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Did you catch the debate tonight? Most seem to agree: no matter your politics, Jim Lehrer loses. Okay, maybe that's harsh. And you heard Romney, Lehrer has a pink slip coming anyway.
In any case, much has been made of Steven Spielberg's desire to keep "Lincoln" out of the election cycle so as to not be seen as attempting to impact the proceedings. Hence the AFI Fest premiere and a November release AFTER the election. Regardless, Disney isn't above using the occasion to drum up interest in the movie, and so a new two-minute TV spot aired tonight with the debate.
I get the feeling no one wrangles Bruce Willis.
Most of the time when a publicist wants to organize an interview, everything is rigorously scheduled. I've had several phone interviews this week, and in every case, there has been a flurry of e-mails and phone calls ahead of time to pin things down, including in almost every case a pre-call call just to make sure I'm really where I'm supposed to be and the conversation is really going to happen.
I got an e-mail from Sony asking if I'd be interested in talking to Bruce Willis about "Looper," and the answer to any query about whether or not you want to talk to Bruce Willis is, of course, "yes." I sent back my affirmation and then waited for a follow-up.
A full day and a half later, my phone rang, and I answered, right in the middle of trying to talk my kids into putting on pants. It was post-school, and they have recently decided on an all-underwear policy when they're relaxing after school, something I'm trying to discourage. In the middle of a debate that largely consisted of me saying things like, "I don't know why! You just need pants!", I picked up the phone, distracted and not expecting anyone in particular.
"Hi. Is this Drew?"
"Hi, Drew. This is Bruce Willis."
Farewell, "X Factor" auditions. We had some fun with you, but it's finally time to move on to something else. Anything else.
It's time for Boot Camp, which would be a lot like Hollywood Week on "American Idol," except that it's in Miami and, therefore, is completely different.
Wednesday's (October 3) episode is only an hour because of the debate, so let's get down to the business of singing!
When the Academy announced a fortnight ago that they were pulling next year's Oscar nominations announcement a full five days forward from the initially scheduled date, you'd have been forgiven for thinking -- from the howls of anguished confusion, rippled with the odd delighted cackle, across the Oscar blogosphere -- that they'd instead ruled all non-3D features ineligible for awards, or at least appointed James Franco the ceremony's solo host.
Some pundits' sense of disorientation was guilelessly geeky: We'll now know the Oscar slate for Best Film Editing before we do the Eddie nominees? Sacre bleu! Others, however, responded in a more conspiracy-minded fashion, sensing in the shift an open hostility to subordinate awards-season events. The rather specious explanation offered by the Academy for the move was that it was to allow voters more time to see the nominated films -- that it simultaneously allows them less time to see the far larger pool of films hunting for nominations was left tactfully unsaid.
In the last few days, the music world has had two episodes—one personal with Jason Aldean and one professional with the Foo Fighters’ Dave Grohl—that were dealt with directly and swiftly. As we head into the first presidential debate tonight, it seems to me that our politicians could learn a lot from how these issues were handled. In both cases, the artists acknowledged how important their voters, I mean fans, were to them and addressed the issues with clarity and, above all, honesty.
We’ll take the thornier one first. As Hitfix readers know, we don’t traffic in gossip, so we stayed away from reporting about country superstar Jason Aldean’s “run-in” with a woman at a bar in Los Angeles. But as you’ve probably seen by now, bright and early Sunday morning, photos of Aldean and former “American Idol” contestant Brittany Kerr appeared on TMZ. To use a beloved tabloid term, the two appeared to be “canoodling” just slightly more innocently than the level of the Kristen Stewart and Rupert Sanders. There were plenty of photos to incriminate Aldean, a married man, for acting inappropriately.
Within hours of the photos first surfacing, Aldean, who has a new album coming out Oct. 16, responded via Twitter and his FB page:
“I wanted to talk to you directly, so you were hearing the truth from me and not just reading allegations made about my personal life on gossip websites. The truth is that I screwed up. I had too much to drink, let the party get out of hand and acted inappropriately at a bar,” Aldean wrote. “I left alone, caught the bus to our next show, and that’s the end of the story. I ultimately ended up embarrassing my family and myself. I’m not perfect, and I’m sorry for disappointing you guys. I really appreciate being able to work through this privately with my family and for all your continued support.”
Here’s what Aldean did right:
*He tweeted the message instead of having it sent through his publicist, which, even though she undoubtedly held his hand in the process, gave it the feel that he was speaking directly to his fans, which is very important to country music fans who value the direct connect with artists.
*He owned up to his mistake without assigning blame to the photographers or Kerr or anyone else. He doesn’t say his actions were misinterpreted, nor does he feel any need to over explain. He takes responsibility and does not pass the buck.
*He stopped any potential rumors over whether their dalliance continued after he left the bar by stressing he left alone, etc... (of course, now he has a big old bullseye on his back and heaven help him if it comes out this was more than an isolated incident or there is more to this particular story).
*He apologizes without groveling to his fans, many of whom, according to message boards, seem all to willing to give him a pass and brand Kerr as a “slut” and “homewrecker.” He also mentions his family, but doesn’t apologize to them publicly as Stewart did to Rob Pattinson in her heartfelt, but cringeworthy, statement.
On Saturday, while playing the Global Citizen Festival in New York with his band the Foo Fighters, Grohl struck terror in the heart of the band’s fans when he announced from the stage that the band had no shows planned after this and “I don’t know when we’re gonna do it again.” Grohl said something similar when playing a U.K. festival this summer, but it didn’t set off the same panic.
Tuesday, aware that many fans wanted some clarification, Grohl’s publicist sent out a letter from him, which we originally ran yesterday.
Dave here. Just wanted to write and thank you all again from the bottom of my heart for another incredible year. (Our 18th, to be exact!) We truly never could have done any of this without you...
Never in my wildest dreams did I think Foo Fighters would make it this far. I never thought we COULD make it this far, to be honest. There were times when I didn't think the band would survive. There were times when I wanted to give up. But... I can't give up this band. And I never will. Because it's not just a band to me. It's my life. It's my family. It's my world.
Yes... I was serious. I'm not sure when the Foo Fighters are going to play again. It feels strange to say that, but it's a good thing for all of us to go away for a while. It's one of the reasons we're still here. Make sense? I never want to NOT be in this band. So, sometimes it's good to just... put it back in the garage for a while...
But, no gold watches or vacations just yet... I'll be focusing all of my energy on finishing up my Sound City documentary film and album for worldwide release in the very near future. A year in the making, it could be the biggest, most important project I've ever worked on. Get ready... it's coming.
Me, Taylor, Nate, Pat, Chris, and Rami... I'm sure we'll all see you out there... somewhere...
Thank you, thank you, thank you...
Here’s what Grohl did right:
*He thanks his fans in a way that is genuine...repeatedly.
*He assures the fans that this is a hiatus, not an end. He doesn’t have much more to say than he did on Saturday, other than to say that the Foo Fighters are “my life.” It’s nice to hear that a band means as much to the artist as it does to the fans. Sometimes, it doesn’t feel that way.
*He reassures, but doesn’t make any promises he can’t keep. Fans are no closer to knowing when they will get new music, if ever, from the Foo Fighters. There’s ambiguity and the fans have to live with that, but there’s also not the feeling that he’s leaving something left unsaid.
*Fans know where to find him. During the hiatus, he’ll be working hard on the documentary. He’s not disappearing.
Both of these statements could pass factcheck.org’s honest test.
As far as the latest dust-up between “American Idol” judges Mariah Carey and Nicki Minaj, we’ll leave that one to Nigel Lythgoe to figure out.
Richard Stark wrote 24 novels about Parker, and yet we've got no less than three film versions of the first book now, including Taylor Hackford's "Parker," where Jason Statham will step into the shoes once filled by both Lee Marvin ("Point Blank") and Mel Gibson ("Payback") in previous adaptations.
At some point, I'd love to hear the story of why this one particular novel keeps getting adapted while the rest of the series, which contains some truly remarkable books, has yet to really be mined as source material. Sure, Godard adapted one of the books loosely as "Made In USA" in the '60s, and there was another French film called "Mise a Sac" that used "The Score" as source material, also in the '60s. Jim Brown played a renamed version of Parker in "The Split," and Robert Duvall played a renamed Parker in "The Outfit". But we're talking about 24 books, and just a handful of movies. That's crazy.
I'm still not sure what to make of the title, but the trailer for "Movie 43" makes it look very slick and wildly offensive, and I'll admit that much of what I saw made me laugh.
The very, very, very red band trailer for the movie showed up today on the Comedy Central website, and just looking at the trailer, you can tell this has been kicking around for a while. It filmed in 2010 and is the work of a whole group of directors. Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, James Gunn, Bob Odenkirk and Brett Ratner all contributed to the picture, which was written by Steve Baker, Will Carlough, Patrik Forsberg, Matt Portenoy, Greg Pritikin, Rocky Russo, and Jeremy Sosenko.
Maroon 5’s “One More Night” squeaks by Psy’s surging “Gangnam Style” to spend its third week atop the Billboard Hot 100.
In the closest race for the top spot since February, “One More Night” grabs the crown because of its radio play and streaming, although “Gangnam Style” outsold “One More Night” by almost 100,000 digital downloads. The Hot 100 combines airplay, streaming, and digital sales.
That’s not the only excitement on the chart: Taylor Swift’s “Begin Again,” the second track she’s released from her forthcoming album, “Red,” blasts onto the Hot 100 at No. 7, making it the highest debut by a female since Katy Perry’s “Part of Me” entered the chart at No. 1 in March, according to Billboard. The first single from “Red,” “We Are Never Ever Getting Back Together,” spent three weeks at No. 1.
Otherwise, things remain fairly static on the Top 10. Fun.’s “Some Nights” remains at No. 3, Swift’s “Never” at No. 4 and Pink’s “Blow Me (One Last Kiss)” at No. 5.
Justin Bieber’s “As Long As You Love Me” featuring Big Sean rises 7-6. Flo Rida’s “Whistle” drops 6-8, Alex Clare’s “Too Close” holds at No. 9 and Owl City/Carly Rae Jepsen’s “Good Time” falls 8-10.
Outside the Top 10, Ke$ha’s “Die Young” enters at No. 13, while Rihanna’s “Diamond’s” starts its chart run at No. 16.
Yesterday I sat down with "Bernie" star Jack Black and director Richard Linklater to talk about their latest collaboration, which was critically acclaimed upon release but, as early releases tend to do, faded a bit as the season's big efforts took hold. But Millennium Entertainment is trying to stir a little consideration where it can, bringing the two to New York for a SoHo Apple Store conversation on Monday followed by a late-night soiree at Merc Bar downtown.
"Bernie" marks the second collaboration for Black and Linklater after 2003's "School of Rock." But, despite the fact that, as noted yesterday, Black really responded to Linklater's work as an independent filmmaker, he didn't really think of him for the film (which was written by his friend Mike White, who also stars). It was, in fact, the "stroke of brilliance" from a well-known producer that put the project together with the filmmaker, and the rest, as they say, was history.