose Seth MacFarlane

The American Film Institute announced this morning that Oscar-winning all-rounder Mel Brooks will receive the institution's Life Achievement Award next June, at a gala tribute event to be aired on TNT. The 86 year-old actor-writer-director-producer was actually honored by the Academy at the earliest opportunity, winning the Best Original Screenplay Oscar for his 1968 debut feature "The Producers," before 1970s streak of genre-pastiche comedies including "Blazing Saddles," "Young Frankenstein," "High Anxiety" and "Silent Movie." AFI chairman Howard Stringer says, "Mel Brooks is America's long-reigning king of comedy... a master of an art form that rarely gets the respect it deserves." [LA Times]

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<p>Christopher Walken and Sam Rockwell together are an intimidating challenge for an interviewer</p>

Christopher Walken and Sam Rockwell together are an intimidating challenge for an interviewer

Credit: HitFix

Watch: Christopher Walken and Sam Rockwell on the lunacy of 'Seven Psychopaths'

Two of cinema's great eccentrics at once? Interview heaven.

Christopher Walken and Sam Rockwell in one room together promises to be a whole lot of energy to try to manage during an interview.

Of course, neither of these men is easily summed up by their onscreen personas, and Rockwell in particular is a guy who I think comes across very different in a face-to-face situation than he does onscreen.  He is one of our great oddballs on film, and it is one of cinema's unbreakable rules that any film where Rockwell dances is automatically better because he dances.

Walken is also a remarkable dancer, of course, as any fan of "Pennies From Heaven" or the Fatboy Slim "Weapon Of Choice" video can attest, but he's also a tremendous actor who has managed to become a larger-than-life figure.  Some films trade openly on that idea and cast him to play "Christopher Walken," and some films cast him for his considerable chops and his ability to create memorable characters.  "Seven Psychopaths" is a little bit of both.  While there is dialogue that absolutely sounds like it was crafted to trip off his tongue with his trademark pauses to punctuate things, he's also enormously touching in the way he gives life to what could have been a cartoon in lesser hands.

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Jayma Mays and Matthew Morrison on "Glee"

Jayma Mays and Matthew Morrison on "Glee"

Credit: Fox

'Glee' recap: 'The Break-Up' doesn't know when to quit

The question isn't who broke up, it's who didn't?

"Glee" has pushed all sorts of emotional buttons for me in the past, so why did "The Break-Up" leave me dry-eyed and irritated? Am I grumpy? Heartless? Horrible?

Perhaps.

I'm also frustrated by the feeling that we've seen this all before, that it won't mean much in the long run, that the powers that be are only messing with fans who have invested a lot of time in and developed affection for relationships that didn't need to be simultaneously blown apart in an hour long episode of break-up porn.

Sometimes break-ups are necessary, and that hurts. But "The Break-Up" wasn't necessary, it was nonsensical.

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"Project Runway"

"Project Runway"

Credit: Lifetime

'Project Runway' recap: 'In A Place Far, Far Away'

The designers must do an avant-garde challenge for their last shot at Fashion Week

Oh my Lord & Taylor, we're down to the final five. Where has the time gone? I think they need to have a little montage of designers who have gone before and fallen at the hands of Heidi's auf-ing, sort of like something out of the Hunger Games, but less violent. Remember Elena? Remember Ven? Remember that old lady who snuck out before she could get eliminated? Oh, those were the days!

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