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I posted my review of ABC's "Nashville" on Monday now it's your turn. What did everybody else think of it? If you're a country music fan, did you find the original songs good (and/or plausible as hits)? Did you think the odds were too stacked in Mrs. Coach's favor? Are you looking forward to Cy Tolliver vs. Bunny Colvin, or does the political angle feel like a distraction from the main story? And will you watch again?
Have at it.
I posted my review of NBC's "Chicago Fire" this afternoon. Now it's your turn. For those of you who watched, what did you think? Was the beefcake and cheesecake on display interesting enough? Did you find the characters compelling? Were the fires cool? How do you feel about Jesse Spencer playing American after eight years as Dr. Chase? And will you watch again?
Have at it.
It looks like The Weinstein Company and Columbia are on track for that Christmas Day opening for "Django Unchained" after all.
I would not have been shocked to learn that they were moving it until 2013. After all, production ran much longer than expected, and Tarantino was constantly tweaking and adjusting the script during production. I'm sure that's a good thing, and everything I've heard from people on the film is that it's coming together really well. But sometimes it takes longer to get a film right than is originally planned, and this looked like one of those cases.
In addition, this is the first time Tarantino has made a film without his editor, Sally Menke, and she was a pretty important part of his process. Fred Raskin, who is cutting the film, served under Menke on a few films, and he's been an assistant editor on a number of films like "Boogie Nights" and "Insomnia" and "Punch-Drunk Love." He's also been sole editor on the last three "Fast and Furious" movies as well as Justin Lin's "Annapolis," and my guess is Tarantino wanted some sense of continuity, and Raskin was around during the "Kill Bill" films, so there's already a certain level of comfort.
I posted my review of the CW's "Arrow" yesterday. Now it's your turn. Whether or not you're a fan of the Green Arrow comics, what did you think of the show? Did Stephen Amell seem suitably superheroic for you? Does anyone want to try his workout regimen? Was the character too Batman-esque, or is that the best way to approach the character in live-action? And will you watch again?
Have at it.
Wednesday's (October 10) episode of "The X Factor" is a bit of a hodge-podge, as your local cable listings probably correctly note that it's half-Boot Camp and half-Judges' Homes.
I believe this means we're going to spend an hour cutting the field to 24 and then we're gonna hang out with L.A. Reid and Justin Bieber.
Click through and let's get this live-blog started!
Jack White found a break dancer laying around somewhere and hoisted him into his music video for "I'm Shakin'," the cover clip also featuring White performing in a battle against himself.
This complicated matter ends at that. It features all his new, favorite adoptive colors -- black and blue instead of his previously heralded red and white -- and styled his gifted backing band so that they're ready for a Quentin Tarantino fight scene. The Buzzards vs. the Peacocks, to be precise.
Shailene Woodley's work in "The Descendants" was a revelation, and a major announcement for her as a talent to watch. Since then, she has not been in overkill media hype mode, which is nice. She went back to the TV show she stars in and she has, no doubt, been reading and meeting people and looking for the next thing she'd do.
Playing Mary Jane Watson in "The Amazing Spider-Man 2" sounds like a pretty good gig.
Variety is reporting that Woodley is in early talks to play the part, and she would be joining returning stars Andrew Garfield and Emma Stone, no doubt complicating the easy chemistry they displayed in the first film. Woodley seems much younger than Garfield, but I'm sure they've put them together at this point if they're getting close to hiring her, and returning director Marc Webb must be happy with what he's seen.
One Direction, Taylor Swift and Adele all zoom into the Billboard Hot 100 this week with new songs.
Before we get more into that, Maroon 5 does the nearly impossible by holding Psy’s “Gangnam Style” at bay one more week as “One More Night” chalks up its fourth week at No. 1. “Style” boasts more streaming and sales than “Night,” but “Night’s” airplay kept it in the top spot. The Billboard Hot 100 tabulates airplay, streaming and digital downloads to determine a song’s position.
On to the newbies: One Direction’s “Live Like We’re Young” zooms onto the chart at No. 3, propelling largely by its 341,000 downloads. Swift’s “Red,” the third song previewed from her upcoming album of the same name, comes in at No. 6. (The previous two “Red” tunes, official first single “We Are Never Ever Getting Back Together” and “Begin Again,” peaked at No. 1 and No. 7, respectively).
Adele’s James Bond theme, “Skyfall,” launches at No. 8, the singer’s highest debut yet, according to Billboard.
Filling in the rest of the Top 10: fun.’s “Some Nights” falls 3-4, Justin Bieber’s “As Long As You Love Me” featuring Big Sean slips one spot to No. 7, Pink’s “Blow Me (One Last Kiss)” drops 5-9 and Alex Clare’s “Too Close” slides 9-10.
The 56th BFI London Film Festival kicks off tonight with the UK premiere of Tim Burton’s “Frankenweenie” -- it's playing as I write this, in fact -- but Burton’s moment at the festival isn’t limited to the curtain-raiser. Indeed, a couple of further showcase events have combined to make the kooky London-based director the festival’s unofficial mascot – in tandem with his personal and professional partner in crime, Helena Bonham Carter.
Indeed, there’s a pleasing symmetry to Burton and Bonham Carter’s presence at the LFF. While he is opening proceedings, she gets to see them out: the festival will close on October 21 with Mike Newell’s new adaptation of “Great Expectations,” in which she takes on the plum role of Miss Havisham. Perhaps not entirely coincidentally, the selections ensure that the offbeat couple could be in red-carpet attendance – in all their uncombed glory – at both ends of the fest. (It’s almost as if programmers were miffed that “Frankenweenie” is Burton’s first HBC-free project in 13 years. They mustn’t be separated, dammit.)
Kelly Clarkson has had it with your telling you how to live her life. On “Catch My Breath,” she declares she will forge her own path and you can’t keep her from wanting and doing it all.
[More after the jump...]